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DJI Targets Vloggers With Pocket 2 Camera

The company's gimbal stabilized video camera, the Osmo Pocket, gets a rebrand and a new camera in its second-generation update.

 & Jim Fisher Principal Writer, Cameras

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Two years after the launch of the Osmo Pocket, DJI is refreshing its handheld, vlog-friendly video camera. The new model has a shorter name—DJI Pocket 2—a new wide-angle camera, support for 4K video at 60fps, and a robust accessory library.


Upgraded Lens and Audio

The concept is the same, though. The Pocket 2 is a pocketable (with the included case) video camera that keeps footage stable and level using a gimbal—the same type on DJI drones—so your vlogs will be silky smooth, and in 4K.

There are some changes to the camera. The Pocket 2 uses a wide (20mm equivalent) lens with an f/1.8 aperture, backed by a bigger-than-average 1/1.7-inch class sensor. There's also an 2x optical zoom, panoramic stitching for still photos (up to 64MP), and a slew of time-lapse and tracking options.

The in-camera microphones have been rethought, too. DJI has changed their positions, so you're less likely to block them when handholding the Pocket, and added directional pickup for clearer sound. You have the option of using an external mic too—as long as you buy the Pocket with its Creator Combo accessory bundle (more on that later).


On Its Own or With Your Phone

You can use the Pocket 2 as a standalone device. It has a small, square touch screen, but it's good enough for monitoring footage and navigating through the basic touch input. When using the Pocket as a standalone device, you'll install a small joystick and button combo into its accessory port—it's included.

If you prefer to use your phone's larger display, you'll plug the Pocket into its USB or Lightning port and drive the camera using the DJI Mimo app, available for Android and iOS handsets. You'll have to swap out the gimbal controller for the USB or Lightning connector, though—the Pocket 2 doesn't have its own Wi-Fi or Bluetooth system.

Connecting to your phone also connects the Pocket to the world. You can use it to stream to Facebook, YouTube, or services that use the RMTP protocol. The Mimo app also includes manual exposure control and automated video editing using what DJI calls Story templates.

Regardless of configuration, you'll need to add a microSD card to save footage and images—it's not included. The internal battery is good for about 140 minutes of use, and can be topped off via USB-C. The Pocket itself is quite light, just 4.1 ounces.


Pricing, Availability, and Accessory Options

The Pocket 2 goes on sale today for $349—for that price, you get the camera, its protective carrying sheath, the Mini Control Stick add-in, and a 1/4-inch tripod mount.

The first-generation Pocket had a slew of accessory options, but they weren't all available at the time of the camera's initial on-sale date, to the frustration of early adopters.

DJI promises better availability for Pocket 2 add-ons, and is offering camera in a bundle with several useful add-ons. The Creator Combo costs more than the standard edition, $499. In addition to the carrying case and Mini Control Stick, it includes a wide-angle conversion lens, wireless microphone, Micro Tripod and mount adapter, as well as the Do-It-All Handle, which adds Wi-Fi, Bluetooth, and a 3.5mm microphone input to the Pocket.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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