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Sony Alpha NEX-5T (Body)

 & Jim Fisher Principal Writer, Cameras

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Sony's Alpha NEX-5T mirrorless camera is simply last year's NEX-5R with added NFC support for quick image transfer to a smartphone. And the price has come down. So this isn't a bad thing. - Sony Alpha NEX-5T (Body)
4.0 Excellent

The Bottom Line

Sony's Alpha NEX-5T mirrorless camera is simply last year's NEX-5R with added NFC support for quick image transfer to a smartphone. And the price has come down. So this isn't a bad thing.

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Pros & Cons

    • Tilting, touch-screen LCD.
    • Wi-Fi with NFC support.
    • Excellent high ISO performance.
    • 10fps burst shooting.
    • Compact design.
    • 1080p60 video capture.
    • Optional EVF available.
    • No built-in flash or hot shoe.
    • Lacks a dedicated battery charger.
    • Not all camera apps are free.

Sony Alpha NEX-5T (Body) Specs

Battery Type Lithium Ion
Dimensions 2.4 by 4.4 by 1.5 inches
Display Resolution 921000
Lens Mount Sony E
Maximum ISO 25600
Maximum Waterproof Depth 0
Memory Card Format Memory Stick Pro Duo
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Sensor Resolution 16
Sensor Size APS-C 18 x 24
Sensor Type CMOS
Stabilization None
Touch Screen
Type Mirrorless
Video Resolution 1080i
Video Resolution 1080p
Viewfinder Type None
Weight 9.7

The Sony Alpha NEX-5T ($549.99 direct, body only) is, on a basic level, the same camera as last year's NEX-5R. Sony has added NFC support (Wi-Fi was already there in the 5R) and reduced the price of the body by $100. Everything else that was good about the 5R remains—including its excellent 16-megapixel APS-C image sensor, compact body, hybrid autofocus system, and sharp, hinged 3-inch touch-screen. It doesn't quite oust our Editors' Choice mirrorless camera, the Samsung NX300, from its perch, but it's still a very versatile high-quality shooter.

Design and Features
If you've handled the NEX-5R, the 5T will feel familiar. It retains the same 2.4-by-4.4-by-1.5-inch (HWD), 9.7-ounce chassis. It's not quite as compact as the entry-level NEX-3N (2.3 by 4.4 by 1.4 inches, 9.5 ounces), but it's better built. Most of the body is metal, although the handgrip has a textured polycarbonate finish. In addition to the body-only option, it's available in a kit with a zoom lens (24-75mm equivalent). The kit also offers a $100 cost savings compared with the 5R kit with the same lens.

The 3-inch touch-screen LCD packs a 921k-dot resolution. It's not quite the standout as it was when it was a class-leading design, but it's still an extremely sharp design. Most mirrorless cameras in this price class feature displays of similar resolution; the notable exception is the Olympus PEN Lite E-PL5 with its 460k-dot LCD. The display is quite responsive to touch—you can swipe to scroll through photos, touch an area of your frame to focus and fire the camera, and use your finger to navigate through menus. It's hinged, and can face all the way forward for self-portraits, a trick that it manages without giving up the ability to tilt it to face down so you can shoot with the camera raised above your head.

There's no hot shoe like on the NEX-6, but there is an accessory port. The 5R is the lone body to retain this interface, which is a carryover from Sony's first attempts at marketing a mirrorless camera. The 5R doesn't have a built-in flash, but there's a small add-on flash that connects to this accessory port. It can also accommodate the FDAEV1S Electronic Viewfinder, a tilting OLED EVF that is impressively sharp. If you're considering purchasing the add-on EVF, you may want to set your sights on the NEX-6; it's a little bulkier, but incorporates the EVF into its design, and uses the same image sensor as the 5T.

The control layout is identical to the 5R. The shutter release and power switch are combined, and you'll also find the programmable Fn button, movie record button, play button, and a control wheel on the top plate. The controls on the rear are all located behind the handgrip, to the right of the tilting LCD. They include two programmable function buttons, and a control dial with four directional buttons; these adjust ISO the drive mode, exposure compensation, and the information displayed on the LCD or in the EVF when shooting.

There's no physical mode dial; as with previous bodies in the NEX-5 series you're relegated to using an on-screen dial, activated by the button in the center of the rear control wheel. The menu system is also carried over, which for many, is a love it or hate it proposition. The main menu screen shows you a series of icons: Shoot Mode (the on-screen mode dial), Camera, Image Size, Brightness/Color, Playback, Application, and Setup. These each break down into a more detailed menu, and if you don't know them backwards and forwards you may struggle a bit to find the setting you're looking for. But once the camera is configured to your liking, you won't have to delve into these settings too often.

The new NFC feature allows you to pair automatically with a compatible phone, but if your phone doesn't have NFC, a password-protected connection is still possible. You'll be able to do the basics like transfer images to your iOS or Android smartphone out of the box; just download the free PlayMemories Mobile app to your phone or tablet.  But you can also download apps that run on your camera, expanding its capabilities. Free apps include the Smart Remote Control, which allows you to take control of the 5T using your phone or tablet, Direct Upload to send photos directly to PlayMemories Online, Facebook, and Flickr, Photo Retouch to perform basic image editing functions, and Picture Effect+ to add Instagram-like filters.

Then there are the paid apps. It's a shame that you Sony has opted to charge for expanding the functionality of a camera that commands a significant asking price. Prices range from $5 to $10, and if you were to buy the whole lot of available add-ons you'd be in for about $50. There are some that should arguably have been included with the camera to begin with—including Multi-Frame Noise Reduction ($4.99) and Lens Compensation ($9.99). The former improves image quality in dim light, while the latter removes the distortion, darkened corners, and chromatic aberration that some lenses exhibit.

Then there are the more special-use applications. Not everyone is in love with time lapse photography or automatic exposure bracketing, but you can add them to your NEX for $9.99 and $4.99 respectively. Cinematic Photo ($4.99) combines video with a still image, not unlike the Motion Snapshot function of the Nikon 1 J3 and other Nikon mirrorless cameras. Portrait Lighting ($4.99) brings up the exposure of faces and darkens the surrounding areas, a look that many prefer for portraiture, and Motion Shot ($4.99) takes a series of shots of action and shows your subject as they move through the frame in a single still image. The  oddest of the bunch is Light Shaft ($4.99); it adds a beam or point of light to your photos. That's a technique that can be striking if done well, but the example shots that Sony uses to show it off are anything but. If I sound a bit critical of the app store mentality it's because I am. The prices are high when compared with camera apps for iOS and Android, and I'd be much happier with the system if Sony offered these enhancements at no extra cost.

Final Thoughts

Sony's Alpha NEX-5T mirrorless camera is simply last year's NEX-5R with added NFC support for quick image transfer to a smartphone. And the price has come down. So this isn't a bad thing. - Sony Alpha NEX-5T (Body)

Sony Alpha NEX-5T (Body)

4.0 Excellent

Sony's Alpha NEX-5T mirrorless camera is simply last year's NEX-5R with added NFC support for quick image transfer to a smartphone. And the price has come down. So this isn't a bad thing.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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