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Nikon J3

 & Jim Fisher Principal Writer, Cameras

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The Nikon J3 compact interchageable lens camera is a speedy performer, but it isn't the best in low light, and lacks expansion options when compared with the competition. - Nikon J3
3.5 Good

The Bottom Line

The Nikon J3 compact interchageable lens camera is a speedy performer, but it isn't the best in low light, and lacks expansion options when compared with the competition.

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Pros & Cons

    • Compact.
    • 60fps burst shooting.
    • Zero shutter lag.
    • Innovative shooting modes.
    • 921k-dot display.
    • Quiet.
    • So-so kit lens.
    • Some loss of detail at high ISO settings.
    • No EVF or external flash support.
    • Limited lens selection.

Nikon J3 Specs

35mm Equivalent (Telephoto) 81 mm
35mm Equivalent (Wide) 27
Battery Type Lithium Ion
Dimensions 2.4 by 4 by 1.1 inches
Display Resolution 921000
Lens Mount Nikon 1
Maximum ISO 6400
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 3 x
Sensor Resolution 14.2
Sensor Size 13.2 x 8.8 (1")
Sensor Type CMOS
Stabilization In-Lens
Type Mirrorless
Video Resolution 1080i
Video Resolution 1080p
Video Resolution 720p
Viewfinder Type None
Weight 7.1

The J3 ($599.95 direct with 10-30mm lens) represents the third generation of Nikon's compact interchangeable lens camera system. It's a bit more mature in design than the J1, but no longer occupies the entry-level slot in the family. The smaller, less-expensive S1 is now the low-end body, ringing up at $100 less. The 14-megapixel J3 burst shoots at up to 60 frames per second, can capture slow-motion video, and has a couple of innovative shooting modes like Motion Snapshot and Slow View. It doesn't beat our current Editors' Choice Panasonic Lumix DMC-G5, which includes enthusiast-level features like a hot shoe and a built-in EVF, but casual shooters who are interested in a compact camera with some interesting features should give it some consideration.

Design and Features
Like its predecessor, the J3 is available in a number of colors. Out test camera was white, but it can also be had in black, silver, red, or beige. Regardless of the color you choose, the included 10-30mm (27-81mm equivalent) comes with the same finish. The camera measures a mere 2.4 by 4 by 1.1 inches (HWD), although the lens adds a couple of inches of depth when mounted. If you're the type of shooter who is interested in the improved image quality offered by an interchangeable lens camera, but don't think you'll ever buy an additional lens, you should also consider our Editors' Choice high-end point-and-shoot, the Sony Cyber-shot DSC-RX100SEE IT. Its image sensor is the same physical size, about 1-inch measured diagonally, and the lens is a faster 28-100mm f/1.8-4.9 design—you'll never be able to change lenses, but you can slide the camera into your pocket.

The J3 is designed for automatic operation, but it does give you access to some manual controls. On the top of the camera you'll find the On/Off button, a Movie button, the shutter release, and a mode dial. Instead of the standard PASM modes, the dial has settings for Motion Snapshot, Best Moment Capture, Auto, Creative, and Advanced Movie modes. Auto Mode is just as you would expect—it lets the camera take control of shooting settings, although you will still be able to control the Drive Mode, adjust the Flash output, and control Exposure Compensation (which adjusts the brightness of shots).

Shooters who are less familiar with camera settings can tap the F button on the rear of the camera in Auto mode, it brings up a menu that lets you control Nikon's Active D-Lighting system to adjust highlights and shadows, control background blur via the Background Softening setting, adjust the shutter speed via the Motion Control setting, and control the Exposure Compensation via a setting labeled Brightness Control. Aperture control and Shutter Speed are still available via traditional methods when shooting in one of the camera's Creative modes, but for folks who aren't intimately familiar with photographic terminology it's nice to have these options presented in more basic terms.

Creative Mode opens up Shutter priority, Aperture priority, and full Manual shooting to advanced users, but there are also a number of scene modes contained within. These include preset modes for shooting in low light and when working against a strong backlight, as well as more interesting modes like in-camera panorama, a simulated miniature effect, and a selective color mode. The miniature effect blurs the areas above and below your subject, making the photo appear to be of a diorama, and the selective color mode lets you shoot photos that are black and white, with only one color of the spectrum present in your images.

The Best Moment Capture setting has two modes from which to choose. Smart Photo Selector debuted with the J1 and is unchanged—it captures a burst of photos at 60fps and chooses the best five.  Slow View starts when you press the shutter halfway down, slowing down the live view feed for about six seconds. This lets you capture an action shot at just the right moment. The Motion Snapshot mode is still there as well—it captures a still as well as a few seconds of surrounding video and combines them into a short slow-motion video and still shot with music.

You're going to rely on the rear display to frame and review photos. At 3 inches in size it occupies most of the rear of the camera, and it's extremely sharp thanks to a 921k-dot resolution. Unlike some other interchangeable lens cameras, like Sony's NEX-F3£599.98 at Amazon UK, the screen is fixed—the NEX has a tilting display. The F3 also supports an external electronic viewfinder add-on, a capability that the J3 is lacking. You'll have to move up to the more expensive Nikon V2 if you want an EVF.

The J3 uses an electronic shutter rather than a traditional mechanical one—again, you'll have to move up to the V2 to get a Nikon 1 camera with a mechanical shutter. On one hand, the camera is silent when you shoot. But you do lose the ability to take flash photos at higher shutter speeds—the J3 tops out at 1/60-second when using the flash, while the V2 will let you snap photos with a flash at 1/250-second. This won't be an issue for the majority of folks who are considering the J3.

There is a built-in pop-up flash, a feature missing from Olympus Micro Four Thirds cameras like the PEN Lite E-PL5. The J1 had a somewhat ridiculous looking flash that popped straight up from the body on a skinny neck. The J3 has a more traditional flash that raises using a dual-action hinge design. The nicest thing about it is its ability to fire from any position—if you want to avoid the harsh look of direct flash you can tilt it back and bounce it off of a ceiling for a softer, more pleasant look. The flash that is built into the Sony NEX-F3 has a similar hinged design.

There's no Wi-Fi built into the camera, but you can add it by purchasing the WU-1b Wireless Mobile Adapter ($59.95). It plugs into the USB port on the side of the J3, so it does add some bulk, but makes it possible to transfer images to your smartphone. If you're looking for a compact interchangeable lens camera with built-in Wi-Fi, take a close look at the Samsung NX1000SEE IT and Sony Alpha NEX-5R. Both let you transfer photos to your phone and to social networking sites, without having to plug in an adapter.

Final Thoughts

The Nikon J3 compact interchageable lens camera is a speedy performer, but it isn't the best in low light, and lacks expansion options when compared with the competition. - Nikon J3

Nikon J3

3.5 Good

The Nikon J3 compact interchageable lens camera is a speedy performer, but it isn't the best in low light, and lacks expansion options when compared with the competition.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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