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Hitachi CP-AX2503

 & M. David Stone Contributing Editor

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Hitachi CP-AX2503 - Hitachi CP-AX2503
4.0 Excellent

The Bottom Line

The Hitachi CP-AX2503 ultra-short-throw projector can give you a big image with the projector just inches from the screen.
Best Deal£201.33

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£201.33

Pros & Cons

    • Ultra-short-throw.
    • Excellent quality for data images.
    • XGA (1,024-by-768) native resolution.
    • Bright image with good color quality.
    • No 3D support.

Hitachi CP-AX2503 Specs

Engine Type LCD
Inputs and Interfaces Analog VGA
Inputs and Interfaces HDMI
Native Resolution 1024 by 768
Rated Brightness 2700
Warranty 36
Weight 9.5

If you need a projector with XGA (1,024-by-768) native resolution and an ultra-short throw, be sure to include the Hitachi CP-AX2503 ($1,395) on your must-see list. Not only can it give you a big image in a tight space—with a measured 98-inch (diagonal) image at 13 inches from the front of the projector in my tests—but the image quality, for data images at least, is nothing short of excellent. The combination makes it our Editors' Choice for XGA ultra-short-throw projectors.

Like the Epson PowerLite 585W ($944.00 at Amazon) that's Editors' Choice for WXGA (1,280-by-800) ultra-short-throw projectors, the CP-AX2503 ($864.00 at Amazon) has the advantage of being built around three LCD chips rather than a single DLP chip.

The three-chip design guarantees that the CP-AX2503 will be free of the rainbow artifacts (flashes of red, green, and blue) that tend to show with most DLP projectors, including, for example, the Canon LV-8235 UST . It also ensures that the color brightness and white brightness match, so you don't have to worry about differences between the two affecting either color quality or the brightness of color images. With many single-chip DLP projectors, that can also be an issue. (For more on color brightness, see Color Brightness: What It Is, Why It Matters.)

The key disadvantage of the LCD design is that, unlike most DLP models, the CP-AX2503 doesn't offer any 3D support. For most applications this won't matter, since most people don't need 3D. If you need it, however, this obviously rules out the CP-AX2503, and you should be considering DLP models like the Canon LV-8235 or the Ricoh PJ WX4130N, which is our Editors' Choice for lightweight ultra-short-throw projectors.

Basics, Setup, and Throw Distance

The CP-AX2503 weighs 9 pounds 8 ounces and measures a relatively large 5.6 by 14.8 by 14.2 inches (HWD). Hitachi rates it at 2,700 lumens, which is appropriate for a small to midsize room. Like most ultra-short-throw models, it's most likely to wind up permanently installed with a wall mount, which is available as an option ($234). Mounting the projector just above the screen keeps it out of the way and makes it almost impossible to cast shadows even if you're standing next to the screen. However, you can also simply rest the projector on a flat surface just below and in front of the screen.

Still another alternative is to get the optional tabletop stand ($242). The stand holds the unit in a vertical orientation, with the image projected downward to the table's surface, turning the table into a projection screen.

Whichever position you choose, setup is mostly standard for an ultra-short-throw projector, with a focus control and no optical zoom. However, Hitachi adds one highly welcome extra, with a motorized focus that you can control from the remote, so you can stand far enough back to see the entire screen as you focus.

Image inputs on the side panel include two HDMI ports; one composite video port; and two VGA ports for computers or component video, one of which can be set for monitor-out. In addition there's a LAN port for sending images (but not audio), as well as for controlling the projector over a network. Two USB Type A ports let the projector read files directly from a USB memory key or take advantage of the optional Wi-Fi dongle ($99).

Hitachi did not provide the Wi-Fi dongle for my tests, but according to the company, in addition to letting you connect to your network through an access point, it will let you connect to the projector directly. Hitachi offers free apps for both displaying images and controlling the projector from an iOS or Android device.

For my tests, I set the projector up with a 98-inch (diagonal) image at its native 1,024-by-768 resolution. I measured the front of the projector at roughly 13 inches from the screen. The window near the back, where the image emerges, was an additional 11 inches away.

Brightness, Image Quality, and Audio

Using the Society of Motion Picture and Television Engineers (SMPTE) recommendations, and assuming a 1.0 gain screen, the CP-AX2503's 2,700 lumen rating is bright enough for roughly a 190- to 260-inch (diagonal) image in theater-dark lighting. With moderate ambient light, the appropriate size would drop to about 125 inches. You can also switch to one of the Eco modes, a lower brightness preset, or both, to lower the brightness for smaller screen sizes. The 98-inch image I used was certainly bright enough for a typical level of light for an office or classroom.

The projector offers particularly impressive quality for data images, handling our standard suite of DisplayMate tests without any problems worth mention. Colors were suitably vibrant, eye-catching, and nicely saturated in all modes. More important for most data applications, the CP-AX2503 handled detail extremely well. With text, for example, white characters on black were crisp and highly readable at sizes as small as 6.8 points. Black text on white was equally readable at 6 points.

Related Story See How We Test Projectors

Video quality is necessarily limited by the native resolution, which scales wide-format HD video down to nearly standard-definition resolution. In addition, colors in our test clips tended to be a little washed out. However, the quality is good enough to be watchable for long sessions, which is more than some data projectors can manage.

Also on the plus side, the 16-watt mono speaker delivers excellent sound quality along with enough volume to fill a small to midsize room. You can also plug an external system into the stereo audio output

If you need an ultra-short-throw projector that you can carry around easily, you might want to consider the Editors' Choice Ricoh PJ WX4130N, despite its WXGA resolution, even if what you really need is XGA and a 4:3 aspect ratio. Similarly, if you must have 3D, you'll need a DLP-based projector like the Ricoh model or the Canon LV-8235 UST.

That said, in the more likely case that you don't 3D or portability, and if XGA is the right resolution for the images you need to show, the Hitachi CP-AX2503 offers excellent image quality for data, watchable video, and useful features like motorized focus, a combination that makes it our Editors' Choice for XGA ultra-short-throw projectors.

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Further Reading

Final Thoughts

Hitachi CP-AX2503 - Hitachi CP-AX2503

Hitachi CP-AX2503 Review

4.0 Excellent

The Hitachi CP-AX2503 ultra-short-throw projector can give you a big image with the projector just inches from the screen.

Get It Now
Best Deal£201.33

Buy It Now

£201.33

About Our Expert

M. David Stone

M. David Stone

Contributing Editor

My Experience

Most of my current work for PCMag is about printers and projectors, but I've covered a wide variety of other subjects—in more than 4,000 pieces, over more than 40 years—including both computer-related areas and others ranging from ape language experiments, to politics, to cosmology, to space colonies. I've written for PCMag.com from its start, and for PC Magazine before that, as a Contributor, then a Contributing Editor, then as the Lead Analyst for Printers, Scanners, and Projectors, and now, after a short hiatus, back to Contributing Editor.

I'm pretty sure I'm the only person who worked on every "Project Printer" blockbuster PCMag ever produced, often writing 15 or more reviews for the year's big printer blowout. (I snuck in a single review one year when I was writing a book, strictly so I could keep that claim alive.)

I've always worked for PCMag as a freelancer, which has freed me to take time away to write nine books, be a major contributor to four others, and write for other publications, including Wired, Computer Shopper, Projector Central, and Science Digest, where I was Computers Editor. I also wrote a computer column at one point for The Newark Star-Ledger.

Although I started my career primarily as a science (mostly physics and astronomy) and science-fiction writer (published in Analog), my non-computer-related work runs the gamut from the Project Data Book for NASA's Upper Atmosphere Research Satellite (written for GE's Astro-Space Division) to the script for a video overview of a top company in the gaming industry (that would be gambling, not video games). My books include The Underground Guide to Color Printers (Addison-Wesley), Troubleshooting Your PC (Microsoft Press), and Faster, Smarter Digital Photography (Microsoft Press).

Having covered a wide range of subjects, I've developed a serial expertise in many of them. The ones most relevant to my current work at PCMag.com are all imaging technologies.

The Technology I Use

I buy new PCs for my writing desk infrequently, because it takes a week or more to customize the settings the way I want them. At the moment, I have an HP Envy tower running Windows 10, but it's old enough to have a Windows 7 sticker on it. Its latest lease on a longer life is courtesy of a newly installed 500GB Samsung SSD 870 EVO.

Elsewhere in my house is an assortment of older and newer PCs. The older ones are dedicated to specific tasks, like the one I've been using to slowly digitize all the paper stored in my filing cabinets, while the newer ones are testbeds for printer and projector reviews.

For writing, I use Microsoft Word 2003, because I find it too annoying to take my hands off the keyboard to give mouse commands using the Ribbon. My workhorse printers are a Xerox Phaser 6280 color laser and a Dymo LabelWriter 450 Twin Turbo for labels and stamps. I also have a Canon Pixma iP8720 for printing photos, and a Canon ImageFormula DR-C225 for scanning.

My first computer was bought to replace my IBM Selectric for writing. After rejecting both the IBM PC (which had just been introduced) and the Apple II because of the keyboards, I chose a Vector Graphics Vector 3 CP/M machine with dual floppies. The first MS-DOS machine I was willing to use for writing was the IBM AT, with its much-improved keyboard compared with the original PC and its gargantuan 20MB hard drive.

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