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Pentax HD DA 70mm F2.4 Limited

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Pentax HD DA 70mm F2.4 Limited - Pentax HD DA 70mm F2.4 Limited
4.0 Excellent

The Bottom Line

The Pentax HD DA 70mm F2.4 Limited is a sharp, compact lens that's great for portraiture.
Best Deal£599

Buy It Now

£599

Pros & Cons

    • Very sharp.
    • Minimal distortion.
    • Compact design.
    • Metal construction.
    • Not weather sealed.
    • Hood complicates filter changes.

Pentax HD DA 70mm F2.4 Limited Specs

35mm Equivalent (Telephoto) N/A mm
35mm Equivalent (Wide) 105
Dimensions 1.0 by 2.5 inches
Lens Mount Pentax K
Stabilization None
Type Lens
Weight 4.6

The Pentax HD DA 70mm F2.4 Limited ($499.95 direct) is a compact, short telephoto lens compatible with APS-C SLRs from Pentax. It covers roughly the same field of view as a 105mm lens on a full-frame camera and captures images that are quite crisp. It's part of the company's Limited lens series, and as such boasts a sturdy all-metal construction, as well as a compact design. But it omits the weather sealing that you get with even entry-level Pentax cameras. Its aperture is also a little narrow, especially when compared with the Pentax SMC FA 77mm F1.8 Limited ($899.95), a full-frame lens that's built to the same standard, and is quite compact in its own right, but more expensive.

Design
The 70mm F2.4 ($348.00 at Amazon) measures just 1 by 2.5 inches (HD) and weighs 4.6 ounces. It is identical in size and shape to the older SMC DA 70mm F2.4 Limited, but adds an improved HD lens coating and rounded aperture blades. It includes a screw-in, telescoping metal hood and a push-on lens cap. You'll have to take off the hood to add or remove a 49mm filter, which can be a pain if you frequenly employ varying levels of ND or a circular polarizing filter. You can buy the lens in silver or black, each with a red accent ring.

Pentax HD DA 70mm F2.4 Limited : Sample Image

The barrel is all metal, with a narrow, knurled manual focus ring at its front. The focus ring can be turned at any time, even when the camera is set to autofocus. A focus scale, marked in feet and meters, shows the distance at which the lens is set. It runs from the minimum focus distance (2.3 feet) to infinity, with hard stops at either end. The working distance is fine for portraiture, but certainly doesn't qualify the 70mm as a macro. At its closest working distance the lens magnifies objects at just 1:8.3 life-size.

Unlike most Pentax D-SLRs, and some lenses like the HD DA 20-40mm F2.8-4 ED Limited DC WR($496.95 at Amazon), the 70mm Limited is not weather sealed.

Pentax HD DA 70mm F2.4 Limited : Sample Image

Image Quality

I used Imatest to check the sharpness and distortion characteristics of the lens when paired with the 24-megapixel K-3($419.00 at Amazon). We consider an image to be sharp if it scores 1,800 lines per picture height using a center-weighted methodology. The 70mm notches 2,003 lines at f/2.4, with just a little bit of softness at the very edges of the frame. Narrowing the aperture to f/4 improves that figure to 2,319 lines, crisp from edge to edge, and the lens is at its best at f/5.6 where it records 2,396 lines.

Related Story See How We Test Digital Cameras

Distortion is a nonissue; the 70mm only shows about a half percent, which is irrelevant in field conditions. Illumination is also fairly even from edge to edge. The corners are slightly dimmer than the center, by about 1.3EV at f/2.4 and f/2.8, but at f/4 and narrower the difference is imperceptible.

Pentax HD DA 70mm F2.4 Limited : Sample Image (Full-Frame)

The 70mm isn't designed for use with a full-frame camera like the K-1 ($1,335.00 at Amazon) , but its image circle is large enough to cover the larger image sensor format, albeit with weak image quality at the outer third of the frame. At f/2.4 there's a moderate vignette and edges are blurry, but if you frame your subject toward the center they'll be hidden by depth of field. The vignette is gone at f/4, but the periphery of the frame remains blurred until you stop all the way down to f/16. It's not an ideal lens for the K-1, but if you're upgrading from an APS-C camera and don't have the budget to step up to the 77mm FA Limited immediately, the 70mm will get the job done in the meantime. The image above was shot with the K-1, with the 70mm set to f/2.4.

Conclusions
The Pentax HD DA 70mm F2.4 Limited is an impressive lens. It's well built, compact, and very sharp, even at its maximum aperture. There's a little softness at the edges at f/2.4, but that's a nonissue if you're using it for shallow depth of field portraiture, and by the time you get to f/4 the lens is tack sharp from edge to edge. The worst thing you can say about it is that it's not the FA 77mm Limited. That lens is legendary in the Pentax world; it's built to the same standards as the DA 70mm, and is capable of capturing even more light and a shallower depth of field when desired. It's also more expensive, but offers compatibility with full-frame cameras and has a very special look to it. The DA 70mm is no slouch, though, and if you value its compact size and are happy with an f/2.4 optic, it's an excellent choice.

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Final Thoughts

Pentax HD DA 70mm F2.4 Limited - Pentax HD DA 70mm F2.4 Limited

Pentax HD DA 70mm F2.4 Limited Review

4.0 Excellent

The Pentax HD DA 70mm F2.4 Limited is a sharp, compact lens that's great for portraiture.

Get It Now
Best Deal£599

Buy It Now

£599

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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