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Streaming Music Is Saving the Recording Industry

Paid and ad-supported music-streaming revenues are way up from when they started a decade and a half ago—enough to put recording-industry money at levels it hasn't seen in over a decade.

 & Eric Griffith Senior Editor, Features

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Can you trust an organization that tried to sue a dead woman? Perhaps it didn't track downloads accurately, but one thing the Recording Industry Association of America definitely does well is count money. The RIAA's US Sales Database graph is an excellent tool for looking at (legal!) music sales going back to 1973; our partners at Statista graphed it back to 1980. Here's the full chart: 


RIAA: 30 Years of US Music Sales

The recording industry has traveled a long way from 1999, when it earned an amazing $22.4 billion in the US during the heyday of the compact disc (that number is adjusted for inflation; the actual figure was $14.6 billion). But sales have made a major upswing since bottoming out in 2014, which was also the first year streaming music beat CDs

There have been two growth areas for music sales since then: streaming services (which includes payments to performers and copyright holders via SoundExchange) and vinyl LP/EPs (continuing their comeback, vinyl records are now almost at the level they attained in 1988, revenue-wise).

SoundExchange is the rights-management organization that makes sure creators of music get paid the correct licensing fees. It started in 2003 as a division of the RIAA but is now an independent nonprofit, and it's paid out over $5 billion in royalties since launching. A decade ago, Pandora argued that high web royalties would put it out of business, but obviously, things have been going well for the service and for other on-demand music streamers including Spotify, Apple Music, and Amazon Music, and others.

The chart above lumps together different types of streaming: paid services, ad-driven streaming, and the SoundExchange distributions. Together, they earned $8 billion in 2019, out of the total of $11.1 billion for all formats.  That's only halfway back to the glory days of 1999 (again, adjusted for inflation), but still.

Here's another look at it, percentage-wise. Streaming now makes up for a full 80 percent of music industry revenue. That's a nice gain in only 15 years. But note that it took CDs only 13 years, from 1983 to 1996, to hit the same percentage.


RIAA and Statista: The Streaming Takeover

That same time frame shows the epic sales that CDs were once responsible for.  Eventually, CDs were 93.9 percent of the of the music-industry revenue (in 2001). That was too many singing eggs in one format basket. No wonder the RIAA went into a panic at the turn of the century. Back in 2000, at their sales height, CDs were responsible for $13.2 billion in sales alone (before adjusting the numbers for inflation).


RIAA and Statista: The Rise and Fall of Compact Discs

For more interesting ways to look at the stats, check out the RIAA's interactive chart. The obvious takeaway is that subscribing to a music-streaming service is the way to go. (At least until the next great format comes along.) For a close look at the best, read The Best Online Music Streaming Services for 2020.

Further Reading

About Our Expert

Eric Griffith

Eric Griffith

Senior Editor, Features

My Experience

I've been writing about computers, the internet, and technology professionally since 1992, more than half of that time with PCMag. I arrived at the end of the print era of PC Magazine as a senior writer. I served for a time as managing editor of business coverage before settling back into the features team for the last decade and a half. I write features on all tech topics, plus I handle several special projects, including the Readers' Choice and Business Choice surveys and yearly coverage of the Best ISPs and Best Gaming ISPs, Best Products of the Year, and Best Brands (plus the Best Brands for Tech Support, Longevity, and Reliability).

I started in tech publishing right out of college, writing and editing stories about hardware and development tools. I migrated to software and hardware coverage for families, and I spent several years exclusively writing about the then-burgeoning technology called Wi-Fi. I was on the founding staff of several magazines, including Windows Sources, FamilyPC, and Access Internet Magazine. All of which are now defunct, and it's not my fault. I have freelanced for publications as diverse as Sony Style, Playboy.com, and Flux. I got my degree at Ithaca College in, of all things, television/radio. But I minored in writing so I'd have a future.

In my long-lost free time, I wrote some novels, a couple of which are not just on my hard drive: BETA TEST ("an unusually lighthearted apocalyptic tale," according to Publishers' Weekly) and a YA book called KALI: THE GHOSTING OF SEPULCHER BAY. Go get them on Kindle.

I work from my home in Ithaca, NY, and did it long before pandemics made it cool.

The Technology I Use

My first computer was a Laser 128, an Apple II-compatible clone with an integrated keyboard, matched with an eye-straining monochrome green monitor. I used it to type papers in college for other people for money...until I discovered the Mac SE in the college computer room. That changed my life. My first cellphone was a Samsung Uproar—the silver one with the built-in MP3 player from the Napster days (the pre-iPod era).

I use an iPhone 15 Pro hourly and an iPad Air infrequently (but I'm always in the market for a cheap Android tablet). I have a PlayStation 5 just to play Spider-Man, and several Windows machines, including a work-issued Lenovo ThinkPad. I talk to Alexa and Siri all day long. I do the majority of my computing on a 15-inch LG Gram laptop attached to a Thunderbolt hub to run a multi-monitor setup—I overdid it on the power needed to simply work from home.

I'm most at home in Microsoft Word after decades of writing there. More and more, I turn to services like Google Docs, using tools like Grammarly. I use Google's Chrome browser due to an addiction to several extensions I think I can't live without, but probably could. I use Excel extensively on data-intensive stories, but for chart creation, we've switched over entirely to using Infogram for interactive features that are hard to find elsewhere. I do a lot of graphics work for my stories, but limit myself to the free and amazing Paint.NET software to edit images.

I'm a firm evangelist for using the cloud for backup and syncing of files; I'm primarily using Dropbox, which has never failed me, but I also have redundant setups on Microsoft OneDrive, plus extra picture backups on Amazon Photos and iCloud. Why take chances? For entertainment, mine is a streaming-only household—my kid has never seen network TV and barely been exposed to commercials, thanks to Roku and Amazon Music. The house is peppered with smart speakers from Amazon for instant gratification and control of smart home devices like multiple Wyze cameras and Nest Protect smoke detectors. I've got accounts on all the major social networks, to my horror. I have a robot vacuum for each floor of the house. I want a 3D printer, but not sure what I'd use it for.

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