PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Olympus M.Zuiko Digital 1.4x Teleconverter MC-14

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
Olympus M.Zuiko Digital 1.4x Teleconverter MC-14 - Olympus M.Zuiko Digital 1.4x Teleconverter MC-14
4.0 Excellent

The Bottom Line

The Olympus M.Zuiko Digital 1.4x Teleconverter MC-14 extends the reach of select Olympus lenses without sacrificing image quality, but it does reduce the amount of light that the lens captures.
Best Deal£332.62

Buy It Now

£332.62

Pros & Cons

    • Compact.
    • Dust and splashproof design.
    • Extends reach of lens by 1.4x.
    • Very limited compatibility.
    • Halves light-gathering capability.

Olympus M.Zuiko Digital 1.4x Teleconverter MC-14 Specs

Dimensions 0.9 by 2.7" inches
Lens Mount Micro Four Thirds
Weight 6

The Olympus M.Zuiko Digital 1.4x Teleconverter MC-14 ($349.99) is a small accessory for select Olympus Micro Four Thirds lenses that extends the effective focal length by a factor of 1.4. The teleconverter doesn't significantly degrade image quality, which is good news for photographers who want to get a little bit more reach from their lenses, but like all 1.4x teleconverters it halves the amount of light that's captured by the lens. It won't work with every Micro Four Third lens, but if you do have one that it's compatible with and you want some extra reach, it's a worthwhile investment.

The MC-14 ($299.00 at Amazon)  is very small and light. It measures just 0.9 by 2.7 inches (HD) and weighs 6 ounces. It's easy to slide into a pocket when not in use—Olympus includes both front and rear caps and a protective carrying case. It mounts to your Micro Four Thirds camera, and has its own lens mount to which to attach a lens. Right now it can only be used with one lens, the M.Zuiko ED 40-150mm f2.8 PRO ($1,349.00 at Amazon) , but it will also work with the M.Zuiko Digital ED 300mm f4.0 PRO that is slated for a 2015 release. Both of those lenses are sealed against dust and moisture, as is the teleconverter.

Olympus M.Zuiko Digital 1.4x Teleconverter MC-14 : Sample Image

Related Story See How We Test Digital Cameras

I used Imatest to check and see how the MC-14 affected the sharpness and distortion characteristics of the M.Zuiko ED 40-150mm f2.8 PRO. The lens is one of the best telezooms that we've tested, and aside from limiting its maximum aperture to f/4, the teleconverter doesn't detract too much from image quality. At 40mm f/2.8 the M.Zuiko lens shows 2,357 lines per picture height on a center-weighted sharpness test, and that number drops to just 2,342 lines at 56mm f/4, the widest angle and aperture possible with the MC-14 attached.

There is a steeper decline in sharpness at 105mm f/4 (2,291 lines), compared with the lens at the same zoom position without the MC-14 attached (2,411 lines at 70mm f/2.8), but there's still plenty of detail in photos. At 150mm f/4 the lens and teleconverter combination shows 2,105 lines, versus 2,364 lines at 100mm f/2.8. All of these numbers are better than the 1,800 lines per picture height that we use to mark a photo as sharp, and that level of detail holds up to the edges of the frame. At no tested focal length did the lens drop below that mark.

Olympus M.Zuiko Digital 1.4x Teleconverter MC-14 : Sample Image

It's certainly helpful that the MC-14 is attached to such a good lens, but due to its design you won't be using it with anything besides lenses from Olympus's PRO series. In that regard, the Olympus M.Zuiko Digital 1.4x Teleconverter MC-14 is a little limited. But if you often shoots sports, nature, or other subject matter that requires extreme telephoto focal lengths, the MC-14 is a worthwhile accessory to add to your kit. It adds some versatility to an already great telezoom in the 40-150mm, and we look forward to seeing what it can do when paired with the upcoming 300mm—when you factor in its effect and the Micro Four Thirds sensor size, it will turn that lens into the equivalent of a 840mm f/5.6 prime on a full-frame system.

Best Camera Accessory Picks

Further Reading

Final Thoughts

Olympus M.Zuiko Digital 1.4x Teleconverter MC-14 - Olympus M.Zuiko Digital 1.4x Teleconverter MC-14

Olympus M.Zuiko Digital 1.4x Teleconverter MC-14 Review

4.0 Excellent

The Olympus M.Zuiko Digital 1.4x Teleconverter MC-14 extends the reach of select Olympus lenses without sacrificing image quality, but it does reduce the amount of light that the lens captures.

Get It Now
Best Deal£332.62

Buy It Now

£332.62

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio