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Leica Visoflex (Typ 020)

 & Jim Fisher Principal Writer, Cameras

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Leica Visoflex (Typ 020) - Leica Visoflex (Typ 020)
4.0 Excellent

The Bottom Line

The Leica Visoflex (Typ 020) is one of the better add-on EVFs that you can get for a mirrorless camera system, but it's expensive.
Best Deal£1392.54

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Pros & Cons

    • Very sharp.
    • Brings a big image to your eye.
    • Tilting design with lock.
    • Eye sensor.
    • Diopter correction.
    • Integrated GPS.
    • Pricey.
    • GPS can take a while to lock on.

Leica Visoflex (Typ 020) Specs

EVF Resolution 3700000
Viewfinder Type EVF

The Leica Visoflex (Typ 020) ($595) is the add-on EVF for the T (Typ 701) ($1,398.24 at Amazon) mirrorless camera. It's one of the better EVFs I've used—it packs more pixels than the Olympus VF-4 ($199.00 at Amazon) —but, like most things Leica, it's expensive. If you decide to buy into the T system, it's a worthwhile add-on, as it's quite pleasant to use and also adds GPS capability to the camera.

The Visoflex ($635.00 at Amazon) , named after a classic Leica accessory that converted an M rangefinder into an SLR, connects to the T via its accessory shoe. It's an LCD finder with a staggering 3,700k-dot resolution, and it brings a very large image to your eye. I looked at it side by side with the OLED EVF Sony uses in its Alpha 7 cameras under identical conditions. The Visoflex is just a little bit bigger, noticeably sharper, and a bit brighter to my eye.

From a usability standpoint, it's excellent. There's an eye sensor that automatically switches from the rear LCD to the EVF when you bring it up to your eye. It's not overly sensitive like the one on the Sony Alpha 7, so I didn't have to struggle with my torso accidentally switching it on when using the rear LCD. The EVF locks into a straight back position, but can also tilt all the way up to 90 degrees. There's no locking at increments in that range, but the hinge is strong and holds steady in the position which you've set it. There's a -3 to +3 diopter to adjust for your vision.

Leica Visoflex (Typ 020)The unique feature that the Visoflex brings to the table is GPS. Rather than build that functionality into the body, Leica opted to put it in the EVF. It's not the first time the company has taken that approach, as the M (Typ 240) ($2,969.00 at Amazon) has a multifunction handgrip accessory that adds GPS and a few additional ports. The GPS works well, accurately recording the position you were standing when a photograph was captured, but it does take a minute or two to acquire a signal. You'll want to pay attention to the satellite indicator on the camera's rear LCD (also shown in the EVF) to see if it has a signal—you'll probably have to leave the camera powered on for a couple of minutes in order to get the GPS to work when starting your day, but it locks on faster if you're staying in the same area to shoot.

If you decide to buy the T, I heartily recommend budgeting for the Visoflex (Typ 020) along with it, especially if you plan to use manual focus rangefinder lenses. It delivers a big, sharp image to your eye so you can focus with precision. It's also helpful on bright days. The T's rear display is plenty bright on its own accord, but the EVF is a lot more pleasant to use when sunlight is harsh. As an eyeglass wearer, I found myself having to cup my hand around it to really block out unwanted light, but that's the case with a lot of EVFs. Leica charges a lot for the Visoflex (Typ 020), but its quality is excellent. It's good enough that owners of other Leica cameras that use the older Visoflex EVF2 will be jealous that this new model isn't backward compatible.

Best Camera Accessory Picks

Further Reading

Final Thoughts

Leica Visoflex (Typ 020) - Leica Visoflex (Typ 020)

Leica Visoflex (Typ 020) Review

4.0 Excellent

The Leica Visoflex (Typ 020) is one of the better add-on EVFs that you can get for a mirrorless camera system, but it's expensive.

Get It Now
Best Deal£1392.54

Buy It Now

£1392.54

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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