PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Sony Electronic Viewfinder for Cyber-shot RX1

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
Sony Electronic Viewfinder for Cyber-shot RX1 - Sony Electronic Viewfinder for Cyber-shot RX1
4.0 Excellent

The Bottom Line

The Sony Electronic Viewfinder for Cyber-shot RX1 is a must-have add-on for RX1 owners, but it's expensive.
Best Deal£448

Buy It Now

£448

Pros & Cons

    • Extremely sharp.
    • Tilts 90 degrees.
    • Two eyecups included.
    • Ships with protective case.
    • Expensive.
    • Cannot lock position.

The Sony Electronic Viewfinder for Cyber-shot RX1 ($449.99 direct)($447.58 at Amazon) is an add-on viewfinder for Sony's full-frame compact camera, the Cyber-shot DSC-RX1($859.99 at Amazon). It slides into the camera's multi-accessory hot shoe and gives you an eye-level look at what would typically be fed to the RX1's rear LCD.

The finder is identical in size and design to the similar FDAEV1S Electronic Viewfinder for select Sony NEX cameras. It shares the same 2.4-megapixel OLED design with that finder as well as the EVFs that are built into Sony's top-end interchangeable lens cameras like the Alpha 99( at Amazon) and NEX-6($1,099.30 at Amazon). The EVF is hinged, so it can tilt straight up to 90 degrees, but it isn't possible to lock it at any position.

Photographers who prefer to put their eyes up to the camera, and those who expect to use the RX1 on the brightest of days, will appreciate the clarity the EVF provides. It's smaller and comprises more pixels than the camera's rear LCD. This results in an image that is fantastically clear, which is especially helpful when focusing manually. You can set the camera to manually switch between the LCD and EVF via the Finder/LCD button on the left side of the eyepiece, or set the change occur automatically via an eye-sensor. Sony includes two eyepieces—one with a larger flexible rubber eyecup and one with a smaller ridged plastic eyecup.

The Electronic Viewfinder is one of two external finder options that Sony offers for the RX1. The other, a fixed optical finder, doesn't show you what your focus or depth of field will be—it simply provides approximate framing. The optical finder is priced even higher, at $600, but you can get away with using any shoe-mount optical finder that matches the field of view of a 35mm lens. Many of these are available used for very little money, as they were a popular accessory with vintage rangefinder cameras.

The OLED EVF is a more modern take on this concept, offering completely accurate framing, real-time preview of your depth of field and exposure, and the automatic magnification as a focus aid when manual focus is enabled. It's expensive, but so is the RX1—if you're going to spend $2,800 on the camera, you should budget the extra $450 for the EVF as it greatly enhances the shooting experience. Being able to bring up the camera to your eye is a welcome feeling for experienced photographers, and if you're shooting on a bright day it will eliminate the glare that sometimes makes using a rear LCD a difficult proposition. It would be nice if you were able to lock it in the 0, 45-, and 90-degree positions, and it would be nice if it was less expensive; but you can't argue with the clarity that the high-resolution OLED display provides.

More Digital Camera Reviews:

Best Camera Accessory Picks

Further Reading

Final Thoughts

Sony Electronic Viewfinder for Cyber-shot RX1 - Sony Electronic Viewfinder for Cyber-shot RX1

Sony Electronic Viewfinder for Cyber-shot RX1 (FDA-EV1MK) Review

4.0 Excellent

The Sony Electronic Viewfinder for Cyber-shot RX1 is a must-have add-on for RX1 owners, but it's expensive.

Get It Now
Best Deal£448

Buy It Now

£448

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio