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Leica Elmarit-TL 18mm f/2.8 ASPH.

 & Jim Fisher Principal Writer, Cameras

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The Leica Elmarit-TL 18mm f/2.8 ASPH. is the slimmest, least expensive lens in the L system, but it makes optical compromises to get there. - Leica Elmarit-TL 18mm f/2.8 ASPH.
3.5 Good

The Bottom Line

The Leica Elmarit-TL 18mm f/2.8 ASPH. is the slimmest, least expensive lens in the L system, but it makes optical compromises to get there.

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Pros & Cons

    • Pancake design.
    • Minimal distortion.
    • Even illumination.
    • Controls chromatic aberration.
    • Quick focus.
    • Designed for use without hood.
    • Very light.
    • Off-center sharpness isn't great.
    • Not stabilized.

Leica Elmarit-TL 18mm f/2.8 ASPH. Specs

Dimensions 0.8 by 2.4 inches
Full-Frame Equivalent (Wide) 27
Mount Leica L
Optical Stabilization None
Weight 2.8

Introduced at the same time as the new CL camera, the Leica Elmarit-TL 18mm f/2.8 ASPH. ($1,295) fills a couple gaps in the system. It's now the widest and slimmest prime lens available, the latter aspect a big plus for use with the compact CL and TL2 mirrorless cameras. But to achieve its size and, in Leica terms, relatively low asking price, there's a drop in sharpness as you move away from the center of the frame. If that's a compromise you're willing to make, the 18mm f/2.8 ASPH. is worth a look. But if you want crisper performance and the convenience of a zoom, the Super-Vario-Elmar-T 11-23mm f/3.5-4.5 ASPH. is a better choice.

Design

We call the Elmarit-TL 18mm a pancake lens because of its fairly flat, circular design. It measures 0.8 by 2.4 inches (HD), weighs just 2.8 ounces, and supports 39mm front filters. There's no lens hood included, but according to Leica that's a feature, not a detriment; The lens is designed to be used without a hood, so you can take full advantage of its small form factor.

Leica Elmarit-TL 18mm f/2.8 ASPH. : Sample Image

The lens is available in black or silver, housed in a metal barrel. The design is understated, with 18 printed at the top of the barrel in yellow print and Leica branding in white surrounding the front element. The signature Leica red dot is placed on the barrel and shows you how to position the lens to mount it to the camera.

There are no switches or controls, save the standard manual focus ring. Manual focus is an electronic affair, so you don't get tactile feedback when adjusting it. The ring turns comfortably, and offers some resistance, to make manual focus adjustments more pleasant.

Leica Elmarit-TL 18mm f/2.8 ASPH. : Sample Image

The minimum focus distance is 11.8 inches (0.3-meter), which is a bit limiting. The lens captures a field of view equivalent to a 27mm full-frame lens, which typically focus to 9.8 inches or so. It's not a huge difference, but you may find yourself backing up a little bit to get a shot.

The lens omits optical stabilization, a feature that's not included with any APS-C lens for the L-mount system. The only stabilized mirrorless lenses currently available from Leica are the full-frame 24-90mm and 90-280mm zooms. They both work with APS-C bodies, but are a bit too large to handle comfortably with the svelte CL and TL2 cameras.

Leica Elmarit-TL 18mm f/2.8 ASPH. : Sample Image

Image Quality

I tested the 18mm with the 24MP Leica CL . It uses the same image sensor as the TL2, so we expect identical performance when paired with Leica's other current APS-C L-mount body.

Related Story See How We Test Digital Cameras

At f/2.8 the lens scores 1,649 lines on Imatest's center-weighted sharpness test. That's less than the 1,800 we want to see from a lens. The central area of the frame does show good results (1,983 lines)—but as you move away from the edges details soften. It's not something that's going to kill an image when viewed on a screen, but if you want to make big prints you'll notice it.

Leica Elmarit-TL 18mm f/2.8 ASPH. : Sample Image

Stopping down to f/4 improves overall image quality. The average resolution climbs to 1,751 lines, with a sharp central area that's crisper (2,192 lines) and larger than what you get at f/2.8. Image quality remains fairly steady at f/5.6 (1,783 lines) and f/8 (1,771 lines). Diffraction detracts from resolution at f/11 (1,616 lines) and f/16 (1,347 lines).

The 18mm might not be the sharpest lens in your toolkit, but it does deliver in other areas. Distortion is controlled: We see about 0.9 percent of the barrel variety, which is negligible in the field. Illumination is even across the frame from f/4 onward, and even at f/2.8 the corners only lag behind the center brightness by -1.2EV. That's outside our -1EV tolerance, but just barely. Finally, I can't find any evidence of color fringing caused by chromatic aberration in images, even in areas of high contrast towards the edge of the frame, where they are likely to appear.

Leica Elmarit-TL 18mm f/2.8 ASPH. : Sample Image

Conclusions

The Leica Elmarit-TL 18mm f/2.8 ASPH. is one of the smallest, lightest mirrorless lenses available for any APS-C system. That alone makes it desirable, especially when paired with the CL or TL2 ($1,950.00 at GoldenMine) , for days when you want to carry a light kit. It does make some optical compromises to get there, typical of a wide-angle pancake. Leica gear is expensive when compared with competing systems, but the Elmarit-TL is the least expensive lens you can get for its mirrorless system, and can be had at a discount when bought along with the CL body. We like it for its size and wide angle field of view, even if it doesn't deliver sharpness up to the edges of the frame. If that's what you're after, spend a bit more on the larger 11-23mm zoom.

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Further Reading

Final Thoughts

The Leica Elmarit-TL 18mm f/2.8 ASPH. is the slimmest, least expensive lens in the L system, but it makes optical compromises to get there. - Leica Elmarit-TL 18mm f/2.8 ASPH.

Leica Elmarit-TL 18mm f/2.8 ASPH.

3.5 Good

The Leica Elmarit-TL 18mm f/2.8 ASPH. is the slimmest, least expensive lens in the L system, but it makes optical compromises to get there.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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