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Samsung NX-M 9mm f/3.5 Review

 & Jim Fisher Principal Writer, Cameras

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The Samsung NX-M 9mm f/3.5 is a sharp, wide-angle prime for the NX Mini camera system, but its edges are a bit soft. - Samsung NX-M 9mm f/3.5
3.5 Good

The Bottom Line

The Samsung NX-M 9mm f/3.5 is a sharp, wide-angle prime for the NX Mini camera system, but its edges are a bit soft.
Best Deal£190.47

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Pros & Cons

    • Very compact.
    • Sharp through most of frame.
    • Wide-angle field of view.
    • Lacks optical stabilization.
    • Some edge softness.
    • A little bit of distortion.
    • Lacks filter thread.

Samsung NX-M 9mm f/3.5 Specs

35mm Equivalent (Wide) 24
Dimensions 0.5 by 2 inches
Lens Mount Samsung NX-M
Stabilization None
Type Lens
Weight 1.1

The Samsung NX-M 9mm f/3.5 ($199.99) is one of a pair of lenses that launched with Samsung's NX Mini($256.91 at Amazon) camera system. It's a compact prime that covers a 24mm (35mm full-frame equivalent) field of view, with a modest f/3.5 aperture. The image it captures is sharp through most of the frame, with some softness at the edges, and just slightly noticeable barrel distortion. Its size makes it a fine companion for the slim NX Mini, but photographers who prefer the versatility of a zoom should consider buying the camera along with the NX-M 9-27mm f/3.5-5.6 OIS ($299.99).

The 9mm($194.98 at Amazon) is small, measuring just 0.5 by 2 inches (HD) and weighing in at a mere 1.1 ounces. There's no front filter thread, so don't expect to add a circular polarizer or neutral density filter, nor is there a way to attach a hood. Despite its wide field of view, we didn't notice any flaring when shooting with the lens in the field, and adding a hood would take away one of the NX-M 9mm's biggest selling points, its size. It can focus as close as 4.3 inches, but even when locked that close, its narrow maximum aperture doesn't provide as much background blur as you'd get with a 24mm equivalent lens paired with a larger image sensor. This isn't to say that bokeh is impossible, it's just that it never gets to the point where the objects in the background are completely devoid of recognizable detail.

Samsung NX-M 9mm f/3.5 : Sample Image

I used Imatest to check the performance of the lens when paired with the NX Mini. It betters the 1,800 lines per picture height that we require to call an image sharp at every tested aperture. At f/3.5 it shows 2,080 lines on the center-weighted test, with good sharpness at all but the very edges of the frame, which record just 1,150 lines. Narrowing the aperture to f/4 shows very marginal improvement, but at f/5.6 the average score (2,255 lines) and edges (1,715 lines) improve. Diffraction, which limits sharpness, sets in at f/8; the overall score drops to 2,095 lines here and edges show 1,625 lines. There's just a little bit of barrel distortion, 1.4 percent, which gives images a very slightly noticeable outward curve.

If you're looking to get started with the NX Mini system, your current choices limit you to one of two lenses—this 9mm or the 9-27mm zoom. There's a 17mm f/1.8 coming soon, but it's unlikely that will be sold as a kit, and the NX Mini isn't available as a body only, so you're going to have to choose between starting with a prime or a zoom. Samsung hasn't yet provided a 9-27mm for testing, but there are a couple differences that are clear on paper; the 9-27mm is larger, but it zooms, and it is optically stabilized. Stabilization isn't a huge deal at wide angles when shooting stills, but it will help you get steadier handheld video. There's a little bit of softness at the edges of the frame with the 9mm prime, but it's nothing to worry too much about; shooting at f/5.6 largely resolves them, and the modest distortion is just barely noticeable. It's a good starter lens for the NX Mini system; smartphone shooters who are used to not having a zoom will find its field of view comfortably wide, and its slim size makes the camera pocketable.

Best Lens Picks

Further Reading

Final Thoughts

The Samsung NX-M 9mm f/3.5 is a sharp, wide-angle prime for the NX Mini camera system, but its edges are a bit soft. - Samsung NX-M 9mm f/3.5

Samsung NX-M 9mm f/3.5 Review

3.5 Good

The Samsung NX-M 9mm f/3.5 is a sharp, wide-angle prime for the NX Mini camera system, but its edges are a bit soft.

Get It Now
Best Deal£190.47

Buy It Now

£190.47

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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