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Lensbaby Double Glass Optic

 & Jim Fisher Principal Writer, Cameras

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As the standard system lens, the Double Glass Optic is most associated with the Lensbaby sharp-focus, blurred-background look. - Lensbaby Double Glass Optic
4.0 Excellent

The Bottom Line

As the standard system lens, the Double Glass Optic is most associated with the Lensbaby sharp-focus, blurred-background look.

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Pros & Cons

    • Fast f/2 aperture.
    • Sharp point of focus with blurry background.
    • Can be difficult to focus at maximum aperture.
    • Magnetic aperture system can be awkward to use.

Lensbaby Double Glass Optic Specs

Type Lens

The Lensbaby Double Glass Optic ($90 direct) has been the standard optic for the Lensbaby Muse since its introduction, but it is also available for purchase separately. It features a maximum aperture of f/2, which can be stopped down using a magnetic disc system, and produces an image circle that is large enough for use with full-frame cameras.

It's an upgrade worth considering if you own the entry-level Lensbaby Spark or a supplement to the company's top-end Composer Pro, if you bought that lens bundled with the Sweet 35 Optic.

The Double Glass Optic is, as its name implies, a two-element lens with a 50mm focal length. At maximum aperture it produces a very small circle of sharp focus that quickly gives way to blurriness. Inserting the included f/2.8 or f/4 aperture disc increases the area of sharpness, as well as overall image contrast. Depending on which Lensbaby lens you are using it with, you can tilt the lens to change this sweet spot of sharpness. The disc system can be a bit awkward to use in the field, as you'll need to use a magnetic wand to remove and insert discs to change the f-stop. The more expensive Sweet 35 Optic ditches it in favor of a standard internal aperture control. That lens delivers a wider field of view, which isn't always desirable, and its maximum aperture is about half an f-stop slower at f/2.5.

Depending on your subject matter, you can use the optic to create different looks. Shooting an object with bright lights behind it can create incredibly impressive highlights behind your subject. For portraiture, you can use the optic to isolate your subject's face and create a swirly, blurry background.

The Double Glass Optic is the one lens that every Lensbaby owner should have access to. The large aperture produces more compelling images than the f/5.6 optic that is included with the Spark, and its magnetic aperture ring system allows you to stop down when desired. Its images are rougher in quality than the high-end Sweet 35 and Edge 80 optics, but that's part of what gives the Lensbaby system its charm.

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Final Thoughts

As the standard system lens, the Double Glass Optic is most associated with the Lensbaby sharp-focus, blurred-background look. - Lensbaby Double Glass Optic

Lensbaby Double Glass Optic

4.0 Excellent

As the standard system lens, the Double Glass Optic is most associated with the Lensbaby sharp-focus, blurred-background look.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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