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Lensbaby Spark

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Lensbaby Spark - Lensbaby Spark
4.0 Excellent

The Bottom Line

The Lensbaby Spark is a fun lens that allows you to play with focus in ways that aren't possible with traditional SLR optics.
Best Deal£385.57

Buy It Now

£385.57

Pros & Cons

    • Inexpensive.
    • Fun to use.
    • Supports optic swap system.
    • Only available for Canon and Nikon.
    • Slower f/5.6 aperture.

Lensbaby Spark Specs

Type Lens

The Lensbaby Spark ($80 direct) is a manual focus lens for Canon and Nikon SLR cameras that allows you to tilt its neck, which is a flexible bellows, in order to change the angle at which light hits your camera's image sensor. This allows you to focus on one spot and blur the area around it, creating an interesting effect that a standard camera lens can't reproduce.

The Spark is the least expensive Lensbaby available—the next model up, the Muse, is $150, and the more advanced Composer is $200. As such, its build quality is not as spectacular. Its lens mount is plastic and you'll want to be careful to mount and unmount the lens via its base, as you can twist the front section of the lens if you twist it with any amount of force. The included optic has a 50mm focal length and a fixed f/5.6 aperture, which should make it easier to get a decent amount of the image in focus, but limits your options for creating a really shallow depth of field.

The included lens is a multi-coated glass doublet design, similar to the $90 Double Glass Optic that Lensbaby sells, but that lens has a much faster maximum f/2 aperture. You can remove the included lens and use any Lensbaby Optic Swap module, but the company doesn't recommend using the Sweet 35, Fisheye, or Edge 80 lenses as they are a bit too heavy for the Spark to properly support—you'll want to move up to a Muse or Composer if you want to use one of these higher-end lenses. It is also compatible with all of Lensbaby's 37mm threaded accessory filters, which include macro, wide-angle, and telephoto converters.

The images you get from the Spark are sharp in one spot, with the rest of the image giving way to blur. Portrait photographers can really make their subjects pop out from the background using this technique, and it's also useful for drawing attention to a specific object or texture in a photo. If you've long been curious about the Lensbaby system, but hesitant to pay the high cost of entry, the Spark is a great product with which to start. If you find yourself using it regularly you can swap the optic out for one that better suits your vision—the Double Glass Optic will give you a similar look, but a shallower depth of field, and there are also Pinhole, Single Glass, Soft Focus, and Plastic lenses available—and if you don't like it, your out of pocket costs aren't that extreme.

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Final Thoughts

Lensbaby Spark - Lensbaby Spark

Lensbaby Spark

4.0 Excellent

The Lensbaby Spark is a fun lens that allows you to play with focus in ways that aren't possible with traditional SLR optics.

Get It Now
Best Deal£385.57

Buy It Now

£385.57

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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