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Samsung 45mm f/1.8 2D/3D

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The pricey 45mm f/1.8 2D/3D can capture 3D images when paired with the Samsung NX300, but it's only worth buying if you really love 3D. - Samsung 45mm f/1.8 2D/3D
3.0 Average

The Bottom Line

The pricey 45mm f/1.8 2D/3D can capture 3D images when paired with the Samsung NX300, but it's only worth buying if you really love 3D.

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Pros & Cons

    • Very sharp.
    • Minimal distortion.
    • iFN control button.
    • Expensive.
    • Limited camera compatibility.
    • Hood not reversible.
    • Doesn't focus as close as some other lenses.
    • Wacky 3D bokeh.

Samsung 45mm f/1.8 2D/3D Specs

Type Lens

The 45mm f/1.8 2D/3D ($499 list) is a unique lens in the Samsung NX system. From an optical perspective it's identical to the 45mm f/1.8 lens, but adds an internal dual shutter system that allows you to capture 3D images and video when you pair it with the NX300 camera; it is not compatible with any other NX cameras at this time. The dual shutter system is a unique design that allows the optic to serve double duty as a fast 2D lens, but it's not without its drawbacks.

When you're buying a lens with a fast f-stop like this one, the ability to shoot photos with beautiful, smooth, blurry bokeh behind your subject is a major advantage. When you're shooting 2D images at f/1.8 you get that—but the dual shutter system changes that. The shutters take two images in rapid succession to merge into a 3D photo, and their odd shape shows up in the bokeh. It's especially noticeable in out-of-focus highlights, and it also gives the 3D bokeh a rough look that is slightly boxy. Video shot in 3D is recorded at 1080p30, but stills can't be captured at full resolution. They're recorded as MPO files, which is a container format that stores the two 4-megapixel JPG images that make up the 3D image.

The lens measures 2.4 by 1.8 inches (HD) and weighs 4.3 ounces. Adding the screw-in plastic hood nearly doubles its height. In a departure from the norm, the hood cannot be reversed for storage or transport. Using it will improve contrast and reduce the chance of lens flare, but will also require a bit more space in your gear bag. Minimum focus is limited to 19.7 inches, which is a bit constricting when trying to frame tightly. Samsung doesn't bill this as a macro lens, but it would be nice if it focused a bit closer—the short focus distance is somewhat limiting. The 30mm Pancake£201 at Amazon UK lens can focus as close as 9.8 inches.

Flipping the AF/MF switch to the manual position lets you control the focus as you see fit via a physical ring, but turning it simply tells the camera to adjust the focus via electronic means. The response is rather quick, and the center of the frame is automatically magnified for precise control. There's also a physical switch to toggle between 2D and 3D image capture. The other control button on the lens is one that is exclusive to the NX system. It activates the iFN system, which gives you quick access to camera settings. After pressing the button you can adjust the settings of your choice via the focus ring.

I used Imatest to check the sharpness of the 2D images that the lens captures when paired with the 20-megapixel NX300. The lens is impeccably sharp, bettering the 1,800 lines per picture height mark at every tested aperture. At f/1.8 it records 2,205 lines, and stopping down to f/2.8 boosts the score to 2,416 lines. Closing the iris to f/4 gets you 2,661 lines, and the lens peaks at 2,720 lines at f/5.6. Distortion, which can make straight lines appear curved, is a nonissue.

I evaluated 3D performance by connecting the camera to a Samsung 3D HDTV and viewing images with active shutter glasses. The three-dimensional separation was there, and when it worked for the subject matter, it was a neat effect. My images already had a very nice depth to them thanks to shallow depth of field, but the 3D allowed me to get a get a slightly different perspective on my subject by moving my gaze to the left or right. It's not a very practical way to share your photos with friends and family; looking at the same shots taken in 2D versus 3D mode, my preference was to the 2D versions. The bokeh was much smoother, without the ugly squarish highlights, and they were saved in full 20-megapixel resolution—perfect for making a large print of a favorite image.

The 3D functionality comes at a $200 premium, and you'll have to be a serious 3D junkie to get the most out of the lens. If you are, it's worth a look—just be aware that between the NX300 camera and lens you're looking at $1,300 for the privilege of capturing photos in three dimensions. If 2D is more your speed and the roughly 70mm (35mm equivalent) field of view appeals to you, the 2D version of the lens is a better buy. It doesn't cost as much and it can be used on any NX body. Both versions of the lens have a few handling issues—the screw-in hood doubles the size and the minimum focus distance is limiting for a prime of this focal length. But if you're a fan of the short-telephoto field of view and are willing to work within those limitations, you'll end up with a sharp lens that can gather a lot of light.

Final Thoughts

The pricey 45mm f/1.8 2D/3D can capture 3D images when paired with the Samsung NX300, but it's only worth buying if you really love 3D. - Samsung 45mm f/1.8 2D/3D

Samsung 45mm f/1.8 2D/3D

3.0 Average

The pricey 45mm f/1.8 2D/3D can capture 3D images when paired with the Samsung NX300, but it's only worth buying if you really love 3D.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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