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Samsung 45mm f/1.8

 & Jim Fisher Principal Writer, Cameras

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The Samsung 45mm f/1.8 is a fast, sharp lens, but its field of view is a bit too long to be a standard-angle and a bit too short to be considered telephoto. - Samsung 45mm f/1.8
3.5 Good

The Bottom Line

The Samsung 45mm f/1.8 is a fast, sharp lens, but its field of view is a bit too long to be a standard-angle and a bit too short to be considered telephoto.

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Pros & Cons

    • Inexpensive.
    • Very sharp.
    • Minimal distortion.
    • iFN control button.
    • Awkward focal length.
    • Doesn't focus as close as some other lenses.
    • Hood not reversible.

Samsung 45mm f/1.8 Specs

Type Lens

The Samsung 45mm f/1.8 ($299 list) is a fast prime lens for the NX compact interchangeable lens camera system. The lens delivers a field of view that is roughly equivalent to a 70mm lens on a full-frame D-SLR or a 35mm film camera. It's an awkward focal length, a bit too long to be your standard every day lens, and a bit too short for telephoto or to use as a dedicated portrait lens. It's still a sharp optic, but it doesn't oust the Samsung 30mm NX Pancake Lens£201 at Amazon UK as our Editors' Choice for standard angle lenses for compact interchangeable lens cameras.

The lens measures 2.4 by 1.8 inches (HD) and weighs 4.1 ounces. Adding the screw-in plastic hood nearly doubles its height. In a departure from the norm, the hood cannot be reversed for storage or transport. Using it will improve contrast and reduce the chance of lens flare, but will also require a bit more space in your gear bag. Minimum focus is limited to 19.7 inches, which is a bit constricting when trying to frame tightly. Samsung doesn't bill this as a macro lens, but it would be nice if it focused a bit closer; the 30mm Pancake lens can focus as close as 9.8 inches. The lens is almost physically identical to the $500 Samsung 45mm f/1.8 2D/3D lens, which allows you to capture 3D photos when used with the latest generation of NX cameras.

Flipping the AF/MF switch to the manual position lets you control the focus as you see fit via a physical ring, but turning it simply tells the camera to adjust the focus via electronic means. The response is rather quick, and the center of the frame is automatically magnified for precise control. It's a much better experience when compared with the sluggish electronic manual focus Canon EOS M shooters must endure. The other control button on the lens is one that is exclusive to the NX system. It activates the iFN system, which gives you quick access to camera settings. After pressing the button you can adjust the settings of your choice via the focus ring.

I used Imatest to check the sharpness of the lens when paired with the Samsung NX210 camera. It's one area where there are no disappointments; it exceeds the 1,800 lines per picture height that we require for a sharp image at every tested aperture. At f/1.8 it records 2,175 lines with sharp results from edge to edge. Stopping down to f/2.8 improves the resolution to 2,327 lines, and the score peaks at 2,586 lines at f/5.6. Distortion is a nonissue; the lens records only 0.3 percent. I did notice some chromatic aberration in the form of blue and red color fringing at the edges of the frame when shooting in Raw mode, but the NX210 removed it from JPG files. It was relatively minor, so Raw shooters won't have any trouble fixing it in Lightroom.

There's no question that the 45mm f/1.8 is a sharp lens, but it occupies an odd place in Samsung's system. The 45mm focal length is a little too long to be an everyday lens, a bit too short to dedicate to portraiture, and it doesn't focus close enough to work as a macro. If you're an NX shooter who opted for the 20mm NX Pancake Lens£612.79 at Amazon UK to supplement your kit lens and want a longer prime to go along with it, you may be attracted to the 45mm f/1.8. But you'll likely be better served with the company's 60mm f/2.8 Macro ED OIS SSA; it's more expensive and about a stop slower, but can focus extremely close. If you're an NX owner and you haven't yet moved beyond the standard zoom, go for the NX 30mm Pancake Lens. It's got a fast f/2 aperture, and its optical size, price, and optical performance were enough to earn our Editors' Choice award.

Final Thoughts

The Samsung 45mm f/1.8 is a fast, sharp lens, but its field of view is a bit too long to be a standard-angle and a bit too short to be considered telephoto. - Samsung 45mm f/1.8

Samsung 45mm f/1.8

3.5 Good

The Samsung 45mm f/1.8 is a fast, sharp lens, but its field of view is a bit too long to be a standard-angle and a bit too short to be considered telephoto.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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