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Tamron Tips the First 17-50mm F4 Full-Frame Zoom Lens

The forthcoming 17-50mm F4 Di III VXD for Sony cameras zooms in further than other lenses that start at such a wide angle

 & Jim Fisher Principal Writer, Cameras

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Today Tamron is teasing a new full-frame lens, set to be sold exclusively for Sony's full-fame mirrorless system, the 17-50mm F4 Di III VXD. The small starting focal length means it covers an extra wide angle, almost as broad as current options like the Sigma 16-28mm F2.8 Contemporary or Sony FE PZ 16-35mm F4 G, but with more zoom power than either.

Wide zooms are popular picks for subject matter like architecture and landscapes, but most zoom in just tight enough for environmental portraits. The 17-50mm's extra reach should make it a good choice for photographers who crave additional compression and background separation the 50mm angle provides. Because of the 50mm reach, the lens can do double duty as an everyday zoom for many photographers.

Tamron promises a decent, but not spectacular, close-up distance. The lens focuses to 7.5 inches at 17mm and 11.8 inches at 50mm, both measured from the front element, not the sensor, which is the more common measurement for close focus. It has not yet published a maximum magnification rating for macro work, but given those figures we expect it to be just-okay for close-ups. Other features include a linear autofocus motor, along with a weather-sealed design for outdoor use.

Tamron is billing the 17-50mm as the first lens of its kind, and it's true we've not seen any other full-frame options with the same range. The closest alternative is the Sony FE 20-70mm F4 G, and while only 3mm separates them in focal length, there's a notable difference in angle of view. Photographers who lament that the FE 20-70mm isn't wide enough will want to weigh the 17-50mm as an alternative when it comes to market.

The 17-50mm F4 Di III VXD is expected to go on sale this autumn. The exact timing and price are still to come.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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