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Canon Tips First Ever 100-300mm F2.8 Zoom Lens

This 5.8-pound, $9,500 lens isn't for everyone, but pro photogs will find reason to get excited.

 & Jim Fisher Principal Writer, Cameras

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Canon's latest lens isn't one that most of us will own, or even get to use. But pros who make a living shooting sports, fashion, events, and wildlife should find some utility in the RF 100-300mm F2.8 L IS USM. It's not exactly the first zoom of its kind—Nikon and Sigma both made 120-300mm F2.8 lenses for SLRs—but Canon still wins a first-ever prize for stretching the wide angle to 100mm, and making the lens for a mirrorless system.


A Zoom for the Pros

As an L series lens, the 100-300mm has all of the accouterments you expect. The zoom is fully weather-sealed, with water-repellant fluorine on the front glass. It includes a full control panel of switches and toggles on one side, and has a rotating tripod collar. At 5.8 pounds and 12.7 inches long, the lens may not be handholdable for every photographer. The tripod foot is not made for Arca-Swiss tripod heads, though, so you'll need to add a quick release plate.

RF 100-300mm, profile view

The 5.8-pound weight may sound heavy, especially for enthusiasts used to carrying a lens like the 3-pound RF 100-500mm, but it's not too much more than the 5.3-pound EF 300mm F2.8 prime for Canon SLRs, and a less than the Nikon 120-300mm F2.8 (7.2 pounds) or Sigma 120-300mm F2.8 Sports (7.5 pounds).

The extra weight comes from the F2.8 optics. Opening up to F2.8 creates more separation between subject and background, an aspect aided by a telephoto length. Canon can make the RF 100-500mm so light because it gathers light from F4.5-7.1 across its range, a formula that requires less glass to imagine. 

Cutaway view showing lens elements and focusing groups of RF 100-300mm
This cutaway view shows the optical elements and focusing motors (in red)

The RF 100-300mm F2.8's optics include 23 elements arranged in 18 groups, including the massive front element. Focus is driven by dual USM motors, which promise great speed, though we'll note that we've not had a chance to test the performance ourselves. There's no support for rear drop-in filters with this one, so you'll need to reach for expensive 112mm filters if you want to add ND or a circular polarizer.

Stabilization is rated for 5.5 stops on its own, and stretches to 6.0 stops when paired with an R camera with IBIS. Other features of note include a preset focus function, an on-barrel control ring, and on-lens function buttons. The zoom is also compatible with the two RF teleconverters; with the 1.4x extender it becomes a 140-420mm F4 and with the 2x it's a 200-600mm F5.6.


A Zoom to Replace a Prime?

In its marketing material, Canon is selling the RF 100-300mm F2.8 as the replacement for its customers who'd previously used the EF 300mm F2.8 and are looking for a more versatile solution for an R series camera. It certainly appears so in concept; being able to back out to a wider angle may very well turn an occasionally used prime into a zoom that gets more time.

We've not seen any 300mm F2.8 lenses for full-frame mirrorless to date. Even Sony, which has been making FE lenses for its mirrorless system for a full ten years, has only made a development announcement for one, coming next year. We'll have to wait and see how it stacks up in size, weight, and price, versus Canon's zooming approach.

The RF 100-300mm F2.8 L IS USM is available for pre-order today for $9,499 and is expected to start shipping in May.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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