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Hasselblad XCD 4/45P

 & Jim Fisher Principal Writer, Cameras

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Billed as the world's smallest and lightest medium format lens, the Hasselblad XCD 4/45P delivers superb results and is sure to be the first lens for many system buyers. - Hasselblad XCD 4/45P
4.0 Excellent

The Bottom Line

Billed as the world's smallest and lightest medium format lens, the Hasselblad XCD 4/45P delivers superb results and is sure to be the first lens for many system buyers.

Buy It Now

Pros & Cons

    • Small, light, and aggressively priced (for medium format).
    • Moderately wide angle of view.
    • Ultra-crisp results.
    • Nominal distortion.
    • Mechanically coupled focus ring.
    • In-lens shutter.
    • Some vignette and loss of edge resolution at widest f-stop.
    • Slow autofocus.

Hasselblad set the camera industry a-twitter with its recently announced XCD 4/45P lens, the smallest and, at $1,099, most affordable optic available for its X1D II camera. Its angle of view—a little wider than standard—is adored among travel, documentary, and street photogs, and its optics are superb. For its price, size, and quality, the XCD 4/45P earns our Editors' Choice.

Light and Compact Build

The XCD 4/45P is a featherweight in medium format terms. Despite having optics that can cover a sensor much larger than a standard full-frame camera, the lens measures just 2.1 by 3.2 inches (HD), weighs 11.3 ounces, and supports 62mm threaded filters.

Hasselblad XCD 4/45P : Sample Image

It's finished in basic black, with dust and splash protection matching that of the X1D camera body, adding to the system's appeal for on-the-go photography. You get a carrying pouch with the lens, along with front and rear caps, but there's no hood.

There's also no in-lens stabilization, and the focus mode is controlled via the camera body, so the only control of note is the manual focus ring. It's wrapped in rubber, finished with ridges so it's comfortable to turn, even when wearing gloves.

Hasselblad XCD 4/45P : Sample Image

In a departure from most lenses for mirrorless systems, which rely on electronic control for manual focus, the 45P's focus ring is mechanically coupled. It delivers a real tactile resistance when setting the focus. The downside is that focus is a little slow and the lens makes some noise as the autofocus drives. The in-lens shutter is quieter, though, and supports exposures as short as 1/2,000-second and as long as 68 minutes.

Hasselblad XCD 4/45P : Sample Image

The angle of view, roughly the same as a 35mm prime lens on a full-frame system, is well suited for reportage and is the favorite of many a street photographer. And, while the lens can't focus close enough for true macro results, it can lock to subjects as close as 13.8 inches from the camera, good enough for 1:5.2 life-size projection onto the image sensor. You may not be able to lean in as often with this lens as with others, but you won't often have to pull back away from your subject to get a shot either.

Ultra-Sharp Optics

I tested the XCD 4/45P's resolution with Imatest software and the X1D II 50C camera. Resolution is excellent wide open (4,800 lines) and reaches outstanding levels at f/5.6 and f/8 (5,800 lines). Diffraction cuts into resolution a little bit at f/11, but you should still feel comfortable using it there without worry. There's a more noticeable softening at f/16 (3,700 lines) and the minimum f/22 setting (2,400 lines).

There is a bit of dimming at the corners at f/4, giving photos a natural vignette, but it's practically absent at narrower settings. Likewise, the lens doesn't show any significant distortion, just a very slight pincushion effect.

Hasselblad XCD 4/45P : Sample Image

Overall, the optics are outstanding. You can use the lens wide open and get good results, or stop down for more depth of field or better-looking sunstars. Even without a hood, I didn't find flare to be a problem at all, and the lens delivered excellent images in strongly backlit scenes, even with the low winter sun prominently in the frame.

A Perfect Match

I walked away happy after spending some time with the XCD 4/45P. The lens offers a lot to like, including excellent resolution, a compact build, and a very attractive starting price. Going forward, it's sure to be the default lens for many photographers buying into the Hasselblad X mirrorless system.

Hasselblad XCD 4/45P : Sample Image

And it's a good match with the X1D body design. The camera is just about as compact as medium format can get, and the moderate wide angle of view is just what many photographers want in a fixed focal length. The X1D II 50C itself can be frustrating to use due to generally slow performance and short battery life, but with lenses as good as this, you can understand why some photographers love it anyway.

The 4/45P's biggest drawback may be its aperture. At f/4 it's not going to blur backgrounds like an f/2.8 lens of the same focal length, though you can still get shots with bokeh as long as you have distance between foreground and background elements.

Hasselblad XCD 4/45P : Sample Image

Hasselblad does have a slightly faster 45mm in its XCD series, the older XCD 3,5/45, priced at $2,695. I've not had a chance to use that particular lens, but given how much more it costs, and how good the 45P is, it just seems irrelevant.

Hasselblad still has some room to improve the X1D camera itself, but if you like its design enough to overlook its shortcomings, the XCD 4/45P should be one of the first lenses you think about adding to the system, and earns our Editors' Choice.

Best Lens Picks

Further Reading

Final Thoughts

Billed as the world's smallest and lightest medium format lens, the Hasselblad XCD 4/45P delivers superb results and is sure to be the first lens for many system buyers. - Hasselblad XCD 4/45P

Hasselblad XCD 4/45P

4.0 Excellent

Billed as the world's smallest and lightest medium format lens, the Hasselblad XCD 4/45P delivers superb results and is sure to be the first lens for many system buyers.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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