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Panasonic Lumix DC-GX9

 & Jim Fisher Principal Writer, Cameras

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Panasonic Lumix DC-GX9 - Canon EOS M6

The Bottom Line

Panasonic's Lumix DC-GX9 camera is smaller and less expensive than the GX8 that came before it.
Best Deal£797.99

Buy It Now

£797.99

Pros & Cons

    • Small body with tilting EVF.
    • 20MP Micro Four Thirds sensor.
    • In-body stabilization.
    • Tilting touch LCD.
    • Pop-up flash.
    • 4K video.
    • No body-only purchase option.
    • Drops GX8's vari-angle LCD.

Panasonic Lumix DC-GX9 Specs

Dimensions 2.8 by 4.9 by 1.8 inches
Display Resolution 1240000
Lens Mount Micro Four Thirds
Maximum ISO 25600
Maximum Waterproof Depth 0
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Sensor Resolution 20
Sensor Size Micro Four Thirds (17.3 x 13mm)
Sensor Type CMOS
Stabilization In-Body
Touch Screen
Type Mirrorless
Video Resolution 1080p
Video Resolution 4K
Viewfinder Type EVF
Weight 14.4

Panasonic has sized down the sequel to its GX8. The DC-GX9 ($999.99 with 12-60mm f/3.5-5.6 lens) is built into the same chassis as the slimmer GX85, but has a more modern image sensor and adds a tilting EVF and a dedicated EV control dial. We haven't yet had a chance to test the camera, but have some initial details ahead of its release in March.

Design

The GX9 looks a lot like the GX85—the two cameras share the same basic body design. That puts the GX9 at about 2.8 by 4.9 by 1.8 inches (HWD) and 14.4 ounces, without a lens mounted. Its bundled lens, the 12-60mm f/3.5-5.6, is larger than the 12-32mm that is bundled with the GX85 . The lens sells for $500 on its own, making the bundle a fairly good value. But there's no body-only option, at least in the US, so you're forced to buy the lens, even if you already have one that covers that range.

The slim body sports both an integrated EVF and flash, which you don't get with every mirrorless camera. There's also a hot shoe to mount an external flash or use a wireless trigger.

The top plate also has a movie button and the shutter release; the latter is surrounded by a control dial. There's also a standard mode dial with a nested EV compensation dial below it. The EV dial supports a -3 to +3EV adjustment range in third-stop increments.

Rear controls start with the Fn3/LVF, located just to the right of the viewfinder. It switches between the viewfinder and rear LCD, or sets an eye sensor to swap between the two automatically. Next to it is a switch to adjust the focus mode, a button to raise the flash, the AE/AF Lock button, and the rear control dial.

The remainder of the controls are bunched together in the bottom right corner. You get the standard Play, Menu, and Delete buttons, along with ISO, Focus, Drive, and White Balance controls. The Delete button serves double duty, activating Panasonic's Q. Menu when taking photos. The Q. Menu puts additional controls on the rear LCD, and can be navigated using buttons or by touch.

Panasonic Lumix DC-GX9

The LCD is a 3-inch panel with a 1,240k-dot resolution. It tilts up and down for low or high angle capture, but doesn't swing out to the side of the body like the vari-angle display Panasonic used on the the GX8.

There's also an electronic viewfinder. It sits at the top left corner and tilts up. You can use it at eye level, with the eyecup parallel to the rear plate, or at a 90-degree angle. The tilting design is a plus for working at a low angle on a tripod, as it can save you from getting down on the ground to frame up a shot.

The GX9 supports in-camera charging via micro USB and has a standard SD memory card slot. It's rated for 260 images using the rear LCD, 250 images using the EVF, or 900 shots per charge with power-saving mode enabled per CIPA testing standards.

Wi-Fi and Bluetooth support are included for quick, easy file transfer to a smartphone. The GX9 works with the Panasonic Image App, which is available for Android and iOS devices.

Performance and Imaging

We haven't yet had a chance to test the GX9's autofocus and burst shooting capabilities. The camera uses the same DFD contrast autofocus system found in other recent releases, so we expect it to focus as quickly as the GX85.

Continuous shooting is available at 9fps with locked focus or 6fps with continuous focus enabled. Burst rates are the same whether you use the electronic or mechanical shutter, with support for full-resolution Raw and JPG capture. You can push to 30fps with locked focus when shooting 8MP JPGs using the 4K Photo mode.

The image sensor is a Micro Four Thirds chip with 20MP resolution—currently the highest we've seen in this format. The sensor design omits the optical low pass filter, a plus for photographers who want the most detail and texture out of images. In-body, five-axis stabilization is included. The system works in conjunction with stabilized lenses.

Panasonic Lumix DC-GX9

Panasonic has added a new monochrome JPG capture mode to the GX9. It's called L.Monochrome D and promises to deliver black-and-white images that look more like film than digital. Randomized grain patterns are part of the process, as are tweaks to highlights and shadows.

Panasonic cameras are typically on the cutting edge in terms of video capture and the GX9 is no different. It can record at 4K resolution at up to 30fps and supports capture rates of 60fps at 1080p quality.

Conclusions

The Panasonic Lumix GX9 is another compact Micro Four Thirds from Panasonic. The company has announced several new models over the past few months, including the GH5S and G9 at the higher end of the market.

The GX9 is appealing to still photographers thanks to its high-resolution sensor without an OLPF. Its video chops are pretty solid too. We'll see how it stacks up against the competition when we have a chance to test it.

Final Thoughts

Panasonic Lumix DC-GX9 - Canon EOS M6

Panasonic Lumix DC-GX9

None

Panasonic's Lumix DC-GX9 camera is smaller and less expensive than the GX8 that came before it.

Get It Now
Best Deal£797.99

Buy It Now

£797.99

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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