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Panasonic Lumix DC-GX850

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Panasonic Lumix DC-GX850 is one of the smallest mirrorless cameras you can buy today, and while its 16MP sensor isn't cutting edge, it's a solid entry-level model. - Panasonic Lumix DC-GX850
3.5 Good

The Bottom Line

The Panasonic Lumix DC-GX850 is one of the smallest mirrorless cameras you can buy today, and while its 16MP sensor isn't cutting edge, it's a solid entry-level model.

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Pros & Cons

    • Very small.
    • Tilting touch LCD.
    • Fast focus.
    • 5.7fps continuous shooting.
    • 30fps capture in 4K Photo mode.
    • Built-in flash.
    • Includes retractable zoom lens.
    • 4K video.
    • Wi-Fi.
    • 16MP sensor is a bit dated.
    • MicroSD memory easily lost.
    • No EVF, hot shoe, or mic input.

Panasonic Lumix DC-GX850 Specs

35mm Equivalent (Telephoto) 64 mm
35mm Equivalent (Wide) 24
Battery Type Lithium Ion
Dimensions 2.5 by 4.2 by 1.3 inches
Display Resolution 1040000
Lens Mount Micro Four Thirds
Maximum ISO 25600
Memory Card Format microSD
Memory Card Format microSDHC
Memory Card Format microSDXC
Optical Zoom 2.7 x
Sensor Resolution 16
Sensor Size Micro Four Thirds (17.3 x 13mm)
Sensor Type CMOS
Stabilization In-Lens
Touch Screen
Type Mirrorless
Video Resolution 1080p
Video Resolution 4K
Video Resolution 720p
Viewfinder Type None
Weight 9.5

The Lumix DC-GX850 ($549.99 with 12-32mm lens) occupies the entry-level spot in Panasonic's mirrorless line. It hits the same marks as other starter models, omitting the EVF and hot shoe that more advanced photographers love, but keeping the size down and incorporating a titling touch screen, a big plus for newbies used to shooting with a smartphone. We like the size, and while the 16MP sensor isn't cutting edge, it's a good performer. The Canon EOS M100 is a bit stronger for entry-level buyers, however, and the Sony a6000 has features that appeal to more seasoned photographers.

Design

The GX850 ($547.99 at Amazon) is quite compact, at 2.5 by 4.2 by 1.3 inches (HWD) and 9.5 ounces without a lens. Panasonic bundles a compact, retractable 12-32mm zoom. It adds 2.5 ounces and protrudes from the body by about an inch when set to its collapsed position. The camera is available in black or silver, each paired with a matching lens.

The camera can fit into some pockets, but it's not as amazingly tiny as Panasonic's GM series. The GM1 and GM5, both discontinued, were closer to point-and-shoot size. The GX850 is still perfectly portable, ready to slide into a jacket, small bag, or purse without issue.

Panasonic Lumix DC-GX850 : Sample Image

Despite being aimed at entry-level buyers, the GX850 incorporates a good number of physical controls, though perhaps not enough for fans of full manual adjustment. Up top you'll find Fn3/Post Focus at the far left. It's a programmable button, but by default it switches the GX850 to Post Focus mode.

Post Focus is a setting you get on Panasonic cameras. It leverages the 4K video system to shoot 8MP JPG stills at high speed, up to 30fps, each with a different focus point. You can combine these using desktop software to get more depth of field for macro shots, or simply pick the image you like the best. If you want to shoot a portrait, but are not used to ensuring focus is locked on your subject's eyes, you can use Post Focus to guarantee that at least one of your images will be locked on to your subject's gaze.

The pop-up flash sits in the middle of the top plate, with the mechanical switch to raise it positioned behind and to its right, on the rear above the top bezel of the LCD. The flash sync is a little slow, 1/50-second, compared with other mirrorless models that sync around 1/180-second.

Panasonic Lumix DC-GX850 : Sample Image

The right side of the top plate, which is positioned a bit lower than the left, is where you'll find the Fn1/4K Photo button, the combined shutter release and On/Off switch, and the Mode dial. 4K Photo uses the same capture system as Post Focus to shoot at 30fps, but locks focus for the sequence. It's useful for capturing fleeting action, as long as your subject isn't moving toward or away from the lens.

The movie Record button is nestled in the right corner, on top of the rear thumb rest. Below the smooth rubber rest you'll find Delete/Q. Menu, Display, and Play buttons, along with the GX850's lone control dial. It's a flat dial, which turns comfortably, and incorporates four directional button presses (Drive, EV, Focus, White Balance), along with the center Menu/Set button.

Physical controls are supplemented by the Q. Menu. It's an on-screen overlay, so it doesn't obscure what the lens is seeing, and is navigable via touch or the rear control wheel. From it you can adjust the picture output mode, image size and quality settings, and video frame rate and resolution, as well as the autofocus mode, metering pattern, and continuous drive settings.

Panasonic Lumix DC-GX850 : Sample Image

The LCD is a 3-inch panel with a 1,040k-dot resolution. It's bright and offers solid viewing angles, along with a responsive touch interface. It's easy to tap on any part of the screen to set the focus point. The screen flips up and faces all the way forward selfies. When you tap the screen to take a selfie it initiates a three-second countdown timer so you can get ready.

Connectivity

The GX850 supports in-camera charging via its micro USB port, and it also has micro HDMI to connect to a TV. You get a micro USB cable and USB-to-AC adapter with the camera, but not an external battery charger. If you're the type of person who likes to keep a charged, spare battery handy, it's a good idea to buy an accessory charger too. That way you can charge two simultaneously (one in camera, one out) after a long day of shooting. The GX850 is rated for about 210 shots per charge by CIPA, which is on the low side.

The battery and memory card slot are in the same compartment, accessible via a door on the bottom. The memory card is microSD, not the more common full-size SD, which isn't something I'm a fan of for cameras. microSD cards are so, so small that they're too easily lost or misplaced, and while most computers have integrated SD card slots, you don't see any with microSD slots built in.

Panasonic Lumix DC-GX850 : Sample Image

You can offload images via Wi-Fi to your Android or iOS device using the Panasonic Image App. It's a free download, and also supports remote control. The remote works well; it shows a smooth view from the camera's lens on your phone's screen. You can tap on the phone screen to set focus, just as you would the camera LCD, and full manual control is available.

Performance

Panasonic Lumix DC-GX850 : Benchmark TestsThe GX850 starts, focuses, and captures an image in as little as 1.6 seconds, a solid mark for a mirrorless camera. Its autofocus system is quite quick, locking onto subjects in 0.1-second in bright light and 0.3-second in very dim conditions. The autofocus system is purely contrast based, which is true of all current Panasonic cameras, but is quick and accurate.

The GX850 has two shutter modes, mechanical, which is a traditional physical shutter that opens and closes in a set time period to capture an image, and electronic, which simply reads data off the sensor for a certain duration. It auto-switches between the two by default, but can also be set to use either exclusively.

Panasonic Lumix DC-GX850 : Sample Image

The mechanical shutter can fire as quickly as 1/500-second, while the electronic shutter supports exposures as short as 1/16,000-second. Pros will find this a bit limiting—most mechanical shutters in mirrorless cameras are good to 1/4,000-second. For most shots, using an electronic shutter for capture isn't any different than a mechanical one; it's a technical concern you shouldn't worry about.

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But if you're photographing fast-moving action, with a subject that is moving from one side of the frame to the other as you shoot it (think auto racing or a passing train), you'll want to keep the shutter at 1/500-second or longer. The electronic shutter doesn't read data from the entire frame at once, instead using a rolling readout from top to bottom, which can create the skew effect in photos. This is when moving subjects appears at an angle, as if part of it is advancing through time faster than the rest.

Panasonic Lumix DC-GX850 : Sample Image

The burst rate is also dependent on the type of shutter used. The GX850 fires full-resolution shots at 5.7fps with the mechanical shutter, but at 10fps with the electronic one. If you shoot in Raw or Raw+JPG format you're limited to 24 or 17 images (respectively) before the camera's shooting buffer fills up, but you can fire continuous images in JPG format without worry of slowdown.

If you want to track moving subjects, the GX850 can do so at 5fps in its AF-C mode. It's not the fastest mirrorless camera out there, even in this price range—the Sony a6000 tracks and fires at 11fps—but it's by no means slow.

Image and Video Quality

The GX850's 16MP Micro Four Thirds sensor seems a bit dated in resolution, especially when competing models like the Canon EOS M100 and Sony a6000 have physically larger, higher-resolution 24MP APS-C sensors. But it's still world's better than a smartphone or point-and-shoot.

Panasonic Lumix DC-GX850 : Sample Image

Shooting in dim light is where large sensors enjoy a significant advantage over smaller ones. I tested the GX850's image quality at each of its ISO (light sensitivity) settings in Imatest, ranging from the lowest ISO 200 up to the top ISO 25600 setting. The camera scores well on the noise test, keeping it under 1.5 percent through ISO 6400. All cameras perform noise reduction when shooting JPGs in order to remove grain from photos.

A close look at our test shots shows that the GX850 maintains its best image quality through ISO 800. There's some very slight smudging of detail visible at ISO 1600, and while the effect strengthens at ISO 3200, image quality is still quite good. The smudges are a bit strong for my liking at ISO 6400, but photos are still usable for web sharing. The output is noticeably blurred, even at smaller magnification, at ISO 12800 and 25600.

Panasonic Lumix DC-GX850 : Sample Image

Devoted shutterbugs looking at the GX850 as a small, take-anywhere camera are more likely to opt for Raw capture format. Shooting in Raw gives you more flexibility to edit images, and it leaves noise reduction to desktop editing software like Adobe Lightroom Classic CC instead of the camera's image processor. Raw images show strong detail through ISO 6400, although there is some noticeable grain when you push the camera that far. Output is rougher at ISO 12800 and 25600, but it's still usable if you don't mind a grainy look.

Panasonic cameras are typically strong performers in the realm of video. The GX850 supports 4K capture, which isn't yet common among entry-level models. It can shoot 4K at 24 or 30fps, but you can push the frame rate to 60fps if you drop the resolution to 1080p. Video quality is strong overall, especially with the resolution that 4K delivers. You are limited to using the internal microphone; it picks up voices close to the camera clearly, but is also prone to recording background noise. If you're serious about video, opt for a camera that lets you use an external microphone.

Panasonic Lumix DC-GX850 : Sample Image

Conclusions

The Panasonic Lumix DC-GX850 is an appealing camera, especially for family photographers who simply want high-quality snapshots from something small and easily packable. It delivers good, although not class-leading, image quality, has Wi-Fi so you can send images to your smartphone for social sharing, and a touch screen that flips forward for selfies. More importantly, it doesn't skimp on autofocus speed, so you don't have to deal with the disappointment of missing a shot because your camera wasn't fast enough, and it offers burst shooting and a 4K Photo mode to capture those really fleeting moments.

There are reasons for enthusiasts to think about the GX850 too, especially if they're already invested in Micro Four Thirds. It's small, quick, and has enough physical controls to make adjustments to photos. But there are some things that will turn off serious shooters, including the lack of an EVF and the single control wheel. The Sony a6000 ($398.00 at Amazon) is still our Editors' Choice for entry-level mirrorless cameras, and the Canon EOS M100 is a stronger option for casual shooters. But the GX850 is a solid entry in its own right, and appealing if you already own a few Micro Four Thirds lenses.

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Final Thoughts

The Panasonic Lumix DC-GX850 is one of the smallest mirrorless cameras you can buy today, and while its 16MP sensor isn't cutting edge, it's a solid entry-level model. - Panasonic Lumix DC-GX850

Panasonic Lumix DC-GX850

3.5 Good

The Panasonic Lumix DC-GX850 is one of the smallest mirrorless cameras you can buy today, and while its 16MP sensor isn't cutting edge, it's a solid entry-level model.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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