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Fujifilm X-T2 Offers Improved Autofocus and 4K Video

This update to the flagship X-T1 mirrorless camera offers serious upgrades in resolution, focus, and video capture.

 & Jim Fisher Principal Writer, Cameras

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Photographers who have adopted the Fujifilm mirrorless camera system and are serious about autofocus performance are likely owners of the X-T1, which has enjoyed top-dog status in the company's lineup since its announcement in early 2014. But the 16-megapixel camera is looking a little long in the tooth these days, especially since the release of an X body, the X-Pro2, with a 24-megapixel sensor, earlier this year.

The X-T2 utilizes that image sensor—the 24.3-megapixel X-Trans CMOS III design, if you want to get specific. It's an APS-C size chip with Fuji's signature X-Trans color filter array. It features a more complex design than the Bayer sensors used in the vast majority of image sensors, which Fuji promises delivers crisper images with more film-like grain.

And while the X-Pro2 uses the same sensor and its video tops out at 1080p, the X-T2 has the imaging-processing power and a design that keeps internals cool enough to record video at 4K resolution. In the past, video has been a weak point of X-Trans sensors, and we're eager to see if the new design and increased resolution change that story.

With a new sensor comes a new focus system. A total of 325 focus points cover the sensor, and the central 40 percent of the imaging area utilizes phase detection focus. In addition to enjoying a speed advantage, the phase detect system supports predictive tracking, which will better help you lock onto moving targets. This makes the X-T2 a strong choice for shooting sports and wildlife, especially when you consider its 8fps burst rate, which can be increased to 11fps by adding the optional Vertical Power Booster Grip.

The body itself is sturdy. A magnesium alloy chassis withstands the rigors of serious photography, and a weather-sealed design allows you to shoot in all types of weather, including temperatures as low as 14 degrees F.

Fujifilm X-T2

The optional grip houses two batteries, tripling the expected battery life to about 1,000 shots. It includes vertical shooting controls, making the X-T2 more comfortable to use in portrait orientation, and offers the same level of weather protection as the camera body. Adding the grip allows you to enable Boost Mode, which uses all three batteries simultaneously to increase the maximum shooting rate to 11fps, the maximum 4K video recording time from 10 minutes to 30 minutes, and also cuts shutter release lag and the blackout duration between shots.

The X-T2 retains the same large, crisp EVF found in the X-T1. It's an OLED design with a 2.36 million dot resolution and a 0.48-inch diagonal size—as big as a viewfinder with a 0.77x magnification on a full-frame SLR. It offers a 60fps refresh rate, but improves to 100fps when used along with the Vertical Power Booster Grip. The rear LCD, a tilting 1,040k-dot panel, is also carried over from the X-T1.

It also includes the features that Fujifilm shooters have come to expect. These include in-camera Wi-Fi, numerous film emulation modes, digital split image and focus peaking to aid manual focus, and in-camera Raw processing.

The Vertical Power Booster Grip is going to sell for $329.99. Additionally, Fujifilm will release a new flash for the X system, the EF-X500, in September. It has a 164' guide number, wide-angle coverage for a 20mm lens, a bounce-tilt head, and a LED video light. It's priced at $449.99.

The X-T2 is also set for a September release. It's priced at $1,599.95 as a body only or at $1,899.95 when bought with the 18-55mm zoom lens.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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