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X-Pro2 Headlines Updated Fujifilm Camera Lineup

 & Jim Fisher Principal Writer, Cameras

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Fujifilm launched its mirrorless camera system five years ago with the X-Pro1, setting the tone for future X-mount cameras. Its X-Trans color filter array is more complex than models from other manufacturers, for a more organic, analog loo. The three lenses that launched with it were compact, high-quality primes, and nobody has even tried to copy its hybrid optical/electronic viewfinder.

Fans of that viewfinder have stuck with the X-Pro1, even as newer models like the X-T1 eclipsed it in terms of pure speed and autofocus performance. But if you've been holding out for a new X-Pro body, wait no longer. Today Fujifilm is unveiling the X-Pro2, which looks a lot like its predecessor on the outside, but has a spate of updates inside.

The image sensor is an all-new design. It's still an X-Trans array and an APS-C size, but the resolution has been updated to capture photos at 24-megapixel resolution. The optical finder now has a built-in diopter for adjustment to match your eyesight, and when you switch to the EVF you'll be greeted with a modern, high-resolution 2,360k-dot finder with an 85fps refresh rate.

Split-image manual focus is available using the EVF, but the new sensor and image processor allow the focus aid to be displayed in color rather than black and white. Other tweaks include a new film simulation, mimicking the monochrome Acros emulsion, and a revamped menu system. The shutter can fire at 1/8,000-second and sync at 1/250-second, with a maximum burst rate of 8fps. Video is limited to 1080p.

The body is very similar to the X-Pro1, but there are a few changes. There's a small joystick on the back to select the focus point, a welcome addition, and the ISO control is integrated into the shutter speed dial. The X-Pro2 has two memory card slots, one of which supports UHS-II media, and the body is sealed against dust and moisture.

The camera will ship next month and sell as a body only. It's priced at $1,699.95 in the U.S., and $1,899.99 in Canada.

Fujifilm Fujinon XF 100-400mm F4.5-5.6 R LM OIS WR

A new X lens, which will make sports and nature photographers happy, is also launching. The Fujinon XF 100-400mm F4.5-5.6 R LM OIS WR is a sturdy, weather-sealed telezoom. It can focus to 1.75 meters, capturing objects at 1:5.3 life-size magnification, and delivers 5 stops of image stabilization.  It will go on sale in February and is priced at $1,899.95 in the U.S. and $2,149.99 in Canada.

Fujifilm X-E2S

The Fujifilm X-E2 is also enjoying an update. The new X-E2S is basically the same camera, with some minor changes to the grip and cosmetic design. But the firmware has been updated to bring its performance and functionality up to the same standards as the X-T10. The new firmware will be a free update for X-E2 owners.

The X-E2S is also shipping in February. It's priced at $699.95 as a body only and at $999.95 as a kit with the

Fujifilm X70

It's not all about interchangeable lenses. Fuji has two new fixed-lens compact models. The X70 features a 16-megapixel APS-C X-Trans II image sensor and an 18.5mm F2.8 prime lens—delivering a field of view that's equivalent to a 28mm prime on a full-frame camera.

If that sounds like the cult-favorite Ricoh GR II, it's because it is. But even though they share a similar lens, the cameras handle differently. The X70 is a little bulkier all around than the GR II. The lens extends a bit further out of the body—but it does have a physical control ring—as does the rear LCD, which is mounted on a hinge and can face forward for selfies.

The autofocus system is speedy, with 49 selectable points and an automatic mode that can select from 77 points. The body features a physical shutter speed dial, as well as an EV compensation dial, and includes a built-in Wi-Fi. There's no EVF, but an optical finder is available, as is a wide-angle 21mm conversion lens.

The X70 is also shipping in February. It's priced at $699.95 in the U.S. and $899.99 in Canada.

Fujifilm XP70

Finally, Fujifilm has a new underwater compact camera. The FinePix XP90 is waterproof to 50 feet and shockproof to 5.8 feet. It features a 28-140mm (5x) optical zoom lens, a 3-inch rear LCD, and built-in Wi-Fi. Like the other cameras it ships in February. The price is $229.95 in the U.S., and only $10 more in Canada.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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