PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Nikon AF-S Nikkor 50mm f/1.8G Lens

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
Nikon AF-S Nikkor 50mm f/1.8G Lens - Nikon AF-S Nikkor 50mm f/1.8G Lens
4.0 Excellent

The Bottom Line

The Nikon AF-S Nikkor 50mm f/1.8G isn't the sharpest 50mm lens that we've tested, but it still offers excellent image quality at a modest price.
Best Deal£199

Buy It Now

£199

Pros & Cons

    • Sharp.
    • Compact.
    • Fast aperture.
    • Inexpensive.
    • No vibration reduction or aperture ring.

Nikon AF-S Nikkor 50mm f/1.8G Lens Specs

Type Lens

The Nikon AF-S Nikkor 50mm f/1.8G ($219.95 direct)($196.95 at Dell) is a modern take on the classic 50mm focal length. It's a compact lens that provides a standard-angle field of view when used with a full-frame body like the Nikon D4($4,499.95 at Amazon). When used on a DX camera with an APS-C sensor like the Nikon D3200 the field of view narrows, turning it into a short telephoto optic that is better suited for portraiture than for everyday shooting. It isn't the best 50mm lens we've tested, that honor goes to the Nikon AF-S Nikkor 50mm f/1.4G, but this f/1.8 lens is half the price and you don't lose too much in terms of sharpness or light-gathering ability.

Very light at 6.6 ounces, the lens measures just 2.1 by 2.8 inches (HD). Its filter thread supports 58mm filters, and a lens hood is included. Close focus is limited to just under 1.5 feet—you'll be able to frame subjects tightly and open up the aperture to blur the background, but don't expect this perform double duty as a macro lens. The lens doesn't have any sort of image stabilization, as Nikon only puts that technology into zooms and telephoto prime lenses. There is an internal focus motor, so you can get the most out of the lens even if your Nikon D-SLR doesn't have a screw-drive focus system, but there isn't an aperture ring. This isn't a concern to digital Nikon shooters, but if you're a die hard with an old F-series manual focus SLR that stills sees the occasional roll of film, you won't be able to use the lens with that camera—it will only fire photos at its minimum f/16 aperture.

I used Imatest to test the sharpness of the lens on the full-frame Nikon D800. The results were impressive. Even at its widest f/1.8 aperture the lens notched 1,795 lines per picture height of sharpness, just shy of the 1,800 required for a sharp image. Stopping down to f/2.8 increased the score to 2,276 lines, and the lens reached 2,669 lines at f/5.6. The more expensive 50mm f/1.4G($406.95 at Amazon) is sharper—it resolves 1,955 lines at f/1.4 and scores an outstanding 3,689 lines at f/8. One area where the Nikkor 50mm f/1.8G edges out its sibling is in terms of distortion—it's practically nonexistent, where the f/1.4 lens shows some barrel distortion.

We awarded our Editors' Choice to the 50mm f/1.4G due to its speed, impressive sharpness, and reasonable price tag. If you're on a tight budget, the AF-S Nikkor 50mm f/1.8G is a solid second choice. It's sharp, just not impeccably so, and its maximum aperture manages to capture roughly 60 percent the light as the faster lens. DX shooters who are looking for a standard-angle lens will be better suited with something in a slightly wider focal length due to the smaller image sensors in those cameras—the AF-S Nikkor 28mm f/1.8G($799.00 at Amazon) and the AF-S DX Nikkor 35mm f/1.8G ($200) are both excellent choices. Buf if you're a full-frame shooter, or a DX shooter who wants an optic with a tighter field of view for portraiture, the 50mm f/1.8G is a bargain.

 More Digital Camera Reviews:


Best Camera Picks

Camera Product Comparisons

Further Reading

Final Thoughts

Nikon AF-S Nikkor 50mm f/1.8G Lens - Nikon AF-S Nikkor 50mm f/1.8G Lens

Nikon AF-S Nikkor 50mm f/1.8G Review

4.0 Excellent

The Nikon AF-S Nikkor 50mm f/1.8G isn't the sharpest 50mm lens that we've tested, but it still offers excellent image quality at a modest price.

Get It Now
Best Deal£199

Buy It Now

£199

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio