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Nikon AF-S Nikkor 28mm f/1.8G

 & Jim Fisher Principal Writer, Cameras

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Nikon AF-S Nikkor 28mm f/1.8G - Nikon AF-S Nikkor 28mm f/1.8G
4.5 Outstanding

The Bottom Line

Nikon's AF-S Nikkor 28mm f/1.8G is a fast wide-angle optic that is incredible sharp—and affordably priced.
Best Deal£519

Buy It Now

£519

Pros & Cons

    • Inexpensive.
    • Fast aperture.
    • Very sharp.
    • Negligible distortion.
    • Lacks vibration reduction.

Nikon AF-S Nikkor 28mm f/1.8G Specs

35mm Equivalent (Telephoto) N/A mm
35mm Equivalent (Wide) 28
Dimensions 2.9 by 3.2 inches
Lens Mount Nikon F
Optical Zoom None x
Stabilization None
Type Lens
Weight 11.6

The Nikon AF-S Nikkor 28mm f/1.8G ($699.95 direct) is a relatively new lens in the company's full-frame FX lineup. Full-frame shooters can use the lens as a wide-angle option, with a classic field of view. Nikon APS-C owners can mount the lens to the camera and use it as a standard angle—the 28mm focal length perfectly matches the diagonal measurement of a DX sensor. When you consider its focal length, fast aperture, and impressive performance, you have a lens that walks away with our Editors' Choice award.

The optic itself is about the size of a small zoom, 3.2 by 2.9 inches (HD), but is very light for its size at 11.6 ounces. A hood is included, and the front element is fixed so using a 67mm circular polarizing filter is possible. Focus is fast and silent thanks to an internal motor. There's no vibration reduction built into the lens—it's not a feature that Nikon puts into wider angle lenses.

I used Imatest to check the sharpness and distortion characteristics of the 28mm when paired with the full-frame Nikon D600. Distortion is only one percent, which is basically irrelevant in field conditions. The lens is razor sharp, even at f/1.8. It hits 2,301 lines per picture height there, well in excess of the 1,800 lines required for a sharp photo. It gets sharper still as you stop down, topping out at 2,875 lines at f/8. The Carl Zeiss Distagon T* 2/25 SEE IT is sharper, but it's also $1,000 more expensive and doesn't support autofocus.

The AF-S Nikkor 28mm f/1.8G is a lens that any Nikon user could benefit from having in their gear bag. On an FX body the wide-angle field of view is equally useful for landscapes, reportage, and event coverage. When paired with a DX body it turns into a fast normal lens—and because it's sharp wide open, it's ideal for use in low light. You can capture a sharp subject with a shallow depth of field. Because of its performance and value, it earns our Editors' Choice award.

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Final Thoughts

Nikon AF-S Nikkor 28mm f/1.8G - Nikon AF-S Nikkor 28mm f/1.8G

Nikon AF-S Nikkor 28mm f/1.8G

4.5 Outstanding

Nikon's AF-S Nikkor 28mm f/1.8G is a fast wide-angle optic that is incredible sharp—and affordably priced.

Get It Now
Best Deal£519

Buy It Now

£519

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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