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With Its New EOS M50, Canon Misses the Mark (II)

The new M50 Mark II doesn't give current system owners many reasons to upgrade.

 & Jim Fisher Principal Writer, Cameras

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The Canon EOS M50 has proven to be one of company's best-selling mirrorless cameras, and it's easy to see why. It's the most affordable EOS M model with a built-in viewfinder, snaps crisp 24-megapixel photos, and offers speedy autofocus.

Today, it's being refreshed and replaced by a new model, the EOS M50 Mark II. The updates are minimal, though. The camera is powered by the same Digic 8 imaging processor and 24MP imager, so you can expect absolutely identical image and video quality.

EOS M50 Mark II (Top)
Image: Canon

Photographers won't find much fault here. We were happy with the first take on the M50 from a still-image perspective. It's a small, interchangeable lens camera with a small library of native, compact lenses to match, and compatibility with Canon SLR glass using an adapter.

The M50 handles well, too. It sports a very comfortable grip, balances well with compatible EF-M lenses, and sports both sharp OLED viewfinder and a vari-angle touch display to frame and review images. We expect the Mark II to match it.

Built-in wireless radios pair with a smartphone to transfer photos for social sharing, and the Mark II can work as a webcam too. You'll just need to install the Canon EOS Webcam Utility to get it up and running. Streaming to YouTube Live is also an option, though you'll need to meet YouTube's subscriber requirements to get there—if you don't have at least 1,000 followers, you're shut out.

It may not have the latest, most advanced toolkit, but even with an older sensor, the M50 Mark II remains competitive as a still camera. Canon promises some tweaks to autofocus performance too—the Mark II supports face and eye detection in its continuous AI Servo focus mode.

Canon EOS M50 Mark II
Image: Canon

Unfortunately, the same isn't true for video-first creators. Despite promising 4K support, vloggers should still think of the Mark II as a 1080p camera, where it offers an uncropped view and speedy Dual Pixel autofocus. This is despite the camera offering a forward-facing LCD and support for external mics, features that would typically excite vloggers.

Switching to 4K adds a heavy crop, so it's no good for handheld selfie vlogs. It also limits the frame rate to 24fps—fine for cinema projects, but not so much for action or slow-motion—and slows down autofocus significantly.

The M50 Mark II is set to go on sale in late November for $599.99 as a body only, or $699.99 when bundled with the EF-M 15-45mm lens. Canon is also offering a two-lens kit, with the 15-45mm and EF-M 55-200mm for $929.99.

Speedlite EL-1

Canon is also adding a new, high-end flash to its Speedlite series. The EL-1 is a powerful strobe with built-in radio transmission, a 197' guide number, and an all-weather build that will pair well with a 1D series camera.

Canon Speedlite EL-1
Speedlite EL-1 (Image: Canon)

A rechargeable battery, a first for a Canon flash, is good for up to 355 full power flashes, and the strobe sports a 0.9-second recycle time at full power. It can fire faster, and for more shots, at more commonly used power settings, and it can be set for as low 1/8,192, so you can add just a little bit of fill for natural looking low-light portraiture.

It also includes a LED modeling lamp with adjustable power and color temperature and an active cooling system to prevent overheating. The EL-1 is built for pros and priced to match—you'll pay $1,099 when it goes on sale in February.

One More Thing...

Canon also brings the PowerShot Zoom, a unique monocular point-and-shoot, to the US market today. Read our first impressions.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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