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Camp Snap Screen-Free Digital Camera

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Camp Snap Screen-Free Digital Camera - Camp Snap Screen Free Digital Camera
4.0 Excellent

The Bottom Line

The Camp Snap is the perfect camera for kids, artists looking to create lo-fi digital images, and photographers looking to break out of a creative rut.

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Pros & Cons

    • Simple, one-button operation
    • No rear LCD for distraction-free photography
    • Lets you make and load your own color profiles for artistic effects
    • USB-C charging and transfer
    • Pre-loaded with memory card that holds 2,000 photos
    • Waterproof case available
    • Snobby photogs will hate it
    • May miss candids due to shutter lag
    • LED flash doesn't freeze motion like Xenon

Camp Snap Screen Free Digital Camera Specs

35mm Equivalent (Wide) 35
Battery Type Internal
Connectivity USB-C
Dimensions 2.5 by 4.5 by 1.0 inches
Memory Card Format microSD
Memory Card Slots 1
Sensor Resolution 8
Sensor Size Type 1/3.2
Sensor Type CMOS
Stabilization None
Type Compact
Viewfinder Type Optical

The Camp Snap Screen-Free digital camera brings the grainy, grody disposable camera look to digital. Even better: At $69.95, it's not much more than you'd pay to buy a throwaway film camera and get it developed these days. Kids going to a screen-free summer camp will be able to take it out to record memories, and digital artists can easily fall for the Snap's aesthetic and can experiment creating and loading their own color profiles. Most importantly, the Camp Snap is just a heck of a lot of fun, for a price that's less than a family pizza night. That's more than enough to earn our Editors' Choice award.

Concept: A Budget Compact Camera for the Smartphone Age

It's hard to find a good, cheap camera these days. We have smartphones to thank: A decade ago, you could buy a decent Canon or Nikon pocket camera for around $100, but as phone cameras got better and better, casual photographers turned away from pocket digital cameras in favor of the device that's always in their pocket. There were a few years where we'd debate which was better, a small camera or a phone, but today there's no question. Smartphones easily beat small cameras.

(Credit: Jim Fisher)

Because of this, the big camera companies—Canon, Nikon, Sony, and the rest—all but gave up on making small cameras, instead concentrating on mirrorless cameras with changeable lenses. You can still buy a brand-name compact, but there are fewer options, and those that come out are made for vloggers, content creators, and professional photographers who want a small camera to use when they're not working. These cameras can be as expensive as an entry-level full-frame, too; the recent $900 Fujifilm X Half compact is a prime example of the trend.

(Credit: Jim Fisher)

To compete at the bottom end of the market, camera companies need to offer something different—an experience. Enter Camp Snap. It's a digital camera that looks and works much like a disposable film camera. It doesn't have any sort of live view or playback options, just an LCD counter to tell you how many photos you've taken and an optical viewfinder for composition.

The simplicity is the point. Anyone can use a Camp Snap, not just pros. And since there's no screen, kids going off to summer camp with a no-screen rule can take it with them. Camp Snap was developed specifically for that purpose. I can't speak to that audience: I'm not a parent and wasn't a camp kid growing up, but found myself digging the Camp Snap nonetheless. I spend most of my time using and writing about professional photo equipment and have to worry about focus, exposure settings, and everything else it takes to see how well a camera performs. Using a one-button camera is a breath of fresh air and creatively freeing.

(Credit: Jim Fisher)

Design and Controls: A Cute, One-Button Camera

Measuring about 2.5 by 4.5 by 1.0 inches (HWD) and weighing 3.4 ounces, the Camp Snap is perfectly pocketable. As you'd expect, the camera is all plastic, including the lens, but a front leatherette adds some style. I received the camera for review in Sunbeam Yellow, but Camp also has Arctic White, Chestnut Brown, Crimson Red, Flamingo Pink, Forest Green, Midnight Blue, Seaglass Blue, and Stealth Black colorways in its catalog.

(Credit: Jim Fisher)

The lens is a prime that covers about the same angle of view as a 35mm lens on a full-frame camera, a classic angle for slice-of-life photography because it's a good choice for small groups of people and solo selfies. It has an f/2.8 aperture, but is backed with a tiny Type 1/3.2 sensor, so pictures are pretty grainy in dim light.

(Credit: Jim Fisher)

The Snap has an LED flash, the same type as smartphones, which will add some illumination to a subject in a dark room, but it is not powerful enough to fill in shadows on a sunny day. The Camp Snap is not built for backlit images. The LED flash doesn't freeze motion or have the harsh direct flash look that's all the rage with Gen Z either. Trends come and go; it won't be long before LED flash is hip and Xenon strobes are square.

(Credit: Jim Fisher)

As for controls, the back has a three-stage switch for Off, On, and Flash, and the shutter button is on the top. The Snap's lens is fixed focus from around 3 feet to infinity, so it's good for snapshot photography, but doesn't work for macros. Even without focus, there is a shutter lag, which can be frustrating when catching candid moments—I clocked a quarter-second delay between pressing the shutter and the moment of image capture.

(Credit: Jim Fisher)

A 4GB microSD card is pre-installed and holds around 2,000 8MP photos. It is removable, but you need to use a Philips head screwdriver to get at it. There are three buttons (Mode, Up, Down) in this compartment too; they are used to set the date and change the volume of the power-on and shutter sounds.

(Credit: Jim Fisher)

You can easily offload images using the USB-C port, located on the bottom underneath a rubber flap. The Snap shows up as a disk on both Windows and macOS, so it's a simple thing to drag and drop photos over to your hard drive. The Snap also charges via USB and is good for around 500 photos per charge.

A waterproof housing and carrying case are available as optional accessories
(Credit: Jim Fisher)

Camp Snap makes a line of bespoke accessories for the camera, including a 16.4-foot waterproof case ($27), a carrying case ($19.99), and a nifty wrist strap that doubles as a USB-C cable ($9.99).

Image Quality: A Digital Take on the Disposable 35mm

Out of the box, the Camp Snap takes 8MP color photos. I'm not going to sugar coat it, the picture quality here reminds me of smartphone cameras before smartphone cameras were any good. Images are crisp with good color when viewed on phone screens, but show mottled details if you zoom in for a closer look. Dynamic range is limited too; the camera blows out highlights pretty often, though that could be seen as a welcome change from the lower contrast, HDR look that iPhone and smartphone cameras lean into. Sharpening is a little aggressive for my taste. It makes pictures look a little too crisp and noisy, but it's par for the course with such a small sensor. I think if you're bothered by this, the Camp Snap is not a good fit.

(Credit: Jim Fisher)

But the Camp Snap is not restricted to its default image settings. The camera supports custom color filters, and you can either create your own or download one from a curated gallery. Just drag the filter over to the root directory of the Camp Snap's memory card to load it. If you did it right, the rear LCD shows the letters CUS (for custom) on boot. You can only load one filter at a time, and you need access to a computer to change them, so you'll need to commit to a look if you're going away for the summer or even a weekend.

Camp Snap's web app lets you create your own color filters to load onto the camera
(Credit: Camp Snap/PCMag)

If you want to try some pre-made filters, check out Camp Shades, which has a gallery of curated filters. I used its Kino look for a day at the B&H Bild photo show in New York, and switched to Milky Blacks for a trip up to the Pennsylvania Railroad Museum.

(Credit: Jim Fisher)

It's even more fun to try making your own filters using Camp Snap's web app. I used it to create my own version of LomoChrome Purple, one of my favorite oddball films, and didn't do a bad job at all. The web interface makes it easy to see how colors shift with sliders, and should reward photographers who want to get creative with the Camp Snap.

(Credit: Jim Fisher)

Final Thoughts

Camp Snap Screen-Free Digital Camera - Camp Snap Screen Free Digital Camera

Camp Snap Screen-Free Digital Camera

4.0 Excellent

The Camp Snap is the perfect camera for kids, artists looking to create lo-fi digital images, and photographers looking to break out of a creative rut.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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