PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

JLab Epic Executive Wireless Review

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
JLab Epic Executive Wireless Review - Audio
3.0 Average

The Bottom Line

The JLab Epic Executive Wireless earphones deliver a sculpted, bass-forward wireless audio experience mixed with weak noise cancellation.
Best Deal£24.99

Buy It Now

£24.99

Pros & Cons

    • Excellent in-ear fit.
    • Can be used passively with included wired connection adapter.
    • Poor noise cancellation.
    • Sculpted audio isn't for everyone.
    • Weak mic quality.

JLab Epic Executive Wireless Specs

Active Noise Cancellation
Boom Mic
Phone Controls
Removable Cable
Type In-Canal
Wire-Free
Wireless

As standalone Bluetooth earphones, the $99.99 JLab Epic Executive Wireless offer decent audio with sculpted highs and boosted bass in a simple, unassuming design. As noise-canceling earphones, however, they come up short—it's more of a white noise feature than noise cancellation. That's not surprising in this price range, but you almost wonder why it was included in the first place. So while the earphones don't sound bad, there are better options for the price, and if you want even decent noise cancellation, you need to spend more than $100.

Design

Available in black, the Epic Executive Wireless earphones feature a rubberized band that sits loosely around the lower neck and thin cables that connect to earpieces on either end of the band. The matte black design offers little to discuss—other than the JLab logo, emblazoned in silver on the outer panels of each ear price, this is a nondescript design with inexpensive-looking plastic compartments at either end of the collar band. An included snap-on neckband adds some rigidity and stability to the collar band wire—it's thicker and wider and shaped to fit most necks comfortably.

On the right side, the collar band houses inline remote control buttons and a microphone. The central multifunction button controls playback, call management, power/pairing, and call management, while the outer two buttons control volume (when tapped) and track navigation (when held). We're not fans of combining volume and track skipping on the same buttons—it often leads to accidentally skipping a track. A covered rubber section protects the micro USB charging port, and the other half of this section is a button, rather than a cover—it controls the active noise cancellation.

JLab Epic Executive Wireless inlineJLab includes a solid array of eartip accessories. There are five pairs of eartips in various sizes, including one foam pair, and there are two pairs of ear fins that wrap around each earpiece and help stabilize the fit. The result is an exceptionally secure in-ear fit that should work for just about anyone, and stay put during strenuous exercise. However, the collar band design will not appeal to all users, and can sometimes present challenges when worn with hoodies or certain types of shirts or coats.

The inline mic offers mediocre intelligibility. Using the Voice Memos app on an iPhone 6s, we could understand every word we recorded, but the recording was fuzzy, with plenty of audio artifacts and a distant sound. The signal was also lower than many Bluetooth mics we test.

The earphones also ship with a zip-up semi-hardshell protective pouch, and a USB-to-3.5mm adapter—snap the USB charging cable into it, then connect the micro USB end to the earphones and the 3.5mm to an audio jack and use the earphones as a wired pair when the battery is low or dead.

JLab estimates battery life to be roughly 11 hours, but your results will vary with your volume levels.

Performance

If you're looking for excellent noise cancellation, you're going to need to spend more than $100 on it. Sitting in my testing space, I can hear the sound of my split system heater eliminated when I press the NC button on the earphones. That's a good start, but unfortunately, it has little effect on most other sounds we tested—in-room chatter, keyboard typing, and low-frequency rumble all come through without much reduction. But the real issue is the high-frequency hiss the NC adds to the equation—a hiss, incidentally, that is louder than the sounds my heating unit makes. Several budget noise-canceling options introduce a hiss, and it's always a negative, but this is the most audible one we've heard.

The NC circuitry doesn't really have an impact on the audio performance, which is good. However, while it doesn't alter the audio, the hiss it creates is audible even when the audio is turned to high volume levels. This is the opposite of noise cancellation. It's noise creation. It makes for a solid white noise feature, but these earphones would be a far better product without it.

We tested audio with the noise cancellation off to eliminate the persistent hiss. On tracks with intense sub-bass content, like The Knife's "Silent Shout," the earphones deliver intense low frequency response and don't distort, even at high, unwise listening levels. At more moderate levels, the bass depth is still quite strong—the higher frequencies are still present, but this is a bass-leaning sound signature.

Bill Callahan's "Drover," a track with far less deep bass in the mix, gives us a better example of the overall sound signature. The drums have a borderline thunderous sound to them, which means there's a lot of added sub-bass and lows. Callahan's baritone vocals get some added low-mid richness, and a notable added high-mid presence that includes some sibilance. The guitar strums and higher register percussive hits also pack some extra brightness, and what starts to emerge is a scooped-out sound signature with deep lows, bright highs, and less midrange presence.

On Jay-Z and Kanye West's "No Church in the Wild," the higher frequency boosting becomes more obvious. The vinyl crackle and hiss relegated to the background comes forward noticeably, and the kick drum loop receives some added high-mid presence, adding punch to its attack. The sub-bass synth hits that punctuate the beat are delivered with solid depth. We've heard even more power in the sub-bass realm on other bass-boosted in-ears, but these rank fairly highly in that department.

For orchestral tracks, like the opening scene from John Adams' The Gospel According to the Other Mary, the lower register instrumentation comes forward in the mix a bit, thanks to the low frequency boosting. The higher register instrumentation still owns the spotlight, however, because its already crisp presence is given even more high frequency brightness through JLab's drivers.

Conclusions

From a sonic standpoint, the JLab Epic Executive Wireless are solid bass-forward wireless earphones. There are better-sounding pairs for the price, however, and you absolutely shouldn't buy these for noise cancellation. For $100 or so, the Moshi Vortex Air and JBL Reflect Fit are solid Bluetooth options with some bass-boosted presence, while the RHA MA650 Wireless deliver rich bass without getting too intense in the lows. If you want in-ear noise cancellation, Libratone's Q Adapt Lightning earphones deliver the best performance for the price, though they cost a lot more than $100.

Best Audio Picks

Audio Product Comparisons

Further Reading

Final Thoughts

JLab Epic Executive Wireless Review - Audio

JLab Epic Executive Wireless Review

3.0 Average

The JLab Epic Executive Wireless earphones deliver a sculpted, bass-forward wireless audio experience mixed with weak noise cancellation.

Get It Now
Best Deal£24.99

Buy It Now

£24.99

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

Read full bio