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RHA MA650 Wireless Review

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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RHA MA650 Wireless Review - RHA MA650 Wireless
4.0 Excellent

The Bottom Line

The RHA MA650 Wireless earphones deliver rich bass and bright, sculpted highs with a solid balance between the two.

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Pros & Cons

    • Strong audio performance with rich bass depth and bright highs.
    • Solid mic clarity.
    • Water-resistant design.
    • Ships with generous array of eartips.
    • Cable slack can get in the way.
    • Not the strongest design for exercise.

RHA MA650 Wireless Specs

Active Noise Cancellation
Boom Mic
Phone Controls
Removable Cable
Type In-Canal
Wire-Free
Wireless

At $99.95, RHA's MA650 Wireless earphones are the most affordable pair in its MA line. They enter a crowded field of solid exercise-friendly Bluetooth earphones, and are perhaps less suited for strenuous exercise than many options we test. They have a sweat-resistant build, but the collarband design and cable slack can sometimes feel cumbersome. From an audio standpoint, however, the earphones offer excellent bass depth, brightness, and balance for the price. If you're looking for a pair of wireless earphones you can take on a run once in a while, the MA650 Wireless deliver excellent value.

Design

Available in black with brushed aluminum highlights, the earphones have a rubberized section that wraps around the neck with cables that ascend from either end and connect to the earpieces. The earpieces have an elegant, smooth metallic contour, and they snap together magnetically when not in use. Some users might find the slack of the cabling between the neckband and the earpieces a little annoying—it has a graceful curve that ensures the earpieces don't pull at your ears, but it can tap against your face at times, and certain collared shirts, jackets, and hoodies will present added obstacles.

With an IPX4 rating, the earphones are resistant to splashes, but they aren't fully waterproof. Don't submerge them, and it's probably not a good idea to run them under the faucet to clean them.

RHA MA650 Wireless inlineAn inline remote control and mic compartment on the right ear's cable houses three buttons—two dedicated volume buttons and a central multifunction button that controls playback, call management, and track navigation. There's a power button and a status LED on the right end of the collarband. A USB-C charging cable is included—it connects to a port located near the power button.

The mic offers above-average intelligibility. Using the Voice Memos app on an iPhone 6s, we we could understand every word recorded, and while there was a slightly distant sound, there wasn't much in the way of distortion or the typical audio artifacts associated with inline Bluetooth mics.

The earphones ship with a plethora of eartips—two pairs of flange-style tips, eight pairs of silicone tips in various sizes, and a pair of Comply foam tips. A padded mesh drawstring pouch is also included.

RHA estimates battery life to be roughly 12 hours, but your results will vary with your volume levels. The earphones can be paired via NFC on compatible devices.

Performance

On tracks with intense sub-bass content, like The Knife's "Silent Shout," the earphones deliver strong bass depth. At top, unwise listening levels, the lows do not distort, and at all levels, the deep bass is matched well with crisp high-mid and high frequency presence.

Bill Callahan's "Drover," a track with far less deep bass in the mix, gives us a better sense of the overall sound signature. The drums on this track get some added bass depth, but nothing that sends them too far into overly thunderous territory. Callahan's baritone vocals have a pleasant low-mid richness, but just as present is the treble edge lent by the sculpted highs. In fact, even the tape hiss in the background is brought forward a bit—this is a very crisp sound signature, with plenty of bass presence to anchor it.

On Jay-Z and Kanye West's "No Church in the Wild," the kick drum loop receives plenty of high-mid presence to accentuate its sharp attack, and again, we hear some vinyl crackle and hiss, typically relegated to the background, brought forward here. The sub-bass synth hits that punctuate the beat are delivered with a solid presence, but nothing as strong as you'll hear on truly bass-boosted earphones. The vocals and higher register aspects of this mix are the most prominent forces through the MA650 Wireless, but things never sound thin—they're just balanced, without over-the-top bass added in.

For orchestral tracks, like the opening scene from John Adams' The Gospel According to the Other Mary, the lower register instrumentation does receive some noticeable boosting, but it exists more in the lows and low-mids, and less so in the sub-bass realm. Just as Callahan's vocals get some added richness, so do the lower register instruments here, but the spotlight still belongs to the higher register brass, strings, and vocals. This is a bright, vibrant sound, with plenty of bass depth without ever going overboard.

Conclusions

If you're looking for exercise-focused Bluetooth in-ears with boosted bass, you have plenty of options. Consider the Jaybird X3, JBL Reflect Fit, or EQ-adjustable Moshi Vortex Air. And if you're not a fan of the MA650's collarband design (or $100 price), consider the JBL Reflect Mini BT. For the price, however, there's little to complain about here, other than a design that seems slightly less suited for intense exercise than many wireless in-ears we test. From an audio perspective, the MA650 Wireless earphones are winners.

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Further Reading

Final Thoughts

RHA MA650 Wireless Review - RHA MA650 Wireless

RHA MA650 Wireless Review

4.0 Excellent

The RHA MA650 Wireless earphones deliver rich bass and bright, sculpted highs with a solid balance between the two.

Get It Now

Buy It Now

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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