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Essential 360 Camera Review

 & Jim Fisher Principal Writer, Cameras

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Essential 360 Camera Review - Essential 360 Camera
3.5 Good

The Bottom Line

The Essential 360 is a small spherical video camera for the PH-1 phone. Video quality is in line with the competition, but you need the phone to make it work.
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Pros & Cons

    • Very small.
    • Real-time processing.
    • Records 4K spherical video at 30fps.
    • Powered by phone.
    • Simple magnetic attachment system.
    • Phone mount design is selfie oriented.
    • No manual exposure options.
    • Omits live streaming support.
    • Takes a few seconds to start.

The Essential 360 Camera is one of the marquee accessories for Andy Rubin's expandable Essential Phone PH-1. It's a small 360-degree camera that snaps onto the back of the PH-1 magnetically, adding spherical video and imaging capability to the handset. There are some things to like about it—stitching is done in real-time and is, for the most part, done well. But because it only works when attached to the phone, it's almost purely for selfie shots. If that's your thing, it's a solid, reasonably priced add-on. But if you want a more versatile camera that can be used without a phone nearby, the 2017 edition of the Samsung Gear 360 is our Editors' Choice.

Design

The Essential 360 is one of the smallest, lightest 360 cameras out there. It measures about 2.6 by 1.3 by 1.0 inches (HWD) and weighs just 1.2 ounces. Dual lenses sit at the top, flanked by microphones on each side, and the camera itself is finished in white and black plastic, with a silver metal bezel around the lens.

Attaching the camera to your phone is easy. There are two small circular divets on the rear of the PH-1 that correspond to electrical contacts on the camera. Line them up and a strong magnetic connection does the rest—the camera snaps right into place and stays there securely. It's similar in concept to the Moto 360 Camera, which snaps onto the back of compatible Motorola phones and stays attached using magnets, but the Essential take is much smaller—the Moto covers up the entire back of the phone. Of course, the add-ons are not cross-compatible.

Because you have to use your phone to run the camera—it has no battery of its own or controls—it's very selfie oriented. Sure, you can attach a clip to your phone to add a tripod mount, but if you're going to do that, you're better off just getting a 360 camera that can operate independently.

Attaching the camera may be quick, but there's some lag when you start it up. You need to wait about three seconds after launching the PH-1's camera app in order to use the device. In the interim you get a black screen. It's an annoying delay that detracts from an otherwise slick experience.

The app itself is very simple. You get a live feed from the camera on your screen. You can swipe to pan and change what you see. There are on-screen buttons to capture stills or video. That's it—you don't get manual exposure control, and there's no support for live streaming.

Video and Image Quality

The Essential features dual ultra-wide f/1.8 lenses, each backed by a 12MP image sensor. Because there's some overlap in lens coverage you don't get 24MP images. Instead photos are captured at 18.4MP resolution, while video comes in at 4K (3,840 by 1,920) at a fixed 30fps capture rate. The more cinematic 24fps frame rate isn't available as an option.

Video quality is on par with other 4K 360 degree cameras we've seen. But you have to remember that those pixels are being stretched across a sphere, not constrained into a tighter 16:9 video frame. Video quality is much closer to standard definition when stretched this much.

Close-up subjects look pretty good, but objects in the distance are soft and pixelated. Exposure is even throughout the frame—with other cameras, video from one lens is slightly brighter than the other and you can see the difference. The automatic stitching is, for the most part, pretty good. Most of my footage was seamless, but if you look closely in the distance you can spot some errors.

There are four internal microphones for audio capture. I shot test footage on the roof deck of our Manhattan office on a fairly windy day. The mic had no problem suppressing mild breeze and picking up my voice clearly, but it did struggle during strong gusts.

Photos have more resolution than video, and look pretty decent. The exposure is consistent throughout the frame, so you can't see the seam in a clear blue sky. I did notice the same stitching anomalies in stills as in video. Colors seem accurate, and I didn't notice an overwhelming amount of purple or green aberrations in areas of high contrast, an issue with some other 360-degree cameras.

Conclusions

The Essential 360 Camera has a pretty niche audience—PH-1 phone owners who have a deep desire to snap spherical selfies. It has some marks in its favor, notably a very compact design, a workflow that doesn't require you to spend time stitching video together, and a reasonable price tag. But there are also some drawbacks—it only works when attached to your phone, which limits creative potential, and there are some glitches with stitching. If you're a PH-1 owner interested in 360-degree imaging, it's worth consideration. But you can do more with our Editors' Choice Samsung Gear 360, a standalone camera. You'll need to use desktop editing software (or an iPhone) to work with the footage, as the Gear 360's Android app only works on Samsung devices, but you won't be limited to selfies, and the camera will continue to be useful if you decide to change phones.

Best Mobile Phone Accessory Picks

Further Reading

Final Thoughts

Essential 360 Camera Review - Essential 360 Camera

Essential 360 Camera Review

3.5 Good

The Essential 360 is a small spherical video camera for the PH-1 phone. Video quality is in line with the competition, but you need the phone to make it work.

Get It Now
Best Deal£38.47

Buy It Now

£38.47

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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