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Hands On: Panasonic's Lumix CM1 Android Camera Phone

 & Jim Fisher Principal Writer, Cameras

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Panasonic was already having a big Photokina with its U.S. announcements, but the Lumix CM1, only targeted for availability in Germany and France at this time, is turning a lot of heads.

The Android 4.4 smartphone has the large 4.7-inch screen, quad-core Qualcomm processor, and LTE connectivity you'd expect from a current Android smartphone, but it's the camera that makes it exciting.

The CM1 uses a 1-inch image sensor, the same 20-megapixel BSI design found in the Lumix DMC-FZ1000, and boasts a Leica DC Elmarit 10.2mm f/2.8 ASPH. prime lens. That gives it a field of view equivalent to a 28mm prime on a full-frame camera, about the same as used by most smartphones. It can also shoot in Raw format if you want to, and it does record 4K video, albeit at a slow 15fps frame rate. If you want to capture smooth 30fps footage, you're limited to 1080p.

I wasn't able to take the CM1 out and about to take photographs around Cologne, as much as I wanted to, but I did get some time to use it. The first thing that struck me was just how slim the CM1 is; at 2.7 by 5.3 by 0.8 inches (HWD), it's a hell of a lot slimmer than the Samsung Galaxy Camera 2 (2.8 by 5.2 by 1.4 inches), and unlike the Galaxy Camera it's a phone, so you can send SMS text messages and make voice calls.

The CM1 also avoids one of the Galaxy Camera's big pitfalls, which is the lack of physical controls. There's a physical ring around the lens that can adjust the aperture or shutter speed depending on which mode you're using, which goes a long way to offer creative control. You'll still have to change shooting modes using the touch screen, but the interface to do so, a touch-screen version of a physical mode dial, seems a bit easier to use than the concentric half-circles that Samsung uses in the Galaxy line.

In addition to the standard shooting modes you'll find on any SLR—program, aperture priority, shutter priority, and full manual—there are a number of art filter modes available, and scene modes for common shooting situations. When shooting in one of the standard modes, a column of touch-sensitive buttons runs along the right of the screen. These offer access to the digital zoom, exposure compensation, aperture, ISO, white balance, and others depending on the mode.

I was most impressed by just how quickly the lens locked focus on a subject. The Lumia 1020 may pack more pixels in its smaller image sensor, but it's painfully slow to focus. The CM1 locked on to an orchid at the table where I was able to spend some time with the camera very quickly. The 1-inch sensor did a great job blurring the background when the flower filled the frame, and while Panasonic doesn't list a minimum focus distance in its data sheet, I was able to get pretty close to the flower and lock on. I wasn't able to save the images I captured on my own memory card, but I was allowed to take an image of the phone's screen when playing back photos.

Like the 1020, there is a digital zoom. When zooming up to 2x the CM1 simply crops the image in-camera, so you'll still end up with a 10-megapixel photo at the 56mm equivalent field of view. It can extend its reach to 4x using a digital zoom, but it's unclear what resolution those images will be. But unlike the Lumia 1020, the camera's flash is an LED light, not a traditional camera flash. The 1-inch sensor should allow you to push the ISO fairly high and still get decent results, but we won't know for sure just how good it will be until we get it into the lab for testing.

The CM1 supports LTE, WCDMA, and GSM cellular communication, but the supported bands aren't listed, so we don't know how useable the device will be in the United States. If you want one desperately, you can purchase it in France or Germany for the steep price of 900 euros. That's expensive, even for an unlocked phone, but when you consider that a similar camera with a 1-inch sensor and prime lens, the Samsung NX Mini, is priced at $450, the premium price is an easier pill to swallow.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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