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Panasonic LX100 Features Big Sensor and 4K Video

 & Jim Fisher Principal Writer, Cameras

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It seems like every time you turn around a new camera with a big image sensor and fixed lens has come to market. These models, which are generally more compact than a mirrorless interchangeable lens camera or D-SLR with comparable glass, appeal to pros who don't want to carry a big camera and lenses all the time as well as and the huge segment of consumers who buy an interchangeable lens camera and never move beyond the kit lens.

The Panasonic DMC-LX100 is another in this class of camera, sporting the same size sensor that you'll find in Micro Four Thirds mirrorless cameras like the GX7 and a 10.9-34mm (24-75mm equivalent) f/1.7-2.8 zoom lens with optical stabilization. The lens covers a similar field of view to the kit zooms included with SLR and mirrorless cameras, but is much brighter than the f/3.5-5.6 zooms that ship with most cameras.

The sensor is a 16-megapixel CMOS chip with a multi-aspect ratio design (so 16:9 photos are actually wider than 4:3 images, rather than just cropped), and 4K video recording is supported. But because of its multi-aspect design, the highest resolution that the camera is capable of recording is 12.8-megapixels. There's a built-in EVF (the same 2,764k-dot LCD used by the GX7) and a 3-inch 921k-dot LCD. The rear display does not support touch input, which is atypical for a Panasonic camera, but there are a number of physical controls, including an aperture ring and shutter speed dial.

In addition to 4K video, there is a 4K photo mode. This mode changes the dynamic range to that of still capture rather than video, and gives you control over the shutter speed when recording video. It's a great choice for capturing fast-moving subjects like birds and sports as it allows you to extract a sharp 8-megapixel still from a video clip that captures action at 30 frames per second.



We had some brief hands-on time with a pre-production model and found that the DFD contrast detect autofocus system, the same one used by the GH4, was quick to lock focus. The LX100 can fire off images at 11fps, but slow to half that speed when tracking subjects with continuous AF. The lens can focus to 3cm at the wide end and 30cm at the telephoto end, so you'll be able to capture images with a shallow depth of field when working close at a wide aperture.

The LX100 can capture images in Raw format, but of course there's also a JPG mode. Panasonic has extended its art filter functionality by supporting full manual controls while using filters. It's got a lot of functionality, but there are some things missing; the LX100 isn't weather sealed, doesn't have a microphone input, and doesn't include an internal ND filter. There's no built-in flash, but there is a hot shoe and Panasonic is including a compact external flash with the camera.

The LX100 will go one sale on November and will be available in silver or black. It's priced at $899.

Panasonic Lumix DMC-GM5


Panasonic is also releasing an interchangeable lens Micro Four Thirds camera. The Lumix DMC-GM5 is a follow up to the svelte GM1. The tiny compact has a few extra physical controls that should make the GM5 just a bit more useable, as well as an integrated EVF. It's not an ultra-sharp viewfinder, just 1,166k dots, but its size and resolution are limited given the GM1's compact design.

The image sensor is a 16-megapixel CMOS chip. It can fire shots at 5.8fps with locked focus or at 5fps with tracking. The rear 3-inch 921k-dot LCD is touch sensitive, and the creative filters work in manual control modes, just like the LX100.

The GM5 doesn't have a built-in flash; instead it ships with the same compact strobe as the LX100. It has an electronic shutter that can capture photos at 1/6,000-second and supports 1080p60 video acquisition.

Panasonic is selling the GM5 in red or black. It will go on sale in November for $900. The 12-32mm zoom is included at that price, Panasonic will not be selling the GM5 as a body only.

Two new Micro Four Thirds lenses are also coming in November. There's a new 35-100mm f/4-5.6 telezoom that's quite compact for $399, and there's a new version of the 14mm f/2.5 for the same price. The new 14mm lens only differs from the older version cosmetically; optically they are identical.

Finally, Panasonic is releasing new firmware for the GH4 and FZ1000 in October. Both are going to get the 4K photo mode and 4K/23.98fps video in MP4. The GH4 is also getting ISO upper level control and flash compensation control via the front dial, as well as remote-controlled tether support via the third-party Promote Control device. The FZ1000 is getting new shutter sounds, including one that's meant to match the quiet click of a Leica rangefinder.

Panasonic is also releasing an Android powered camera, the DMC-CM1, with a 1-inch image sensor and a fixed 28mm f/2.8 (full-frame equivalent) lens, but that's only going to be available for purchase in European markets.

If you're in the market for a digital camera, take some time to peruse our product guide, or our list of the 10 Best Digital Cameras.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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