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Leica Announces Digital M Without LCD

 & Jim Fisher Principal Writer, Cameras

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COLOGNE—Leica announced a number of new cameras this morning, but none are as unique, or perplexing, as the Leica M Edition 60.

Designed by Audi, the camera eliminates the rear LCD panel, replacing it with a physical ISO dial like you'd find on a film M. The top and bottom plates  are fabricated from stainless steel rather than the typical brass used in M cameras, which gives the limited-edition camera a sharp, polished look.

There's no port for an EVF either, so you won't have the option of diving into camera menus. The M Edition 60 shoots only in Raw DNG format, you'll have to use a Raw converter like Lightroom to process images, and of course there's no way to shoot video. Dr. Andreas Kaufmann, the chairman of Leica's board of directors, stated that omitting the LCD is beneficial to photographers, as it requires the same attention to detail as shooting with film.

Leica M Edition 60

But Leica recognizes the limited audience that will be interested in the M Edition 60. It's limited to 600 pieces, and will be bundled with a matching version of one of Leica's best lenses, the 35mm Summilux-M f/1.4 ASPH.

Leica M-A

The other new M also lacks an LCD screen, but that's because it's a film camera. The fully mechanical M-A has no electronics or internal light meter. It's the same camera that Leica released in May as the limited M Edition 100. It handles just like the classic M3, albeit with a viewfinder with a smaller 0.72x magnification. The M-A's film advance lever feels almost exactly like that of the M3, and the quiet click of its shutter is indistinguishable from a classic Leica. No ship date is set, but it's available for pre-order for $4,750 in black or silver. That price includes a roll of Kodak Tri-X black and white film.

Several new M lenses were announced, all in the entry-level Summarit series. The lenses now have a slightly wider f/2.4 aperture and offer improved image quality. The Summarit-M 35mm f/2.4 ASPH. is priced at $2,250, the Summarit-M 50mm f/2.4 at $1,950, the Summarit-M 75mm f/2.4 at $2,150, and the Summarit-M 90mm f/2.4 at $2,350.

Leica X (Typ 113)

The company's fixed-lens X series is also getting some updates. The Leica X (Typ 113) features a 16-megapixel APS-C CMOS sensor and a 23mm f/1.7 prime lens, which produces a field of view equivalent to a 35mm lens on a full-frame camera. There's no built-in Wi-Fi, but it does support the Visoflex (Typ 020) viewfinder that was introduced with the Leica T; the EVF has built-in GPS. The X (Typ 113) is priced at $2,295. The previous version, the X (Typ 107), will continue to be sold under the X-E (Typ 102) banner; it's priced at $1,795.

Speaking of the T, Leica is bringing two new lenses to market for its uniquely designed mirrorless camera. The Super-Vario-Elmar-T 11-23mm f/3.5-4.5 ASPH. is priced at $1,950, and the APO-Vario-Elmar-T 55-135mm f/3.5-4.5 ASPH. telezoom will sell for the same price.

Leica S (Typ 007)

Medium-format shooters who use Leica's S system will want to take a close look at the new S (Typ 007). Its 37.5-megapixel sensor isn't the highest resolution in this class—CCD medium format backs can reach 80 megapixels, and the Pentax 645Z and Phase One IQ250 use 50-megapixel CMOS sensors.

But the new S has a few tricks up its sleeve, including the ability to record 4K video at 60fps with 4:2:2 color sampling. It can also capture stills at 3.5fps, and has a maximum ISO 6400 sensitivity. Raw images are captured in DNG format with 16-bit color depth. Wi-Fi and GPS are built-in, and its magnesium alloy body is weather sealed. As you'd expect from a medium-format body, the sensor doesn't feature a low pass filter. The S (Typ 007) is priced at $25,400, and the previous S will live on as the S-E (Typ 006) for $16,900. There's one new S lens, the Summicron-S 100mm f/2 ASPH, which is priced at $7,995 and will be able to capture images with an incredibly shallow depth of field.

Leica is also expanding its D-Lux and V-Lux series. The D-Lux (Typ 109) is based on the Panasonic LX100 and will sell for $1,195. The V-Lux (Typ 114) is Leica's version of the Panasonic FZ1000, and will sell for $1,350.

Leica also announced a new cloud photo storage service, the Leica Fotopark. It's launching as a beta this week. Fotopark includes 10GB of complementary storage, and will have additional storage available to purchase after the beta period ends. You'll also be able to order prints and photo books via the service.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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