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No Horses. No Chaps. Drones Are the Stars at This Rodeo

The Drone Rodeo, which coincides with CES, but takes place in the middle of the Las Vegas desert, isn't as fantastical as it sounds, but it's still a lot of fun.

 & Jim Fisher Principal Writer, Cameras

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BOULDER CITY, NV—When I say "Drone Rodeo" you probably get the image of a lively gathering of drone pilots, gracefully moving their quadcopters through the air, and even competing to see who has the best piloting skills. Oh, and they're all riding horses, wearing big cowboy hats, and singing Garth Brooks in perfect tune.

CES 2017 BugIn reality, the Drone Rodeo isn't that romantic. It's essentially a few dozen people he hanging out in the middle of the Nevada desert. There are a couple of tents (one with couches), a food truck dishing out free grilled cheese sandwiches, a drone racing course, and an inexplicable orange Lamborghini.

Drone Rodeo

The reason for the remote location—the Uber driver who ferried me to the event told me it used to be a shooting range—is simple. You need to be five miles from an airport for most drone operations, and there are several airports in the Las Vegas area.

Drone Rodeo

This is the drone rodeo's second year. I didn't make it out last year, so I guess I can safely say that this is my first drone rodeo. I went with a specific purpose in mind, to check out the Epson Moverio BT-300 drone piloting goggles, but lingered to watch some skilled pilots maneuver tiny, high-speed racing models through a set course.

Drone Rodeo

And, in person, what the pilots do with these tiny racers is really a beautiful thing. They climb with elegance and then seem to fall out of the sky—gliding through a gate and then moving onto the next one. If pilots want to show off they'll couple these maneuvers with spins and flips.

It's tough to tell what's going on from the sidelines. The pilots themselves get a first person view through VR goggles—the most popular brand for drone pilots is Fat Shark, a name whose origins can only be speculated upon. ESPN has broadcast some races, but from the perspective of a cameraman, I can imagine just how tough it would be to track the tiny subjects moving across the course with enough tightness to deliver impactful footage and with enough width to show the scale of the whole thing.

But racing drones have cameras to send a video signal back to the operator, and that can be used to intercut with race footage to make it more compelling. The racers on show at the Rodeo were UVify Draco quadcopters, a new model launching at CES. They're small and nimble, and can fly at speeds between 75 and 100mph. UVify provided some footage from the drone's perspective, shot at the Rodeo, below.

The Rodeo wasn't just showing off racers. Attendees were able to test fly models like the DJI Mavic Pro and the Phantom 4 Pro in order to get a better idea of what aerial videography and photography is all about. Larger models, including the Inspire 2 were also on display.

Drone Rodeo

I also got to see a demo of the PowerUp FPV, a paper airplane with a motor that's controlled via a smartphone. But windy conditions and some issues with Wi-Fi were issues. On the first attempted flight, the FPV crashed straight into the ground. The pilot adjusted the engine position to compensate for the wind, but in two subsequent flights the plane lost connection with the controlling phone almost immediately into flight and entered its return to home mode, landing a few dozen feet away.

Drone Rodeo

The Drone Rodeo isn't a huge event—of course, everything looks small compared with CES—but it's a good venue for aerial video and photography enthusiasts and adrenaline-loving drone racers to get together and check out the latest innovations the industry has to offer.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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