PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Hands On: Epson Moverio Smart Glasses Are Built for Drone Flying

The Moverio BT-300 Drone Edition glasses let you keep an eye on your aircraft and see its camera view at the same time.

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS

LAS VEGAS—Flying drones with a first-person view is a tricky proposition. If you're working with a small racer like the Blade Nano QX2, with your main concern being speed and control in a small, confined course, goggles are a necessity. But for pilots more tuned into aerial video and imaging, FAA guidelines recommend that you keep your drone within your line of sight.

CES 2017 Bug

That hasn't stopped companies from marketing these types of aircraft along with goggles. The Ehang Ghostdrone 2.0 VR requires you to use an included pair of VR goggles to see what the aircraft's camera is seeing. Parrot bundles a smartphone VR solution with its Disco and Bebop 2 FPV kits, both of which let you switch between the drone's camera and your phone's camera at will, but it's an inelegant solution at best.

Epson's Moverio BT-300 glasses take a different approach. Instead of monopolizing your vision with the view from your drone's camera, the glasses project it in front of your eyes, while letting you see the world around you as well.

I got to try on the augmented reality glasses at the Drone Rodeo, an event coinciding with CES. The glasses fit snugly on my face, even though I already wear corrective eyeglasses. I had to adjust them a bit to make them rest in the right position—Epson includes an accessory nose guard for glasses wearers that will ease that process.

A small box plugs into your DJI drone's remote control—it's currently compatible with drones in the Mavic, Inspire, and Phantom series that use controllers with HDMI output. Epson says that you can use the glasses with other drones that feature HDMI connectivity, but doesn't guarantee that you'll get the minimal latency that you do with a DJI drone.

The box is an Android device that provides the processing required for the glasses to work, and also has the DJI Go app pre-loaded. There's a small touchpad on the box, as well as a select button, so you can navigate through the DJI Go app. I found it a bit clunky to use, as the app is really designed for a touch-screen interface. When the Mavic Pro that I was flying told me that the battery was low, for example, I couldn't manage to activate the landing button using the control interface.

Granted, this was my first time using the BT-300, and I only had the chance to fly for a few minutes. I hope that I'd get better using the cursor interface with some time and practice.

When the glasses are off, they're just glasses. You can install clear lenses or shaded ones, the latter being the better option for use on bright days. The view from the drone's camera appears within the DJI Go app as normal, but instead of it being shown on a smartphone screen, it floats in front of your eyes.

The display is semi-transparent, so you can actually see through it, but depending on how different what your drone is capturing versus where your head is pointed, you may not notice. Shooting a scene with a lot of blue sky and looking for your drone in the blue sky? It's tricky to see. Your bet bet is to tilt your head left or right, keeping an eye on your aircraft and the other trained on the virtual display.

I personally found the best method to be peering above the slim glasses and into the sky to get a bead on the Mavic, while moving my eyes down a bit when I wanted to see the camera view. I hope with some practice I'd get better at tracking the drone in the sky while simultaneously seeing its camera view and processing both data streams in my brain, but it's not something that I was able to do the first time out. I liken it to keeping one eye open while the other looks through the lens of an SLR, another skill that requires practice.

I need more time—a lot more time—with the Moverio glasses before I'd feel comfortable flying an aircraft with them through any sort of environment where obstacles were an issue. They're certainly preferable to a headset that dominates your vision, but I'm not sure if I'd recommend them over using a large smartphone or small tablet screen to control your drone, along with a physical remote of course.

Veterans of FPV flight may come to a vastly different conclusion. And if you're in that category, it's certainly worth it to give the Moverio glasses a test drive to see if you like them. Buying them on impulse is out of the question, unless you have a significant amount of expendable income. The BT-300 Drone Edition glasses, which go on sale later this month, are priced at $799.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio