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Klipsch R-41PM Review

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Klipsch R-41PM Review - Klipsch R-41PM
4.0 Excellent

The Bottom Line

The Klipsch R-41PM speakers are designed to work with a subwoofer, but even without, they offer powerful audio from both wired and wireless sound sources.
Best Deal£299

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£299

Pros & Cons

    • Excellent audio performance with rich bass and clear, articulated highs.
    • No stereo receiver required.
    • Excellent connectivity, including built-in Bluetooth.
    • Handsome design.
    • Doesn't automatically pair with recently connected devices.
    • Not for those seeking sub-bass rumble.

Klipsch R-41PM Specs

Bluetooth
Channels Stereo
Multi-Room
Physical Connections 3.5mm
Physical Connections Optical
Physical Connections Stereo RCA
Portable
Speakerphone
Voice Assistant None
Water-Resistant
Wi-Fi

We rarely review traditional bookshelf speakers intended to connect to stereo receivers, but the $399 Klipsch R-41PM, sold as a pair, are only traditional from the front. For starters, there's no stereo receiver required—on the rear panel, you can connect directly to a computer via USB, or to a Blu-ray player via Optical. But the real selling point is integrated Bluetooth, so you can easily play music from just about any sound source. In addition, the speakers look quite handsome, and they sound fantastic. You don't need a sub to get rich bass depth from them, though adding one would provide the sub-bass rumble the speakers lack on their own. Either way, these are some of the most versatile bookshelf speakers we've seen.

Design

Available in black, the left and right speakers each measure 9.8 by 5.9 by 7.5 inches (HWD) and weigh a healthy 18.7 pounds. The front cloth grilles are removable, and underneath, each speaker has a handsome 1-inch tweeter (situated in a 90-by-90-degree horn) and a 4-inch copper-spun woofer. The Klispch Reference logo appears on the lower part of the tweeter, and the speakers look undeniably classy, grilles on or off (they snap into place magnetically). Klipsch includes eight silicone pads for the bottom corners of the speakers—especially if placing them on a wood surface, using the pads is advisable as it will keep them stabilized and also help control some of the bass vibrations.

The system delivers a frequency range of 76Hz-21kHz, so while you won't be getting much in the way of sub-bass from the pair alone, the crossover is built in for sub compatibility. And the woofers still manage quite an impressive output despite not digging down to the deep lows—combined, the system output is 70 watts. An included cable connects from the left to the right speaker's rear panel, where the main connections for the system are located.

Klipsch R-41PM inline

On the right speaker's back panel, there's a master volume knob (which works independently of any connected Bluetooth device's volume) that doubles as a source selector when pressed. Next to this is a ground connection for turntables, and there's a switch for toggling between typical line signals and a turntable phono signal, as well as the required RCA inputs for connecting the turntable—no cable is included for this input. Near these, there's a 3.5mm aux input and the aforementioned subwoofer output. To the left of these, there's a USB connection for digital output from a computer—a long, sturdy cable is included for this—as well as the Optical input and a micro USB service port. Both speakers also have a ported area on the rear panel. The included power cable connects to the back of the right speaker.

Not all remote controls are essential, but you don't want to lose the one included here. Its rubber buttons handle power, volume, subwoofer volume (should you connect one), mute, play/pause (for Bluetooth), and Bluetooth pairing. There are also dedicated buttons for the various sound sources: Aux, Optical, USB, and Phono. There's an LED button for disabling the status LED and a sub level reset control. The remote runs on two included AAA batteries. The only thing missing here are track navigation buttons, but that isn't a huge issue. If there's complaint to be made, it's that the remote has a little bit of delay at times when playing or pausing Bluetooth tracks.

Bluetooth pairing is a little clunky. The speakers do not automatically re-pair with your phone or tablet when they are switched to Bluetooth. So every time you want to use Bluetooth, you have to manually connect. It doesn't take long, but it's annoying.

Performance

These are powerful speakers and they get quite loud. At top, insane levels, of course you can encounter distortion, but at safe listening levels that are still very high, we heard nothing of the sort. On tracks with intense sub-bass content, like The Knife's "Silent Shout," the speakers deliver powerful bass depth. As mentioned, the sub-bass realm isn't really part of the R-41PM's repertoire, but they still deliver everything above 76Hz with power and accuracy. Adding in a sub would create some lovely added depth, but it is not essential to enjoy tracks with powerful bass response. Beyond the bass presence, the mids and highs are dutifully represented—this is a bright, crisp sound signature with rich anchoring in the lows.

Bill Callahan's "Drover," a track with far less deep bass in the mix, gives us a better sense of the R-41PM's general sound signature. The drums on this track can sound thunderous and unnatural on some bass-forward systems. Here, they sound full and round but not quite as deep as they would if the speakers could summon some of those sub-bass frequencies. The drums don't feel weak, but they would sound fuller with a subwoofer attached. That said, Callahan's baritone vocals get some lovely added richness in the low-mids—and thankfully there's plenty of high-mid and high-frequency clarity to provide his vocals with treble edge and the guitar strums with some crisp attack.

On Jay-Z and Kanye West's "No Church in the Wild," the kick drum loop receives an ideal high-mid presence, accentuating its punchy attack. The loop also receives some added thump in the lows, but nothing over the top, while the sub-bass synth hits that punctuate the beat are delivered with solid bass presence. But again, nothing that conjures the deepest lows like a subwoofer would. The vocals on this track have excellent clarity and there's no real added sibilance.

Orchestral tracks, like the opening scene from John Adams' The Gospel According to the Other Mary, sound wonderful through the R-41PM. The lower register instrumentation is handled with grace—there's some subtle boosting, but the stage belongs to the higher register brass, strings, and vocals. This is a balanced sound signature, and most of the low-frequency presence on a track like this resides in the range the R-41PM can cover without a sub.

Conclusions

Even without a subwoofer, the Klipsch R-41PM speakers sound fantastic. At $400, they're not cheap, but if there's one thing that feels like we're missing from the all-in-one wireless speaker era, it's the beautiful stereo separation you get from well-placed bookshelf speakers. Here Klipsch takes modern connectivity and applies it to the old stereo template with great results, which will be well worth the money for some. In the stereo speaker department, we're also fans of the Audioengine 2+, the Audioengine A5+, the Edifier R1280T, and the 2.1 Edifier S350DB. Each pair has its strengths, but the R-41PM is a worthy competitor.

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Further Reading

Final Thoughts

Klipsch R-41PM Review - Klipsch R-41PM

Klipsch R-41PM Review

4.0 Excellent

The Klipsch R-41PM speakers are designed to work with a subwoofer, but even without, they offer powerful audio from both wired and wireless sound sources.

Get It Now
Best Deal£299

Buy It Now

£299

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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