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Bowers & Wilkins P7 Mobile Hi-Fi Headphones

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Bowers & Wilkins P7 headphones combine top-notch audio performance with a luxurious design, and despite a high price, earn our Editors' Choice. - Bowers & Wilkins P7 Mobile Hi-Fi Headphones
4.0 Excellent

The Bottom Line

The Bowers & Wilkins P7 headphones combine top-notch audio performance with a luxurious design, and despite a high price, earn our Editors' Choice.

Pros & Cons

    • Superb sound at normal listening levels.
    • Luxurious black leather and aluminum design.
    • Distorts slightly at top volumes on tracks with intense sub-bass content.

Bowers & Wilkins P7 Mobile Hi-Fi Headphones Specs

Phone Controls
Removable Cable
Type Circumaural (over-ear)

Bowers & Wilkins was one of the first luxury/hi-fi audio brands to begin offering more affordable speakers and headphones. Of course, "more affordable" is a relative term—B&W's in-ear and on-ear options start at about $175, and rise steadily through the models. The new P7 is the company's first over-the-ear (circumaural) headphone pair, and at $399.99 (list) also its most expensive. The design exudes luxury, the fit is exceedingly comfortable, and, most importantly, the audio performance is fantastic. The price may be a dealbreaker for some, but the P7 doesn't disappoint otherwise, and it earns our Editors' Choice award.

Design

Styled similarly to its cousin, the on-ear (supra-aural) B&W P5£285 at Amazon UK, the P7 is reminiscent of the leather interior of a luxury car. Practically every surface that isn't aluminum is covered in soft black leather. We're not knocking the visual effect, as it looks stunning, but one does wonder how much of the $400 price tag goes toward the cosmetic materials alone. 

The earcups and headband are both extremely comfortable, but over really long listening periods the weight of the headphones can start to make itself known in the form of pressure on the top of your head. Basically, this is bulky, but regal headphone design—more Rolls Royce than Ferrari.

Two 3.5mm cables (one with an in-line mic and three-button remote for iOS devices, and one with no mic or remote) are included with the P7, which adds a little value to its hefty price tag since cables are the most likely component of headphones to malfunction over time. Even if you manage to go through both cables, buying a replacement will still be far less costly than buying new headphones or sending the P7 in for repairs. The cables connect to the headphones under a left ear pad that pops off easily and reattaches magnetically. Bowers & Wilkins P7 inline

Along with the cables, a 1/4-inch adapter is included, as is a very luxurious-looking protective leather case. It has a magnetic lid that flips down to close, and the well-designed P7 folds down to a fairly manageable size to fit inside.

Performance

The P7 handled our bass test track, The Knife's "Silent Shout," without warping even at maximum volume. For less intentionally bass-heavy songs, like, Bill Callahan's "Drover," vocals retained the proper amount of treble edge to stay at the front of the mix. This is important, because the drums and his baritone vocal delivery both receive a healthy dollop of low frequency presence, and that can overshadow the treble edge on bass-boosting headphones. The P7 delivers a wonderfully balanced mix, at once powerful, articulate, and dynamic.

On Jay-Z and Kanye West's "No Church in the Wild," the kick drum loop is delivered with an ideal focus on its high-mid attack. Somehow, the P7 sounds as if it adds a little air to the kick drum, and with the low and low-mid sustain it's a formidable sound not often heard in headphones. The sub-bass synth hits are beefy, but not-over-the top, and throughout the track the vocals float over this layered, textured instrumental mix. It's a sound that can appeal to bass lovers as much as audiophiles, sounding great without a completely pure flat response that can make bass seem underwhelming.

On classical tracks like John Adams' "The Chairman Dances," the bass response is at its most subtle, offering soft richness without sounding unnatural. The higher register strings and brass take the spotlight, with an ideal level of crispness on the brass without sounding too bright. Classical lovers seeking true flat response might find the bass here a tad too strong, but for most listeners the P7 offers ideal audio for orchestral music.

If you're hunting in this price range, the excellent Sennheiser Momentum is also a force to reckon with—and it's slightly less expensive with a list price of $350. Perhaps you want something with far less bass and more of a flat response in this price range, then check out the Bang & Olufsen BeoPlay H6. If $350-$400 seems like too much to spend on headphones, the Beyerdynamic Custom One Pro is a less-expensive option with customizable bass response. The P7 easily wins our Editors' Choice award—it's a fantastic, handsome headphone pair with few flaws other than its high price.

Final Thoughts

The Bowers & Wilkins P7 headphones combine top-notch audio performance with a luxurious design, and despite a high price, earn our Editors' Choice. - Bowers & Wilkins P7 Mobile Hi-Fi Headphones

Bowers & Wilkins P7 Mobile Hi-Fi Headphones

4.0 Excellent

The Bowers & Wilkins P7 headphones combine top-notch audio performance with a luxurious design, and despite a high price, earn our Editors' Choice.

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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