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Fujifilm Instax Share SP-2 Review

 & Jim Fisher Principal Writer, Cameras

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Fujifilm Instax Share SP-2 Review - Printers
4.0 Excellent

The Bottom Line

The Fujifilm Instax Share SP-2 is a fun way to print and share photos at events and parties, but the small image format leaves us wanting more.
Best Deal£213.63

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Pros & Cons

    • Chemical printing process.
    • Quick setup.
    • Printing app includes basic editing tools.
    • Black-and-white and sepia print options.
    • Rechargeable battery.
    • Works with Android and iOS smartphones.
    • Small print format lacks impact.
    • High material cost.

With its Instax Share SP-2 ($199.99), Fujifilm takes the instant film format used by many of its cameras, including the Instax Mini 70 ($153.79 at Amazon) , and puts it in a Wi-Fi photo printer that works with modern smartphones and tablets. It's a fun way to share physical images with friends and family, and should be a hit at parties, but the small image format will be unsatisfying for photographers looking to display their work. Until Fujifilm develops a similar product using the larger Instax Wide format, photographers who want instant prints should look at the Editors' Choice Impossible Instant Lab Universal ($195.98 at Amazon) .

Design
The SP-2 ($69.99 at Amazon) is small enough to stow away in a small camera bag or a larger purse. It measures 5.2 by 3.5 by 1.6 inches (HWD) and weighs 8.8 ounces without film loaded. It's powered by a removable NP-45 battery and includes a micro USB cable that is used for charging the battery. Fujifilm rates a fully charged battery for 100 prints—10 full packs of film. This is a step up from the first-generation SP-1 ($99.97 at Amazon) (4.8 by 4 by 1.7 inches, 11 ounces), which uses CR2 photo batteries that are not easily found at retail.

The SP-2 is finished mainly in matte white, and is available with your choice of gold or silver accent panels. Its design is angular but rounded, with a diamond-shaped Power button and a triangular Reprint button the only physical controls. The battery door is on the bottom, but you're more likely to recharge via micro USB. The port is covered by a triangular flap at the bottom of the left side, below the Power and Reprint buttons. On the angled top panel, just above the slot from which prints emerge, are a power indicator and a series of dots that show you how many prints are left in the current film pack.

Fujifilm Instax Share SP-2

The SP-2 ships with a pack of film installed. To replace it, open the rear door (there's a mechanical switch to open the latch), remove the empty pack, and align the yellow line in the compartment with the corresponding one on the new film pack. When you close the door, the dark slide that protects the film from light will automatically eject and the printer is ready for use.

App and Print Quality
While it was possible to print to the SP-1 from a Wi-Fi–enabled Fujifilm digital camera, that's not the case with the SP-2. It works exclusively with mobile devices running at least Android 2.3.3 or iOS 7.1. I connected the SP-2 to my iPhone 6 Plus ($299.00 at Verizon Wireless) with no problems. I simply had to open Settings, connect to the open Wi-Fi network broadcast by the SP-2, and enter a code using the Instax Share app. This isn't the toughest security to crack, especially if you don't change your password from the default 1111, but it's a plus for using the printer in social situations. You can load up a pack of film and let guests at a wedding reception print with a code, no complex WPA2 password required.

Fujifilm Instax Share SP-2 : AppThe app has a number of tools to help you make better prints. Basic editing functions—image rotation and cropping—are included, as are image filters. You can use the built-in Fujifilm Intelligence, Black-and-White, or Sepia filters, or individually adjust the brightness, contrast, and saturation settings. There are also banners and stickers that you can add to images from a gallery of templates, including collage templates that arrange multiple images into a single print. It's also possible to split an image across two prints, which can help sidestep the small Instax print size, but you'll have to deal with a border in the middle of your photo.

Size is an issue. As the prints measure just 1.8 by 2.4 inches, detail is easily lost and wide shots can look a bit muddy. The cost per shot isn't bad for instant film, about $0.75 per photo, but it's a shame that Fuji hasn't brought out a similar printer for the Instax Wide (3.9-by-2.4-inch, $0.80-per-shot) format. If you want bigger prints, the Impossible Instant Lab Universal is a viable alternative. It uses Impossible 600 or SX70 film with a 3.1-by-3.1-inch image area, but is pricey at about $3 per image. Transmitting and printing an image takes about 17 seconds, with the first details emerging about 45 seconds after the process has begun and the print fully developing in 4 to 5 minutes.

Print quality is solid. The Instax format is photochemical, giving digital images a distinctly analog feel. The finish is glossy, which adds a bit of vividness to colors. I did notice that some photos came out a bit darker than expected. I printed a landscape shot of the tree-lined entrance to the Wormsloe site in Savannah, a shadowy scene with dark green and brown as the main colors in the palette. The result was a noticeably underexposed print, with little detail in the shadows. Printing the same image with the Fujifilm Intelligence filter applied netted an image closer to what I was seeing on my calibrated computer screen, but without the nuance that a larger print would deliver. Using the Intelligence Filter is a good idea when printing shadowy images.

Macro images and portraits fared much better. I printed a portrait of a puppy with a brown-and-black face against a dark-green background and the subject still popped, even without a filter applied. A macro image of cherry blossoms, bright to begin with, also printed fine without the filter. I did turn it on when printing an image of an airplane wing lit by the last bit of sunshine of the day and was glad that I did. It gave the portion lit by the deep orange light a bit more saturation and the part of the wing in shadow showed details in those dark areas.

Black-and-white printing, available with or without sepia toning, is a big plus. Fujifilm has never offered monochrome Instax film (you can get monochrome Impossible film for Polaroid cameras). I printed a few different black-and-white scenes, including a couple that I had captured using the Leica M Monochrom (Typ 246) ( at Amazon) . Results were strong, especially in the midtones, although some detail was gone from the shadows, just as with color prints.

Conclusions
While serious photographers will feel underwhelmed with 1.8-by-2.4-inch prints, fine art is not the target market for the Instax Share SP-2. Its price tag and app design make it a solid choice for sharing physical snapshots with friends and family. Bring one to your nephew's birthday party, a family reunion, or Christmas dinner and it's sure to be a hit. You and your loved ones will be able to print images from smartphones simply by sharing a four-digit passcode among you. The biggest challenge might be bringing enough film.

If you want a larger print, however, whether for display in a small desktop frame or to give your favorite digital image a truly analog form, the small format suffers. Fuji has yet to release a printer that uses the larger Instax Wide format, but Impossible's Universal Instant Lab delivers similar results (with a different printing method). It's a pricier piece of tech that's also expensive to feed—Impossible film costs about $3 per image—but those who are more serious about moving digital images to instant film will want to give it a look. For the rest of us, the Instax Share SP-2 is a quick, easy, and relatively inexpensive way to print and share digital images that retain a distinct analog charm.

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Further Reading

Final Thoughts

Fujifilm Instax Share SP-2 Review - Printers

Fujifilm Instax Share SP-2 Review

4.0 Excellent

The Fujifilm Instax Share SP-2 is a fun way to print and share photos at events and parties, but the small image format leaves us wanting more.

Get It Now
Best Deal£213.63

Buy It Now

£213.63

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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