PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Olympus M.Zuiko Digital ED 17mm f1.8

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
Olympus M.Zuiko Digital ED 17mm f1.8 - Olympus M.Zuiko Digital ED 17mm f1.8
4.0 Excellent

The Bottom Line

The Olympus M.Zuiko Digital 17mm f1.8 is a fast wide-angle lens for Micro Four Thirds cameras. It's extremely sharp, and doesn't cost an arm and a leg.
Best Deal£340

Buy It Now

£340

Pros & Cons

    • Very sharp.
    • Fast aperture.
    • Compact.
    • Manual focus clutch system.
    • Virtually no barrel distortion.
    • Hood not included.
    • Not weather sealed.

Olympus M.Zuiko Digital ED 17mm f1.8 Specs

Type Lens

The Olympus M.Zuiko Digital 17mm f1.8 ($499.99 direct)($349.00 at Amazon) is a fast wide-angle lens for Micro Four Thirds cameras. The image sensors in these cameras are smaller than a 35mm film frame or a full-frame D-SLR, which gives the lens a field of view that's roughly equivalent to a 35mm lens in that format—a classic wide-angle design. It's incredibly sharp, even wide open, and compatible with mirrorless cameras from Olympus and Panasonic. It's a bit more expensive than the Canon EF-M 22mm f/2 STM($249.00 at Amazon), which is compatible with EOS M cameras, but is compatible with a wider range of camera bodies. Because of this it earns our Editors' Choice award for wide-angle lenses for compact interchangeable lens cameras.

The lens is fairly small, measuring just 1.4 by 2.3 inches (HD). It's a bit heavy for its size at 4.2 ounces, but that's due to an all-metal lens barrel. It has a standard 46mm filter thread and includes a clip-on lens cap, but there's no lens hood included. Olympus sells a metal hood, but it's a bit pricey at $62.99; if you're willing to go off-brand you can find generic metal hoods on eBay for only a few dollars. 

The minimum focus distance is 9.8 inches, which allows you to capture images with an impressively shallow depth of field when the lens is used at its maximum aperture. Autofocus is extremely quiet, which is helpful when shooting video. If you prefer to manually focus you simply need to pull the focus ring back to engage it—there's no need to dive into camera menu settings.

The lens isn't weather-sealed, which isn't something that is normally a concern—but if you shoot with the Olympus OM-D E-M5($499.00 at Amazon) you'll want to take that into account, as that camera won't be fully protected from the elements when paired with this lens.

I used Imatest to check the sharpness of the lens when paired with the Olympus E-M5. Its sharpness is better than the 1,800 lines per picture height that we require for an image to be considered sharp. At f/1.8 it records 1,943 lines, with slight softness at the edges of the frame. Stopping down to f/2.8 increases the score to 2,217 and also sharpens up the edges. At f/4 the score increases to 2,364 lines, and it peaks at 2,415 lines at f/5.6. Barrel distortion is a complete nonfactor—it records only 0.01 percent, so straight lines will appear perfectly straight when captured with the 17mm f/1.8.

It's tough to find fault with the Olympus M.Zuiko Digital 17mm f1.8. The lens has a fast aperture with excellent sharpness and minimal distortion, all while delivering a classic wide-angle field of view. The build quality is solid thanks to a metal lens barrel, and it's easy to switch between manual focus and autofocus. Olympus should have included a hood, especially when you consider the $500 price tag, as using one will help to improve contrast and reduce the possibilities of flare when shooting. There's also no weather sealing, so your dust- and splash-proof OM-D E-M5 won't be completely protected when this lens is attached. Despite these quibbles, the lens is a worthy addition to any Micro Four Thirds camera kit. It earns our Editors' Choice for wide-angle lenses for mirrorless cameras.

Best Camera Picks

Camera Product Comparisons

Further Reading

Final Thoughts

Olympus M.Zuiko Digital ED 17mm f1.8 - Olympus M.Zuiko Digital ED 17mm f1.8

Olympus M.Zuiko Digital 17mm f1.8 Review

4.0 Excellent

The Olympus M.Zuiko Digital 17mm f1.8 is a fast wide-angle lens for Micro Four Thirds cameras. It's extremely sharp, and doesn't cost an arm and a leg.

Get It Now
Best Deal£340

Buy It Now

£340

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio