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What's the Biggest Streaming Service? Depends on Who You Ask

HBO Max is gaining on the big guys... but is it? As JustWatch demonstrates, there are a lot of ways to measure and manipulate video-streaming data.

 & Eric Griffith Senior Editor, Features

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If you've gone searching for info on The Flight Attendant, The Gilded Age, or Peacemaker in the past three months, you may have contributed to the table above. That's a donut of data from the service JustWatch.com, which lets users figure out which shows and movies are streaming and where. According to these stats, HBO Max saw a growth of 2% of its market share, which allowed it to overtake both Disney+ and Hulu. Netflix and Prime Video are still on top.

Another table from JustWatch shows the changes over the quarter per streaming service. Prime Video, HBO Max, Apple TV+, and Paramount+ all went up, Netflix and Hulu are down, and Disney+ stayed the same.

STREAMING CHARTS

But these numbers are based on "measured interest in SVOD [subscription video on demand] services on JustWatch" and only for the US. "Measured interest" translates to how many times someone looked for content and found it on the various streamers. Lots of searches for Stranger Things, for example, would probably push Netflix up, not down (so expect that as the fourth season approaches). But is this the right way to measure SVOD market share? It is, after all, how JustWatch and competitors like ReelGood and now Plex do it: They each use data they've collected from their own users.

And why not? You probably don't want to base it on the number of people with access to the service. Access doesn't equal viewing. A 2021 ScreenMedia article argues that subscriber numbers are "a flawed measure of SVOD success." The reason is that the number of subscribers is self-reported. Netflix cherry-picks how it will report things, usually breaking down things by region so you can't even accurately estimate the number of US-only subscribers, for example. Some streamers report only on paying customers, even if they have a free or give-away tier of service. Amazon has over 200 million subscribers to Amazon Prime worldwide, with 112 million in the US, but it doesn't claim all of them as Prime Video users. Also, few consider YouTube, which is probably the second-most-watched, behind Netflix.

Then there are more traditional methods employed by Nielsen, the audience-measurement company behind the TV ratings for the entirety of television history. Last year, it introduced a new tool to help re-invent itself for the streaming age, using audio-recognition tech to listen in on what people are watching. That's got to be more accurate than relying on people to fill out a paper ballot in their living room and hope they don't lie about watching PBS when they were watching daytime soaps.   

Nielsen—which does take YouTube into consideration—recently released its first State of Play report, which focuses specifically on SVOD services. It noted things like the number of unique titles for streaming is growing (now at 817,000) and that the average time per week spent watching streaming content has gone up by 18% in a year, from 143.2 minutes in February 2021 to 169.4 minutes in 2022.

The Nielsen ratings report each month still pegs cable TV as the major way people get TV content, but streaming has outpaced broadcast/over-the-air TV. The breakdown within streaming then puts the most viewed services as Netflix followed by YouTube, Hulu, Prime Video, and then Disney+—numbers that almost completely disagree with that data donut at top.

February 2022 ratings from Nielsen's The Gauge

About Our Expert

Eric Griffith

Eric Griffith

Senior Editor, Features

My Experience

I've been writing about computers, the internet, and technology professionally since 1992, more than half of that time with PCMag. I arrived at the end of the print era of PC Magazine as a senior writer. I served for a time as managing editor of business coverage before settling back into the features team for the last decade and a half. I write features on all tech topics, plus I handle several special projects, including the Readers' Choice and Business Choice surveys and yearly coverage of the Best ISPs and Best Gaming ISPs, Best Products of the Year, and Best Brands (plus the Best Brands for Tech Support, Longevity, and Reliability).

I started in tech publishing right out of college, writing and editing stories about hardware and development tools. I migrated to software and hardware coverage for families, and I spent several years exclusively writing about the then-burgeoning technology called Wi-Fi. I was on the founding staff of several magazines, including Windows Sources, FamilyPC, and Access Internet Magazine. All of which are now defunct, and it's not my fault. I have freelanced for publications as diverse as Sony Style, Playboy.com, and Flux. I got my degree at Ithaca College in, of all things, television/radio. But I minored in writing so I'd have a future.

In my long-lost free time, I wrote some novels, a couple of which are not just on my hard drive: BETA TEST ("an unusually lighthearted apocalyptic tale," according to Publishers' Weekly) and a YA book called KALI: THE GHOSTING OF SEPULCHER BAY. Go get them on Kindle.

I work from my home in Ithaca, NY, and did it long before pandemics made it cool.

The Technology I Use

My first computer was a Laser 128, an Apple II-compatible clone with an integrated keyboard, matched with an eye-straining monochrome green monitor. I used it to type papers in college for other people for money...until I discovered the Mac SE in the college computer room. That changed my life. My first cellphone was a Samsung Uproar—the silver one with the built-in MP3 player from the Napster days (the pre-iPod era).

I use an iPhone 15 Pro hourly and an iPad Air infrequently (but I'm always in the market for a cheap Android tablet). I have a PlayStation 5 just to play Spider-Man, and several Windows machines, including a work-issued Lenovo ThinkPad. I talk to Alexa and Siri all day long. I do the majority of my computing on a 15-inch LG Gram laptop attached to a Thunderbolt hub to run a multi-monitor setup—I overdid it on the power needed to simply work from home.

I'm most at home in Microsoft Word after decades of writing there. More and more, I turn to services like Google Docs, using tools like Grammarly. I use Google's Chrome browser due to an addiction to several extensions I think I can't live without, but probably could. I use Excel extensively on data-intensive stories, but for chart creation, we've switched over entirely to using Infogram for interactive features that are hard to find elsewhere. I do a lot of graphics work for my stories, but limit myself to the free and amazing Paint.NET software to edit images.

I'm a firm evangelist for using the cloud for backup and syncing of files; I'm primarily using Dropbox, which has never failed me, but I also have redundant setups on Microsoft OneDrive, plus extra picture backups on Amazon Photos and iCloud. Why take chances? For entertainment, mine is a streaming-only household—my kid has never seen network TV and barely been exposed to commercials, thanks to Roku and Amazon Music. The house is peppered with smart speakers from Amazon for instant gratification and control of smart home devices like multiple Wyze cameras and Nest Protect smoke detectors. I've got accounts on all the major social networks, to my horror. I have a robot vacuum for each floor of the house. I want a 3D printer, but not sure what I'd use it for.

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