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Want Cheaper Netflix? Stop Sharing Your Password

It's the chicken and the egg of streaming: Do Netflix users share passwords to save money, or does Netflix cost so much because too many users share?

 & Eric Griffith Senior Editor, Features

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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No one wants to go without Netflix. The streaming service has some of the most buzzed-about original movies and shows, plus a plethora of content from around the world that you can't find anywhere else.

Netflix spends a lot of money to make and license all that content, which is probably why its subscription costs keep rising. CableTV.com did an analysis of the pricing on cable services versus the major streamers for the last decade. Netflix's prices have shot up 89.9%, more than Amazon Prime Video and Hulu combined. Only HBO Max saw a price drop, but that was likely due to the introduction of the $9.99-per-month ad-supported version that launched last year.

STREAM SERVICE Prices

The total hike across the board for streaming-service prices since 2012 is 48.9%. Cable went up only 33.84%, but cable TV usage also plummeted, according to Pew Research, so any price increase might be viewed as excessive.

Just in time for the announcement that Netflix is coming up with a scheme to prevent password sharing outside the house of the account owner—which includes added costs—the online gambling reviews website time2play did a survey of 1,523 Americans across all 50 states plus Washington, D.C., to ask how they use Netflix. It came up with the kind of evidence that makes Netflix feel zero guilt about a price increase or password-protection scheme. Forty-four percent of respondents said they use someone else's Netflix—someone they don't even live with. What’s more, the average Netflix account owner shares with up to 2.3 people.

STEAMING SWINDLERS

Across the 50 states, the lowest percentage of "streaming swindlers" was in Utah, at 23%; the highest was in Ohio, at 59%. Here's the full map.

UNITED STATES OF STREAMING

Seventy-nine percent of the people "stealing" Netflix via their pals say they won't ever pay. (They'll probably count on their altruistic friend or family to pony up the extra $2.99 for them under Netflix's new price plan—which hasn't even launched in the US as of this writing.) Then again, 76.2% of the payers are accessing some other service than Netflix from a friend as well: It's the modern quid pro quo.

For Netflix's actual paying customers, the breaking point will be when Netflix hits a price of $24.66 per month. At this rate, it won't take long. Netflix has increased prices three times since January 2019. The basic plan is now $9.99 in the US and Canada, but to get high-definition video or multiple screen use/multiple downloads, most pay $15.49 for standard or $19.99 for premium with 4K streaming. That last one comes to $239.88 per year, so please watch more than Is It Cake?

You can read the full report—including numbers on the decline of outright illegal video piracy via torrents and the like—at time2play, and check out the pricing data at CableTV.com.

About Our Expert

Eric Griffith

Eric Griffith

Senior Editor, Features

My Experience

I've been writing about computers, the internet, and technology professionally since 1992, more than half of that time with PCMag. I arrived at the end of the print era of PC Magazine as a senior writer. I served for a time as managing editor of business coverage before settling back into the features team for the last decade and a half. I write features on all tech topics, plus I handle several special projects, including the Readers' Choice and Business Choice surveys and yearly coverage of the Best ISPs and Best Gaming ISPs, Best Products of the Year, and Best Brands (plus the Best Brands for Tech Support, Longevity, and Reliability).

I started in tech publishing right out of college, writing and editing stories about hardware and development tools. I migrated to software and hardware coverage for families, and I spent several years exclusively writing about the then-burgeoning technology called Wi-Fi. I was on the founding staff of several magazines, including Windows Sources, FamilyPC, and Access Internet Magazine. All of which are now defunct, and it's not my fault. I have freelanced for publications as diverse as Sony Style, Playboy.com, and Flux. I got my degree at Ithaca College in, of all things, television/radio. But I minored in writing so I'd have a future.

In my long-lost free time, I wrote some novels, a couple of which are not just on my hard drive: BETA TEST ("an unusually lighthearted apocalyptic tale," according to Publishers' Weekly) and a YA book called KALI: THE GHOSTING OF SEPULCHER BAY. Go get them on Kindle.

I work from my home in Ithaca, NY, and did it long before pandemics made it cool.

The Technology I Use

My first computer was a Laser 128, an Apple II-compatible clone with an integrated keyboard, matched with an eye-straining monochrome green monitor. I used it to type papers in college for other people for money...until I discovered the Mac SE in the college computer room. That changed my life. My first cellphone was a Samsung Uproar—the silver one with the built-in MP3 player from the Napster days (the pre-iPod era).

I use an iPhone 15 Pro hourly and an iPad Air infrequently (but I'm always in the market for a cheap Android tablet). I have a PlayStation 5 just to play Spider-Man, and several Windows machines, including a work-issued Lenovo ThinkPad. I talk to Alexa and Siri all day long. I do the majority of my computing on a 15-inch LG Gram laptop attached to a Thunderbolt hub to run a multi-monitor setup—I overdid it on the power needed to simply work from home.

I'm most at home in Microsoft Word after decades of writing there. More and more, I turn to services like Google Docs, using tools like Grammarly. I use Google's Chrome browser due to an addiction to several extensions I think I can't live without, but probably could. I use Excel extensively on data-intensive stories, but for chart creation, we've switched over entirely to using Infogram for interactive features that are hard to find elsewhere. I do a lot of graphics work for my stories, but limit myself to the free and amazing Paint.NET software to edit images.

I'm a firm evangelist for using the cloud for backup and syncing of files; I'm primarily using Dropbox, which has never failed me, but I also have redundant setups on Microsoft OneDrive, plus extra picture backups on Amazon Photos and iCloud. Why take chances? For entertainment, mine is a streaming-only household—my kid has never seen network TV and barely been exposed to commercials, thanks to Roku and Amazon Music. The house is peppered with smart speakers from Amazon for instant gratification and control of smart home devices like multiple Wyze cameras and Nest Protect smoke detectors. I've got accounts on all the major social networks, to my horror. I have a robot vacuum for each floor of the house. I want a 3D printer, but not sure what I'd use it for.

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