PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Sony Cameras Can Now Focus on Your Pet's Eyes

The Sony a7 III and a7R III received a big feature update via firmware—the ability to recognize cats and dogs and automatically focus on their eyes.

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS

For a long time, the only reason a camera would get an updated version of its firmware was to squash a few bugs or to modestly improve some aspect of performance. But things have changed. Fujifilm started the trend of adding or improving features via firmware with its X series of APS-C mirrorless cameras, and competitors have embraced the concept.

That includes Sony, which released Firmware 3.0 for its a7 III and a7R III cameras earlier this month. The firmware changes the way the existing Eye AF function works, and extends it beyond humans, to cats and dogs. (The firmware also adds an in-camera intervalometer, a basic feature that is long overdue. It works well, but doesn't require deep analysis.)

Sony a7R III : Sample Image

Eye detection for animals is good news for anyone who likes to photograph their pets, and Sony isn't stopping there. It plans on adding support for more animals via future updates, and will also be bringing the feature to its a6400 and a9 cameras later this summer.

Eye AF Without the Button—Regardless of Species

I tested the new firmware with the a7R III and a few cooperative—and furry—friends. Before we dive into talking about how well Eye AF works with animals, we should talk about the changes to the function in general.

Up until now, Eye AF required its own button press to activate. You'd press the button at the center of your camera's rear dial to actively search for eyes. It worked quite well, but was a little cumbersome to use.

Sony a7R III : Face/Eye AF Set

With Firmware 3.0, Eye AF just works. As long as the eye you want to focus on is covered by the active focus area, the camera will find it. This extends to humans and animals. You will need to tell the camera whether it should be looking for a human or animal subject. I wouldn't be surprised if future updates eliminate the need to make the choice—Panasonic introduced a similar feature with its recent S1 and S1R cameras that doesn't require you to choose between people and pets.

I don't pretend to be much of a portrait specialist—I can frame a subject with competence, but if I'm not working with a professional model, I'm just about clueless when it comes to finding the perfect flattering pose. Eye AF doesn't make me a better photographer, but it gives me a little more freedom to experiment with angles when making portraits.

Sony a7R III : Sample Image

Even with the extra button presses that were necessary with earlier versions of the firmware, having a camera that finds the eyes and sets focus allows you to concentrate on making a better image. You can see the system working in real time in the viewfinder. It draws a big box around a detected face, and a smaller one when it finds an eye.

Machine Learning

The camera can do this because it knows what faces and eyes look like. It's something mirrorless models can do well because the camera is receiving so much information from the sensor—the a7 III has 24MP of information to work with for metering, subject recognition, and focus. The high-end Nikon D5 is an astounding pro camera for fast action, but its 180,000-pixel RGB sensor is only able to perform basic face detection.

Sony is using machine learning tools to inform its autofocus system. Existing models already had an internal database of images that told them what a human face and eyes looked like—in a general sense—and now it's building out the feature set by increasing the number of subjects that can be recognized.

Sony a7R III : Sample Image

We should be clear that this doesn't make the a7 III a learning camera. The database doesn't get better as you take more and more images, so there's little chance of your camera becoming self-aware and taking over your life in some sort of Black Mirror fever dream. Instead it's up to Sony to improve it, and dole those improvements out via firmware updates.

Does It Work?

All the fancy features in the world aren't worth anything if they don't work. Thankfully, after some testing with every pet I could manage to visit over a long weekend, I feel like I've got a good handle on the system, and can say it works pretty well. There's some room for improvement, but as you can see in the video below, it finds eyes on dogs and cats with good consistency and speed. The smaller green dots dancing around the camera's screen are the camera's standard focus system; the large green dot appears around the eye when it's detected, and tracks it as it moves.

When your pet is looking at the lens, there is absolutely no problem finding the eye. But there is a little bit of a struggle to identify subjects in profile from time to time, typically if you're trying to acquire focus initially with your furry subject in profile. If it picks up the eye first, and your pet then turns its head, the camera keeps a lock on the eye.

It's one thing to see the focus system in action, but how sharp are the eyes in images? There's more than just focus that goes into that determination—subject motion, your shutter speed, and the quality of the lens you're using are also factors.

Sony a7R III : Sample Image

I opted to test the feature with the a7R III, which uses a dense 42MP image sensor that absolutely requires you to put quality glass on to get exceptionally crisp results. Thankfully I had a few lenses handy that fit the bill. I tried Sony's own FE 70-200mm F2.8 GM OSS, along with the E-mount, but third-party, Zeiss Batis 2/40 CF.

Both of those worked without issue. I noticed some shots where the eyes weren't perfectly in focus, but they were an exception, not the rule. That's pretty fantastic, since I was doing my best to shoot with as shallow a depth of field as possible in order to really stress the focus system.

Sony a7R III : Crop

The Zeiss, particularly, with its f/2 aperture and near-macro focusing ability, is capable of making images with a very shallow depth of field. Take a look at the crop above; despite being a little grainy (the light required an ISO 4000 setting to maintain an 1/80-second shutter speed), you can see the reflection of a ceiling fan and my four-year-old niece in the cat's eye. It doesn't get any sharper than that.

Some Sony owners opt to use non-native lenses via an adapter. I wasn't able to test every adapter and lens, but did try the Canon EF 400mm F4 DO IS II USM along with the Sigma MC-11 adapter. In ample light, the combination focused quickly and accurately, netting portrait results like the uncropped image of Ginger you see below.

Sony a7R III : Sample Image

I did run into issues with the adapted lens in dimmer, indoor conditions. It's not often that you'll be able to use a 400mm effectively in a typical home, but my sister-in-law's studio apartment gave me plenty of working distance to get down on the ground and try it out on her black-and-white cat, Tobiko.

The problem wasn't with the Eye AF, but just hunting for initial focus in general. I found a twist of the manual focus ring to move the lens close was enough to get the autofocus system working right, but there is always going to be a little bit of a lag with an adapter, as it has to translate the commands the Sony camera gives a lens into a language the Canon lens can understand. Native lenses don't suffer—I was able to get the system to work with a cat that was practically in silhouette with the Batis 40mm.

As mentioned, Sony plans on adding support for more animals in future updates. But even without official support, I'd recommend turning it on for your next trip to the zoo. I spoke to some other photographers who found it worked on certain primates, and I'm able to get it to lock onto the eyes of some other species in Google image search results, including lions, tigers, and bears (oh my).

Sony a7R III : Sample Image

That's not a huge surprise—they're similar enough to dogs and cats for the camera to match them up. If you're more of a birder, or a fan of photographing lizards, amphibians, and other exotics, you'll have to wait for Sony to add them to the database. At press time, the cameras simply don't know where their eyes are.

Firmware 3.0 is available as a free download for owners of the Sony a7 III and a7R III.

Thanks to Lensrentals and Sigma for providing equipment to make this story possible. And special thanks to Charles, Duke, Ginger, Jace, Magnum, Max, Suki, and Tobiko for taking the time to pose.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio