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Hands On With Fujifilm's Gorgeous X100V

The Fujiflim X100 series, now entering its fifth generation, has always wowed with retro chic looks. The latest, the X100V, includes an all-new lens, an improved image sensor, and, for the first time, dust and splash protection for all-weather photography.

 & Jim Fisher Principal Writer, Cameras

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The original Fujifilm X100 was a bellwether product for the industry. Announced in late 2010, the X100 was the first small camera that could go toe-to-toe with larger SLRs in imaging prowess, and its retro-chic looks set a design motif that competitors have imitated and which Fujifilm follows to this day. The X100S, X100T, and most recently the X100F followed, all making incremental improvements without changing the basics. The X100 is, and always has been, a very portable, fixed-lens camera with a viewfinder with both optical and electronic views.

The new $1,299.99 X100V brings a few big upgrades to the table, including a new lens, which impacts every image you'll make with the camera. It maintains the same 23mm f/2 design—mimicking the angle of view of a 35mm lens on a full-frame system—but the optical design is, for the first time, updated from the original. We got a chance to spend some time with the camera ahead of its release later this month and have some initial impressions.

Fujifilm X100V : Sample Image

Updated Optics and Sensor

The first X100 was backed by a 12MP sensor. As we've moved to higher-resolution imagers—the X100V sports the same 26.2MP chip introduced with the X-T3—the lens has started to show its age. The updated lens in the new model has more optical elements for sharper images, especially when focusing close.

Fujifilm X100V : Sample Image

It also works better with the X100V's hybrid autofocus system. The older lens, designed to work purely with contrast detection systems, didn't take full advantage of speedier phase detection when it was added. I used the X100V exclusively in AF-C mode for my first look and walked away generally impressed with the speed and accuracy of the autofocus.

The new lens also upgrades the strength of the integral neutral density filter. It now cuts four stops of light when engaged, so you can keep shutter speeds low for smoother motion in video or long-exposure shots in daylight.

Fujifilm X100V : Sample Image

The image sensor is a modest update in terms of resolution—the X100F and X100T both had 24MP chips—but you'll notice it in other ways. The readout is faster, making electronic shutter a more viable option for truly silent photography and Raw capture at up to 30fps, along with better-looking 4K video.

As far as imaging features go, the X100V is identical to the X-Pro3. It supports all of the same film looks, including the 1980s nostalgic favorite, Classic Negative. You can pick from a number of different options, all with adjustable levels of grain. If you work in Raw format, you can go back and apply any film look to images in-camera, creating a separate JPG version of the final edit.

Fujifilm X100V : Sample Image

All-Weather Build

The X100V looks a lot like earlier models, but its body has been redesigned. The big news is the addition of dust and splash protection, adding even more appeal as a compact travel camera. There is a caveat—you need to add a filter to the lens for full protection, which means you'll need to buy a $50 accessory ring in addition to a 49mm filter of your choice.

Fujifilm X100V : Sample Image

The camera is also sealed when one of the accessory lenses is attached—Fujifilm offers one to expand the view for wider-angle shots, and a second to tighten it. The X100V is compatible with the same conversion lenses as previous models.

Just as welcome as weather protection is an improved rear LCD. The X100V's screen still sits flush with the rear of the body, for a streamlined look, but Fujifilm has added a hinge. It pulls out to swing and face up or down, so you can shoot from a low angle without having to get down on the ground.

Fujifilm X100V

The eye-level viewfinder is updated. It's the same one used by the recently released X-Pro3. The optical view is a little brighter, with a view that shows a wider angle than the lens captures, like the rangefinder cameras which inspired the X100V's design. An outline shows what the lens will actually capture, and shifts to compensate for the parallax effect.

When you switch to the electronic mode you get a big, smooth OLED view of the world. It's as good as the best EVFs out there—large to the eye, showing smooth motion and a real-time preview of your frame. I especially like using it for black-and-white work—I used the Acros setting, but shot Raw+JPG, leaving the option to process images as color using Lightroom or the in-camera tools.

The Other Stuff

The camera has a slightly different exterior—Fujifilm has swapped out magnesium alloy top and bottom plates in favor of aluminum. It gives it a bit more premium feel, though not quite to the same level as the titanium X-Pro3.

Fujifilm X100V : Sample Image

The video chops are pretty strong, too. If you want to add some motion to your work, you can do so at 4K DCI quality at up to 30fps. The Eterna profile, tuned for cinematic video, is included, but you can opt for any film look, or a flat profile, when recording.

Fujifilm hasn't done a lot to change the control layout over the years—the X100 has always included dedicated dials for aperture, shutter, and EV control. With this iteration, it dropped the four-way directional pad from the rear, leaving only a small eight-way joystick to set the active focus point and navigate through menus.

Fujifilm X100V

And, while it's almost a given at this point, it's worth calling out the inclusion of Wi-Fi and Bluetooth. You'll be able to send shots from the X100V right to your smartphone, so you can still get the experience of using a real camera, without having to miss out on Instagram likes.

First Impressions

The X100V looks, feels, and handles much like the previous entries in the series. If you love a rangefinder-style camera, the X100V tickles the same fancies as a Leica, for a lot less money. It's the only serious fixed-lens camera on the market with an optical viewfinder, and it's one that shows a bit of area outside of the frame so you can better anticipate a shot.

Fujifilm X100V : Sample Image

There are some compelling reasons to upgrade, too, especially if you're still using one of the early versions. The improved image sensor and lens work better together, netting crisper shots and faster focus, the tilting screen makes it easier to capture the world from askew angles, the EVF is better, and the weather protection adds even more appeal to travelers.

The Fujifilm X100V costs the same as the previous edition, $1,299.99, and will be offered in black or silver finish. It's expected to ship at the end of February. Check back then for a full review.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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