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Klipsch Reference X6i

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Klipsch Reference X6i - Bowers & Wilkins C5 Series 2
4.0 Excellent

The Bottom Line

The Klipsch Reference X6i earphones deliver an audio experience that will appeal most to those wanting to hear something close to what the mix engineer had in mind.
Best Deal£138.37

Buy It Now

£138.37

Pros & Cons

    • Powerful, accurate sound signature with solid balance throughout the lows, mids, and highs.
    • Several eartip options.
    • Inline remote control and microphone.
    • Comfortable, secure fit.
    • Not for those seeking booming bass response.

Klipsch Reference X6i Specs

Active Noise Cancellation
Boom Mic
Phone Controls
Removable Cable
Type In-Canal
Wireless

Thanks to an industry focus on gym-geared Bluetooth headphones and chunky, stylish on-ear headphones, we are seeing far fewer wired in-canal earphones than we used to. That makes the Klipsch Reference X6i a rare treat—this accurate-sounding $179 earphone pair is aimed at the serious music lover. If you're after a massive bass sound, this is not the pair for you—the X6i is all about balance throughout the frequency range. It produces rich lows, clear mids, and crisp highs, but nothing is really boosted or sculpted drastically. It makes for a sound close to what the mix engineer intended.

Design
Available in black or white, the Reference X6i features a wire with a translucent casing that allows for a brown-tinted view of the coiled cables running from the earpieces to the 3.5mm connection point. The hardwired cables from each earpiece join together at roughly mid-torso, with the left-side cable housing the inline remote control compartment, which hangs at roughly chin-level. Because the earpieces are so lightweight, the eartips are able to provide an exceptionally secure—and comfortable—in-canal fit.

Klipsch Reference X6i inlineWith a gold-colored central multifunction button and two dedicated volume buttons, the inline remote (with microphone) controls playback, track navigation, and call management. All of these operations are accomplished by the multifunction button, depending on how many taps you give it. The volume controls only adjust volume, and work in conjunction with your mobile device's master volume levels.

The Reference X6i ships with a detachable shirt clip and six pairs of black (or white, depending on the model) eartips—small, medium, and large versions of a simple rounded silicone eartip, as well as a flange-style eartip. A billfold-style black leatherette carrying pouch is also included. It looks pretty cool, but it leaves the earphones a bit exposed rather than enclosing them.

Performance

On tracks with intense sub-bass presence, like The Knife's "Silent Shout," the Reference X6i delivers powerful, thumping bass that doesn't distort, even at top, unwise listening levels. At moderate levels, the Reference X6i still provides plenty of deep bass response, matched by a healthy balance of higher frequency presence.

Bill Callahan's "Drover," a track with less in the way of powerful deep bass, gives us a better sense of the Reference X6i's overall sound signature. The drums on this track can often sound overwhelmingly massive on heavily bass-boosted earphones, but through the Reference X6i, the drums sound modest—neither thin nor brittle, but certainly not thunderous. This is a good thing if you're after an accurate sound signature. Callahan's baritone vocals sound rich in the low-mids, but not really boosted much in the lower range, which allows them to remain clear instead of getting muddy. The guitar strumming stands out brightly and pleasantly in the mix. This is a sound signature that doesn't invent bass where it doesn't exist, and gives equal time to lows, mids, and highs.

On Jay-Z and Kanye West's "No Church in the Wild," the kick drum loop receives just enough high-mid presence for its attack to retain a sharp edge, slicing through the layers of the mix—though the overall mix could stand just a hair more high-mid presence. The sub-bass synth hits that punctuate the beat possess a solid low frequency presence, but the lows here sound nothing like they often do on earphones that boost the deep bass to subwoofer-like levels. Again, this is a balanced sound signature—purists will find plenty to like here, but big bass lovers will find things a tad mild.

Orchestral tracks, like the opening scene in John Adams' The Gospel According to the Other Mary, sound fantastic through the Reference X6i. Lower register instrumentation is given a lovely, rich presence in the mix—nothing is too boosted, but there's a little added body that is apparent at certain moments. The bright presence of the higher register strings, brass, and vocals is neither harsh nor overly exaggerated. Just about every element of the frequency range sounds as it should, which makes these earphones a solid choice in this price range for orchestral and jazz music lovers (or anyone else) seeking an accurate mix.

For $179, the Klipsch Reference X6i delivers an audio experience that will appeal most to those wanting to hear something close to what the mix engineer had in mind, and less to anyone seeking thunder and rumble in the lows. If it's more bass you're after, you're in luck—you have a plethora of options that deliver massive or strong-but-reasonable bass. We like the Bowers & Wilkins C5 Series 2 ( at Amazon) , the Yamaha EPH-M200 ($59.00 at Amazon) , and the pricier RHA T20 ($257.27 at Amazon) . If you're after a balanced in-ear sound signature but want to spend less, consider the RHA S500i ( at Amazon)

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Further Reading

Final Thoughts

Klipsch Reference X6i - Bowers & Wilkins C5 Series 2

Klipsch Reference X6i Review

4.0 Excellent

The Klipsch Reference X6i earphones deliver an audio experience that will appeal most to those wanting to hear something close to what the mix engineer had in mind.

Get It Now
Best Deal£138.37

Buy It Now

£138.37

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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