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Meze 99 Classics

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Meze 99 Classics - Meze 99 Classics
4.0 Excellent

The Bottom Line

The Meze 99 Classics are handsomely designed headphones that deliver an exciting audio experience.
Best Deal£269

Buy It Now

£269

Pros & Cons

    • Excellent audio performance with articulate highs and ideal bass response.
    • Comfortable fit.
    • Lots of accessories, including detachable cables with inline remote controls.
    • Expensive.
    • Bulky design not necessarily ideal for mobile use.

Meze 99 Classics Specs

Active Noise Cancellation
Boom Mic
Phone Controls
Removable Cable
Type Circumaural (over-ear)
Wireless

We never know what to expect when testing out a new, boutique audio manufacturer's wares—but from the very first glance, the Meze 99 Classics have high-end, luxury headphones written all over them. And at $309, they are certainly priced like a high-end pair, but do they sound like anything approaching $300 headphones? In short: yes. The 99 Classics offer excellent audio performance, with very well-defined, crisp highs and rich, powerful bass response. They also come with tons of accessories, including detachable cables, and attractive design elements like wood grain earcups. The fit, with memory foam earpads and a self-adjusting headband, is secure and exceedingly comfortable. Because of the excellent audio experience and the thoughtful design, the Meze 99 Classics earn our Editors' Choice award.

Design
The 99 Classics are quite large, even for a circumaural (over-the-ear) pair, mainly because the headband has a metallic frame that hovers above the actual band, holding everything in place. The imitation leather band looks real, and both it and the memory foam earpads are exceptionally comfortable. Sustainable wood earcups (maple, with silver accents and beige earpads; or walnut, with gold accents and black earpads) add a touch of sophistication and style to the design.Meze 99 Classics inline

Inside each earcup, the 99 Classics use a 40mm Neodymium/Mylar transducer. Meze rates the frequency response at 15Hz-25kHz and, at least in the lowest frequencies, you truly hear the depth.

The headphones ship with two detachable audio cables—one with a single-button inline remote control and mic. The cable with the remote is shorter, at 47.3 inches, while the remote-free cable measures 118 inches. Both cables have a Kevlar covering, and individual lines leading up to the left and right ears. The remote, unfortunately, doesn't control volume levels, only playback, track navigation, and call management.

In addition to the cables, the 99 Classics ship with a 1/4-inch headphone jack adapter, an airplane jack adapter, a zip-up pouch to hold the cables and adapters, and a large, hard shell protective case that houses both the headphones and the pouch. Meze did not skimp on accessories in the slightest.

Performance and Conclusions
On tracks with powerful sub-bass content, like The Knife's "Silent Shout," the 99 Classics deliver a perfect balance of bass depth and high frequency definition. The lows on this track sound truly powerful—there's definitely some boosting in the bass department, but it never overwhelms the mix.

Bill Callahan's "Drover," a track with less in the way of deep bass, also sounds fantastic. His baritone vocals get plenty of low-mid richness, but also the necessary amount of high-mid treble edge to keep things clear and well-defined. The drums, which can often sound unnaturally powerful on headphones that overly boost the bass, are powerful and full here, but without ever crossing into ridiculous-bass-boosting territory. The guitar strums are delivered with high-frequency clarity and a sense of solidity in the mids. Every instrument here seems to occupy its own, uncrowded space in the mix.

On Jay-Z and Kanye West's "No Church in the Wild," the attack of the kick drum loop gets just enough high-mid presence to retain its sharpness, allowing it to pierce through the several layers of the mix. The sustain of this loop gets plenty of low frequency thump as well, but it's the sub-bass synth hits that sound the most powerful in the mix—the drivers reproduce them with both ferocity and accuracy, so that their massive presence never threatens to overtake the mix completely. The vocals on this track hover cleanly and clearly over every other element, never sounding muddy nor overly sibilant, just crisp and clear.

Orchestral tracks, like the opening scene in John Adams' The Gospel According to the Other Mary, are a showcase for the higher register strings, brass, and vocals, but the lower register strings get a bit of added depth. There's not so much boosting of the lows that things ever sound unnatural—in fact, the are aspects of the lows and low-mids that bring out the reflections in the room, and the 99 Classics highlight them well. This is a well-balanced sound, with the crispness of the highs complimented perfectly by fullness and richness in the lows and low-mids.

The Meze 99 Classics are an overwhelmingly pleasant surprise. If the hulking mass of their headband is not for you, consider the Bowers & Wilkins P5 Series 2 ($124.99 at Amazon) , the Sony MDR-1A ($225.00 at Amazon) , or the Master & Dynamic MH40 ($172.80 at Amazon) instead—all are excellent, thoughtfully designed options in this price range. If you like the idea of a powerful, balanced headphone pair, but want to spend less money, we are big fans of the far less expensive Marshall Major II ($59.95 at Amazon) . For $309, however, the Meze 99 Classics are graceful, excellent-sounding headphones that are worth your consideration, earning them an Editors' Choice award.

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Further Reading

Final Thoughts

Meze 99 Classics - Meze 99 Classics

Meze 99 Classics Review

4.0 Excellent

The Meze 99 Classics are handsomely designed headphones that deliver an exciting audio experience.

Get It Now
Best Deal£269

Buy It Now

£269

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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