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How to Make Music With Your iPad

The iPad is capable of real music composition work, and in ways that you've probably never seen before; here are the apps you need right now.

 & Jamie Lendino Executive Editor, Reviews

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Much has been made of the iPad's musical capabilities. As it turns out, more and more working musicians have integrated one or more iPads into their rigs—and sometimes even go solo with one (or two, or six).

To get a better idea of what's out there, we rounded up and tested a bunch of iPad music apps. As we found out, as a composition tool, the iPad's time has arrived. First, the sound quality from many of these apps is stunning. The iPad clearly has enough horsepower for complex sample playback and virtual synthesis, although it's somewhat constrained on storage space and multitasking ability next to a PC or Mac.

Even if you normally work with regular desktop recording software, who could deny the appeal of a device that fits almost anywhere, boots instantly, weighs less than one and a half pounds, and only requires a pair of headphones, with no audio interface drivers or complex software updates? Think of a musical idea, and you can lay it down immediately, well before the inspiration fades.

 

For these reviews, I tested sound quality with various pairs of earphones. But even through a revealing pair of Sony MDR-7509HD ($249.99) studio headphones, I heard clear, crisp sound across the full range of frequencies. I chose these closed-back headphones, incidentally, because they have very low impedance, and the iPad 4's headphone jack has no problem driving them to clean levels with plenty of punch. Even so, less costly pairs of headphones and earphones also did the trick.

Getting back to the iPad, in addition to being a great scratch pad for musical ideas, it's a phenomenal accessory to a PC-based workstation. We didn't have time to review these separately, but apps like AC-7 Core ($7.99, pictured below) turn the iPad into a control surface for major digital audio workstations, and serve much of the same purpose as a $1,100 Mackie Control Universal Pro. And programs like forScore 3 ($4.99) arguably turn the iPad into the best sheet-music tool ever. Some new apps like Touch Press's The Orchestra, Korg iPolysix, and Steinberg Cubasis look to take the iPad to a whole new level on its own, too.

To be sure, we're not quite there yet, but it's only a matter of time before you won't need that separate Mac or PC. And it's already possible to use an iPad alone for certain kinds of music projects, as these reviews demonstrated.

AC-7 Core (for iPad)

Composing Music, iPad Style

In this roundup, we tested seven of the most popular music creation apps on the iPad. We started with GarageBand—the natural place to begin, and still one of the best out there for general purpose use—but then branched out into electronic synthesizer emulations and alternative recording studio software. Below, you'll find reviews of four of the best recording tools, and three virtual synthesizer apps that stand alone and generate sound on their own. Read on for the details, choose one (or more than one) that look good to you, and go for it.

Virtual Synthesizers

sunrizer

BeepStreet Sunrizer (for iPad)

Price: $4.99
BeepStreet Sunrizer (for iPad) offers a convincing, lush-sounding virtual analog synthesizer for five bucks; it's tough to beat that kind of value. Read the full review ››


animoog

Moog Music Animoog (for iPad)

Price: $29.99
Moog Music Animoog (for iPad) won't satisfy hardware purists, but it sounds amazing and easily captures the spirit of Moog's storied line of synthesizers. Read the full review ››


retractable

Reactable Systems Reactable Mobile (for iPad)

Price: $9.99
Reactable Systems Reactable Mobile (for iPad) ($9.99, 4 stars) is a unique, powerful tool for composing ambient and electronic music on the fly, as long as you can get your head around it. Read the full review ››


Recording Environments

garageband

Apple GarageBand 1.3 (for iPad)

Price: $4.99
Apple GarageBand (for iPad) brings in-depth audio recording to Apple's tablet, and it's still a winner, even if other recording apps have surpassed it in sheer capability. Read the full review ››


blip

Blip Interactive NanoStudio (for iPad)

Price: $19.99
Blip Interactive NanoStudio (for iPad) may lack polish, but it's a fun, inspiring recording environment with plenty of hidden power for those who are so inclined. Read the full review ››


sampletank

IK Multimedia SampleTank (for iPad)

Price: $19.99
IK Multimedia SampleTank (for iPad) sounds great and offers fun live jamming, although its use as an all-purpose composition tool is more limited. Read the full review ››


flstudio

Image Line FL Studio Mobile HD (for iPad)

Price: $19.99
Image Line FL Studio Mobile HD (for iPad) is a powerful recording environment that's essentially GarageBand for electronic music composers, with its dance-oriented sounds and loop-based recording tools. Read the full review ››


Only Scratching the Surface
There are dozens of other music apps out there for the iPad. Which ones are your favorites? Which ones would you like to see reviewed? Tell me about them in the comments below.

Further Reading

iPad App Reviews

About Our Expert

Jamie Lendino

Jamie Lendino

Executive Editor, Reviews

My Experience

I’ve been a technology journalist and editor for more than 20 years, including for PCMag since 2005. I've also written seven books about retro gaming and computing. Previously, I was the editor-in-chief of ExtremeTech. I’ve been on CNBC and NPR's All Things Considered talking techplus dozens of radio stations around the country. My articles have also appeared in Popular ScienceConsumer ReportsComputer Power UserPC Today, Electronic MusicianSound and Vision, and CNET.

Before all this, I was in IT supporting Windows NT on Wall Street in the late 1990s. I realized I’d much rather play with technology and write about it, than support it 24/7 and be blamed for whatever went wrong. I grew up playing and recording music on keyboards and the Atari ST, and I never really stopped. For a while, I produced sound effects and music for video games (mostly mobile and online games in the 2000s). I still mix and master music for various independent artists, many of whom are friends.

The Technology I Use

I’ve been cross-platform for decades, with PCs and Macs, iPhones and Android, Atari and Intellivision, NES and Sega…I’ve been doing this a while. Especially everything Atari, from the 2600 and 800 through the Atari ST, Jaguar, and Lynx. I bought my first 286 PC in 1989, the same year I bought my first issue of PC Magazine from a newsstand. I subscribed in the 1990s and upgraded to a 386, two 486s, and beyond.

Today, I use a 16-inch MacBook Pro, a custom AMD Ryzen 7 PC, and an Acer Nitro 5 gaming laptop. My phone is an iPhone 14 Pro Max. For music recording, I work in a variety of DAWs (and review them all for PCMag), but my main ones are Logic Pro and Pro Tools. I use an LG 27-inch 4K monitor, a pair of PreSonus Eris E8 XT studio monitors, Beyerdynamic and Sennheiser studio headphones, and a Focusrite audio interface. For my books, I use Scrivener, Microsoft Word, and Adobe InDesign and Photoshop. I also use a zillion emulators of old computers and game consoles for…work. 

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