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Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA - Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA
4.5 Outstanding

The Bottom Line

The Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA is a compact, sharp wide-angle lens for Sony full-frame mirrorless cameras, but it's on the pricey side.
Best Deal£597.55

Buy It Now

£597.55

Pros & Cons

    • Extremely sharp.
    • No distortion.
    • Compact.
    • Solid build quality.
    • Pricey.
    • Not optically stabilized.

Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA Specs

35mm Equivalent (Telephoto) N/A mm
35mm Equivalent (Wide) 35
Dimensions 2.4 by 1.4 inches
Lens Mount Sony E
Stabilization None
Type Lens
Weight 4.2

The Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA ($799.99 direct)($798.00 at Amazon) is one of a pair of prime lenses that the company released along with its full-frame mirrorless camera system. Its field of view is a bit wider than the Sonnar T* FE 55mm F1.8 ZA($998.00 at Amazon), and its aperture isn't as wide. But it's also less expensive, and impressively small. The lens is an excellent performer on both the Alpha 7 and 7R, delivering minimal distortion and impressive edge-to-edge sharpness at all apertures. It's a top-notch lens, living up to its Zeiss branding, and earning our Editors' Choice award.

Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA : Sample Image

The Sonnar T* 35mm covers a classic moderate wide-angle field of view. It measures just 1.4 by 2.4 inches (HD) and weighs just 4.2 ounces. There's a removable hood that adds just a little depth to the lens, it latches in via a bayonet; the included lens cap coves the opening of the hood, but is probably unnecessary due to the protection that the hood provides for the front element of the lens. The filter thread supports 49mm threaded filters, though you'll have to remove the hood if you want to make adjustments to a circular polarizer.

The lens barrel is metal, and there's a wide manual focus ring. It's a focus by wire design, so you'll need to switch the camera to manual focus mode in order for it to function. The Sonnar focuses on objects as close as 13.8 inches (35cm). You don't think of a 35mm f/2.8 as a lens that is capable of really blurring the background of an image, but when working at closer distances to your subject the Sonnar T* 35mm is capable of doing just that, but not like an f/2 lens would.

I used Imatest to check the sharpness of the lens when paired wight he 36-megapixel Alpha 7R($629.99 at Amazon). At f/2.8 it records 3,366 lines per picture height on our SFRPlus Test chart; an 1,800-line score is required to call a photo sharp. Edges are impressive, topping 2,200 lines. The lens gets only slightly sharper as it's stopped down, peaking at 3,537 lines at f/8. On the 24-megapixel A7 the images aren't quite as sharp; they start at 2,872 lines at f/2.8, and increase to about 2,800 lines by f/8. There's no distortion of note.

Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA : Sample Image

The Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA is a gem of a lens. It's sharp from edge to edge at every aperture, shows no distortion, and is light and compact to boot. It's not stabilized, but that's a rare feature in a wide-angle lens and the Alpha 7 and 7R are capable of incredible high ISO performance, so shooting at a higher sensitivity is not an issue. It's simply a great lens, and deserving of our Editors' Choice award.

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Final Thoughts

Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA - Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA

Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA Review

4.5 Outstanding

The Sony Carl Zeiss Sonnar T* FE 35mm F2.8 ZA is a compact, sharp wide-angle lens for Sony full-frame mirrorless cameras, but it's on the pricey side.

Get It Now
Best Deal£597.55

Buy It Now

£597.55

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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