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Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW - Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW
4.0 Excellent

The Bottom Line

The Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW is likely the first lens you'll get with the 645D—and it's a good one.
Best Deal£1745.94

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£1745.94

Pros & Cons

    • Very sharp.
    • Standard-angle field of view.
    • Weather sealed.
    • Fast aperture.
    • Minimal distortion.
    • Expensive.

Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW Specs

Type Lens

The Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW ($1,199.95 direct)($769.95 at Amazon) was the first lens that Pentax released with the 645D($2,175.00 at Amazon) digital medium format camera, and with good reason. It's a standard-angle design, which is an excellent lens for general use, and it's quite sharp. Like the 645D, it's weather-sealed, so you can take it out and shoot in rain and shine alike. The $1,200 price tag is a bit on the high side—Mamiya's similar lens for its digitial medium format system can be found for around $800. But even though the 645D is now priced $1,200 below its original $10,000 asking price, getting into digital medium format photography is not an inexpensive proposition.

The lens itself is fairly squat when you consider the big image sensor it's designed to cover. Even though the 645D's 40-megapixel CCD sensor is a bit smaller than a 6 by 4.5cm film frame, this lens produces an image circle that lets you pair with your 645N film camera if you choose to do so. It measures 3.2 by 2.7 inches, weighs about 14.7 ounces, and supports 67mm filters. A reversible lens hood is included. When paired with the 645D its field of view is roughly equal to a 43mm lens—a focal length that Pentax 35mm SLR shooters are familiar with in the form of the legendary SMC FA 43mm f/1.9 Limited($409.00 at Amazon) lens. If you opt to use it with film, it's a bit wider, acting more like a 35mm wide-angle lens.

I used Imatest to check and see just how sharp this lens can get, and the results were impressive. Even at f/2.8 it exceeds the 1,800 lines per picture height that we use to classify an image as sharp. At f/2.8 it scores 2,325 lines, which increases a bit as you stop the lens down. Edges are a little softer than the center wide open—but still quite sharp—but you get more even scores by f/5.6, where the average is 2,462 lines. It peaks at f/11, scoring 2,544 lines there. Distortion is a nonissue. You should feel free to shoot the lens at any aperture in order to get your shot, as the image quality throughout its range is excellent.

If you're interested in the 645D system, the Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW is a good lens with which to get started. It's very sharp, sealed against the elements, and it can be used on film, if that is still part of your workflow. If you already have a stable of 645 lenses from your analog days, you may feel that you can skip it, especially if your work is restricted to the studio. But if you plan on shooting with the 645D outdoors and want to take advantage of its sealed design, pairing it with a similarly sealed lens is a necessity.

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Final Thoughts

Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW - Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW

Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW Review

4.0 Excellent

The Pentax SMC D FA 645 55mm F2.8 AL (IF) SDM AW is likely the first lens you'll get with the 645D—and it's a good one.

Get It Now
Best Deal£1745.94

Buy It Now

£1745.94

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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