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Photojojo Iris

 & Jim Fisher Principal Writer, Cameras

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The Photojojo Iris lens system promises to expand the capabilities of your iPhone's camera, but it's held back by some attachment and performance issues. - Lenses
2.5 Fair

The Bottom Line

The Photojojo Iris lens system promises to expand the capabilities of your iPhone's camera, but it's held back by some attachment and performance issues.

Pros & Cons

    • Works with all iPhone 6/6s and 6/6s Plus models.
    • Includes macro, fish-eye, and wide lenses.
    • Crisp macro lens.
    • Ill-conceived attachment system.
    • So-so wide and fish-eye lenses.
    • Doesn't work with all phone cases.
    • Doesn't support older iPhones or Android phones.

Cell phones have changed the camera market. There are fewer inexpensive point-and-shoot models available for sale, and those that are priced under $200 typically use sensors that don't offer significant advantages over the very best smartphones in image and video quality. Accordingly, add-on lenses for smartphones have emerged. Many, like the Photojojo Iris system ($69.99), promise excellent image quality, but fall short. Although the included macro lens is capable of taking crisp shots, the fish-eye and wide-angle lenses simply aren't very good. The best phone lens kit we've tested remains the iPro Lens Trio Kit, but it'll cost you more than three times as much.

Design
Most smartphone lenses use a dedicated case to mate with your phone. Photojojo's Iris system doesn't. A lens holder, mounted on an elastic cord, is used to secure the included add-on lenses to your phone. It matches with a transparent plastic mount, which is designed to be held in place by your phone's case.

Instructions are included to show you how to measure the thickness of your phone case so you can set the lens holder to one of three settings to match. It works with most standard iPhone 6/6s and iPhone 6/6s Plus cases—battery cases are too thick—but you will need to make sure that there is a single, large opening that reveals both the camera lens and LED flash. I wasn't able to use the Iris mount with the case that ships with the Imvio add-on lenses, as it has separate openings for the lens and flash.

Photojojo Iris

If you don't use a phone case, custom-molded mounts for the iPhone 6 or 6s, and the 6 Plus or 6s Plus are included. While you can wrap the cord around other phones, the Iris system is only intended for use with iPhones.

The cord system is unique, but ill-conceived. I found it to be tricky to attach properly. It's also not that steady, with the elastic cord allowing some give, which led to lenses being slightly off-center even with the aid of the small plastic mounting post. And in order for lenses like this to work their best, they need to be perfectly centered over your iPhone's camera lens.

The lens holder itself is perhaps too snug. The individual optics lock in with assurance, and aren't easily removed. I struggled to swap lenses in the field, though. It should be easy enough to do without having to remove the holder from the phone itself, but I found that wasn't the case. Not enough of the lens juts out from the holder to get a solid grip. Using one of the rubber lens caps to get a better grip on the lens can help, but it's still too much of a struggle to change lenses.

Photojojo Iris : Macro Sample Image

Image Quality
The lenses themselves are a mixed bag when it comes to image quality. First, the good: The macro lens is a solid optic. It allows the iPhone to focus very close and capture a good amount of detail. I used it to shoot close-ups of street art (above) and the texture of the wall and paint really shine through. When working close with subjects that aren't flat you can also manage a shallow depth of field, a trick that a phone usually can't do.

iPhone 6 Plus : Sample Image

The wide and fish-eye lenses aren't as good as the macro. I shot an image from the same position with the naked iPhone 6 Plus lens (above), along with each of the add-on lenses. As you can see below, the wide lens noticeably broadens the field of view of the iPhone's camera. A close look at the photo shows that the center remains fairly crisp—there is a drop in quality, but it's not dramatic. But the outer edges of the frame are dim and blurry.

Photojojo Iris : Wide Sample Image

The fish-eye lens is worse. Even the center of the image is soft and murky. And the amount of blur around the edges of the frame is excessive. It looks as if you're adding a blurred circular vignette to the image that the naked phone lens captures. 

Photojojo Iris : Fish-eye Sample Image

Conclusions
The Photojojo Iris system isn't a product that I can recommend buying. The macro lens is worth your money, but the wide and fish-eye lenses just aren't that good, and the cord-based attachment system is inelegant. It doesn't do a great job keeping add-on lenses perfectly centered over your iPhone's lens, and the cup that holds the add-ons is tight to the point where it's a pain to swap optics in the field. If you're really serious about smartphone photography and want to explore add-on lenses, consider instead the iPro system. It's a lot more expensive, and requires you to use a case that's specific to your phone, but I found the fish-eye, telephoto, and macro lenses included in the starter Trio Kit to be strong performers. You may also want to go the other way and go for a more artistic look with the Lensbaby Creative Mobile Kit or the LM-10 Sweet Spot Lens

Final Thoughts

The Photojojo Iris lens system promises to expand the capabilities of your iPhone's camera, but it's held back by some attachment and performance issues. - Lenses

Photojojo Iris

2.5 Fair

The Photojojo Iris lens system promises to expand the capabilities of your iPhone's camera, but it's held back by some attachment and performance issues.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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