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Lensbaby Creative Mobile Kit

 & Jim Fisher Principal Writer, Cameras

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The Lensbaby Creative Mobile Kit includes two special effect lenses that work with your smartphone camera, but its app needs some work. - Lensbaby Creative Mobile Kit
3.5 Good

The Bottom Line

The Lensbaby Creative Mobile Kit includes two special effect lenses that work with your smartphone camera, but its app needs some work.
Best Deal£120.55

Buy It Now

£120.55

Pros & Cons

    • Includes Sweet Spot and Reflective Circle lenses.
    • Compatible with Android and iOS devices.
    • iPhone version includes mounting clip.
    • Frequent software crashes.
    • Precludes use of most protective cases.

The Lensbaby Creative Mobile Kit ($89.95) is the company's second crack at making an add-on lens kit for smartphones. It's a little more expensive than the LM-10 Sweet Spot Lens that we reviewed earlier this year, but the add-on lenses are smaller, and don't cause magnetic interference when paired with the iPhone 6 Plus. Each lens is a lot of fun in its own way, but the app needs some work. Frequent crashes when saving pictures—which causes images to be lost forever—put a damper on this kit, but thankfully you don't have to use Lensbaby's software at all.

Design
If you have an iPhone 5 or newer, you can buy the Creative Mobile Kit along with a small plastic clip that fits snugly around your phone's camera. If you use an older iPhone or an Android phone, you'll need to stick the included metal ring (backed with adhesive) to your phone. When using the clip, take care not to slide the lens in all the way—that actually makes it a bit off center, and you'll get darkened corners at one side of your image. The actual center point is just a little shy of being fully clipped on.

Lensbaby Creative Mobile Kit : Sample Image

Each of the included lenses—the LM-20 Sweet Spot and the LM-30 Reflective Circle—has a magnetic mounting ring incorporated into its design. When I used the LM-10 Sweet Spot lens with my iPhone 6 Plus (which mounts in a similar fashion) I had issues with the optical stabilization system suddenly shaking about. That issue didn't pop up with the LM-20 or the LM-30, even when I tried to reproduce the phenomenon. I'd say that Lensbaby has fixed this issue, so iPhone 6 Plus owners can give this kit a look. It's possible that the magnet is not quite as strong, as both lenses are noticeably squatter than the LM-10.

Lensbaby Creative Mobile Kit : Sample Image

In addition to the lenses, a kickstand is included. It's a fine add-on that allows you to set your phone down on a table to FaceTime or Skype using the front camera, and it's able to be used in conjunction with either of the add-on lenses. I rarely used it, though, because as soon as I was done capturing a Lensbaby shot I put my phone back in its protective case—the nature of the add-on clip precludes you from using it with most protective cases. I would have preferred if Lensbaby had released its own protective case, with an integrated mount, like the one used by the iPro lens system.

Lensbaby Creative Mobile Kit : Sample Image

Lenses and App
The LM-20 replicates the look of classic Lensbaby optics. It captures images with a sharp center point of focus—the Sweet Spot—surrounded by blur. That's the same thing that the LM-10 does, but the LM-20 has a larger area of focus. It's an effect that goes a long way to set your images apart from the typical smartphone shot.

The second lens, the LM-30 Reflective Circle, captures images that are sharp in the center and surrounded by reflections. The prismatic effect is certainly unique, and is one that can be really interesting when paired with video capture. Each lens includes a front and rear cap, connected with strong thread.

Lensbaby provides its own camera app for use with the lenses. It needs some work. Some functions are obvious—like the shutter release, white balance adjustment, and orientation flip—but others are represented by puzzling icons, and there's no online help guide for the app. As best as I can tell, the top circle adjustment adds a vignette to images, the aperture icon engages exposure lock, and the slider launched by what appears to be a folded piece of paper adjusts image sharpness. That's not the real problem with the app, though. At press time, the current version—2.0—crashes, and it crashes frequently. Crashes often occur after an image is captured, and when the app crashes under this circumstance, it doesn't save the image you just captured. I often had to reboot my phone in order to stop the app from crashing.

Lensbaby Creative Mobile Kit : App

That would normally be a deal breaker, but thankfully both lenses in this kit work just fine with the  standard iPhone camera app. The only thing you'll need to be careful of is autofocus—you don't want the phone to focus on a blurry part of the Sweet Spot lens, so use the tap-to-focus function and make sure you tap the center area of the frame. Hopefully Lensbaby will fix its app via a future update.

Conclusions
I'd be rating the Lensbaby Creative Mobile Kit a bit higher if wasn't for the issues with the app. But the frequent crashes are certainly a concern, because even though you can use the lenses with any of your phone's camera apps, focus can be an issue. And it'd be a plus if Lensbaby released a series of protective phone cases that worked along with the lenses, as there's always a tinge of fear when I'm using my phone without one. But if you're willing to use your native camera app and be careful of where the autofocus point is set, you'll find that both the LM-20 and LM-30 lenses are capable of capturing compelling images and video that are quite different than what typical smartphone cameras can manage. 

Final Thoughts

The Lensbaby Creative Mobile Kit includes two special effect lenses that work with your smartphone camera, but its app needs some work. - Lensbaby Creative Mobile Kit

Lensbaby Creative Mobile Kit

3.5 Good

The Lensbaby Creative Mobile Kit includes two special effect lenses that work with your smartphone camera, but its app needs some work.

Get It Now
Best Deal£120.55

Buy It Now

£120.55

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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