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Samyang 12mm F2.8 ED AS NC Fish-eye

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Samyang 12mm F2.8 ED AS NC Fish-eye is a solid ultra-wide lens that can be used with full-frame cameras. - Samyang 12mm F2.8 ED AS NCS Fisheye
4.0 Excellent

The Bottom Line

The Lenovo ThinkPad R61 now comes in a widescreen format and looks a lot like our Editors' Choice, the ThinkPad T61 Widescreen.

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Pros & Cons

    • Various widescreen options and resolutions.
    • Only 5.5 pounds.
    • Heavenly keyboard and dual pointing devices.
    • Modular optical drive that you can swap out for an extra battery.
    • Comprehensive management suite.
    • Good performance scores.
    • No Wireless WAN options.

Lenovo Thinkpad R61 Specs

Graphics Memory 358
Graphics Processor Intel GMA X3100
Operating System MS Windows XP Professional
Optical Drive DVD+R DL
Processor Intel Core 2 Duo T7300
Processor Speed 2
RAM (as Tested) 2
Screen Size 14.1
Weight 5.5
Wireless Networking 802.11a/g

The Samyang 12mm F2.8 ED AS NC Fish-eye ($599) is one of the widest lenses you'll find that works with a full-frame camera, but despite this fact—as well as its f/2.8 aperture—it's quite light and compact. The manual focus lens covers a 180-degree diagonal field of view with curved fisheye distortion, and it delivers a look that can be striking when used effectively. It doesn't distort images as much as the Lensbaby Circular Fisheye, and is a solid choice for shooters seeking a unique fisheye look.

The 12mm F2.8 lens covers a full-frame image sensor, and is available for a number of different camera systems. It can be used with Canon, Four Thirds, Nikon, Pentax, and Sony SLRs, as well as mirrorless systems including Canon M, Fujifilm X, Micro Four Thirds, Samsung NX, and Sony E. When you pair the lens with a camera that has an image sensor that's smaller than full-frame, its field of view will be narrowed. In addition to the Samyang brand name, the lens is sold under the Rokinon banner.

Samyang 12mm F2.8 ED AS NC Fish-eye : Sample Image

It's not a big lens; the SLR version measures just 2.8 by 3 inches (HD) and weighs in at 17.8 ounces. Lenses for mirrorless systems are a bit longer, as the distance between the front element and the image sensor has to match that of an SLR. The lens has a physical aperture ring to adjust the f-stop, with half-stop detents and full-stop markings from f/2.8 down to f/22. It's not coupled; most modern lenses keep the iris wide open when focusing, even when the f-stop is set to a narrower value, to keep the viewfinder bright. If you stop the Samyang 12mm down the viewfinder will appear dimmer.

The manual focus ring occupies most of the barrel. It's covered in rubber and moves with smooth, even action. The lens can focus as close at 7.9 inches, and there's a printed distance scale as well as a depth of field scale with markings from f/2.8 through f/8. Manual focus is pretty easy with a lens this wide—the depth of field is forgiving when stopped down, and if your subject is more than 3 feet away, the lens can simply be set to infinity to lock focus. The front lens element is quite big, and curved—filters can't be used with the lens. A hood is built into to the barrel, and a lens cap is included for protection during storage and transport.

Samyang 12mm F2.8 ED AS NC Fish-eye : Sample Image

We normally test lens sharpness using Imatest, but our charts aren't effective for fisheye lenses. I paired the 12mm F2.8 with the Nikon D810 in the field, and was quite happy with the detail it was able to pick up in landscape shots. If you zoom in on a pixel-level, you can see some purple color fringing in high contrast areas along the periphery of the frame, but it's easy enough to remove using software and is really quite minor.

Distortion is also something that we normally test lenses for—but a fisheye lens is designed to have quite a bit of barrel distortion. If you want to minimize it and use the 12mm as an ultra-wide lens you can do so with a combination of technique and software corrections. If you're shooting a landscape, try and keep the camera level with the horizon at the center of the frame and you'll minimize the effect, as you can see in the shot below. You can go a bit further and apply distortion correction in Lightroom (none of the sample images in this review have correction applied), but that will narrow the field of view a bit.

Samyang 12mm F2.8 ED AS NC Fish-eye : Sample Image

A fisheye lens can be a powerful creative tool when used effectively. The Samyang 12mm F2.8 ED AS NC Fish-eye isn't as extreme in its look as a circular fisheye like the one offered by Lensbaby, but there's no mistaking the curved, distorted look that it delivers. It gets more extreme when focusing close on a subject, or when framing your subject toward the edges of the frame. Conversely, you can minimize the look with technique and software to make the lens double as a more traditional ultra-wide angle. Given its field of view, aperture, and the sharp results it delivers, the lens is a solid choice. Some photographers may be turned off by the lack of autofocus, but it's really quite easy to nail focus, especially if you stop down to f/4 or f/5.6. So if you're looking to expand your horizons and add an ultra-wide lens to your kit without breaking the bank, or going for the extreme look of a circular fisheye, put this lens at the top of your list.

Final Thoughts

The Samyang 12mm F2.8 ED AS NC Fish-eye is a solid ultra-wide lens that can be used with full-frame cameras. - Samyang 12mm F2.8 ED AS NCS Fisheye

Samyang 12mm F2.8 ED AS NC Fish-eye

4.0 Excellent

The Lenovo ThinkPad R61 now comes in a widescreen format and looks a lot like our Editors' Choice, the ThinkPad T61 Widescreen.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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